This was still true, I reflected, still perfectly true, my intent remained the same, it was my decisions that were questionable.
In our old house in suburban Anchorage—a city where every street was suburban except three or four downtown blocks—I’d kept us warm through several Alaska winters, Lena and myself, I’d cooked soup and stews and lasagna and other hearty foods in a kitchen shining with copper pots and brimming with heat . . . I’d loved it there, I’d arranged all the spaces exactly the way I wanted them. It had been a golden burrow.
All we had now was a small microwave, its walls cool and thin. People we hardly knew, though they were nice enough. The motel’s walls were thin too. I had no solid walls, I thought. Would a wind rise around us this winter?
A wind would rise, I could feel it already, rise off the gray ocean and howl at the thin motel walls.
And then there was my parents’ home, far nearer than the house in Anchorage, with its solid brick, wooden floors, and soft throw rugs, vines dormant on their trellises till spring. My mother would welcome us, I thought, if only I could shake this phobia of Ned, if only I could just face Ned and stand up to Ned, if I was willing to call Ned’s bluff.
Instead we were living in a room like a cardboard box, with no source of warmth except the wall heater. We were socked in, I thought, perched on the rim of the frigid Atlantic—unknown in a group of other itinerants passing through, their lives as opaque to us as ours must be to them.
This cold, flimsy box was where my irrational impulses had brought us, I thought, my formless certainties.
I HEARD THE YOUNG mogul pacing along the walkway outside the rooms this evening, pacing and talking on his cell phone. Lena was sitting in the bathtub blowing bubbles—she luxuriates in long baths, though without nagging she doesn’t bother to ply a washcloth—and I was reading a magazine in one of our two armchairs, the bathroom door cracked open between us. We’d had dinner early because of her bedtime, but most of the other guests were at the café.
The windows of our room weren’t open, since the temperature was below freezing; the heater thrummed, so at first I didn’t hear his words. But his voice got louder; he grew agitated as the call went on.
“That’s not fucking relevant,” he snapped. “Can we not do this analytical bullshit? If I wanted an analyst I’d lie on a couch and jerk off for two hundred bucks an hour. Hell, put me in a Skinner box. Fix me! . . . I couldn’t give a fuck.”
I glanced at Lena to see if she was paying attention. But the bathroom was farther away from the door than I was, in my homely armchair backed up to the heater, and bobbing in front of her was a waterproof MP3 speaker shaped like a yellow duck and playing sea shanties. She was impervious to the young mogul’s call, dipping a rubber whale toy in and out of the water as it consorted with the duck.
“It has nothing to do with that crap. I’m telling you. My mother was fine. My father was fine. They were both fucking fine. They’re still fucking fine. Everyone should have such fucking decent and doting parents . . . no pervert uncles! Jesus Christ.”
I swept a drape aside to look out, making a sour mother-face that went unseen. If he moved off before Lena caught on I’d be relieved—and it wasn’t so much the swearing that annoyed me as the force of his anger. He stalked by in his elegant leather coat and kicked one of the square wooden posts that was holding up the overhang.
“Well yeah. I told you that already. Not so much now. Before. Doing coke raises your chances of that shit. Plus oxy . . . what? Harvard. Aren’t there brain scans? Some other radioactive shit?”
I decided to join Lena in the bathroom, where I shut the door behind us and ran in some fresh water to rinse the shampoo from her hair. I was thinking the young mogul would be bad news for Kay, if she submitted to the sitcom pickup tactics.
I don’t know if Kay needs an angry young mogul.
ON TV THERE were numerous “exposés” of small children remembering past lives. One two-year-old boy was born with the memories of a fighter pilot shot down in World War II, they said, and repeatedly enacted scenes of the pilot’s fiery cockpit death. He showed a high level of competence at identifying bombers used on the Western Front. A girl of four painted watercolors apparently based on her great-aunt’s early life as an orphan in Minneapolis, although the two had never met before the great-aunt perished of cirrhosis.
Their parents had been skeptical at first, the voice-overs told viewers, but over time had clearly seen no other explanation fit the bill.
“Young Alex’s parents are highly educated, modern professionals,” intoned one narrator. “They did not wish to accept the evidence that past lives are real.”