Soundless

Everywhere we go, everything we do that morning, the foreign sensations follow me. They are caused by all sorts of things and come in all different forms. Two china cups hitting each other. The sliding of the door when the servants come through. Porridge splashing into bowls. Feet hitting the floor. People coughing. At first, I’m curious about what new sensation will come next, riveted as I watch cause and effect happening all around me. But soon my head is hurting again, and I’m lost in a sea of stimuli. I can’t process it all, and for once, I can barely eat. Only the conditioned knowledge of the importance of food drives me to finish my porridge.

When we go to the workroom, there are fewer sensations hitting me, but they’re still present as we all finish up yesterday’s record. Even my calligraphy brush touching canvas creates an effect, just barely perceptible. As I’m finishing up, a much more intense, more jarring sensation occurs—one that sets my teeth on edge and causes me to look up in alarm. I quickly find its source: Another apprentice has dropped a ceramic pot of paint, making a terrible mess of both paint and shattered pieces. I’m the only one in the room, aside from those working immediately beside him, whose attention is drawn to the accident.

Increasingly agitated, I remember how covering my ears with the pillow last night reduced the stimuli. I put my hands over my ears now, and to my amazement, things mercifully fade once more. Even though the reprieve is welcome, my heart races as the implications slam into me. What I’m perceiving when two objects hit each other, the way my ears respond . . . it’s almost like the way the old writings describe . . .

. . . sound.

I immediately shake my head for even considering such a ridiculous thought. It’s ludicrous and impossible. Growing wings would be only slightly more farfetched.

You are unwell? Elder Chen’s hands sign in front of me.

I realize my hands are still pressed to my ears, and I quickly lower them. It’s just a headache, I lie. It’s nothing.

His sharp eyes take me in for a few moments and then turn to my work. Even I can see the imperfections. My mortification increases when he takes up the brush himself and repairs some of my sloppiness. When he finishes, he tells me, Stay back today and rest.

I feel my eyes widen in astonishment. We’ve been taught that doing one’s duty is crucial. Only the direst of illnesses should keep us in bed. The miners, whose work keeps us alive, never get days off.

Elder Chen smiles. You are clearly not yourself today. It’s written all over you. You are one of the most talented artists I have seen in a long time. I’d rather lose one day of labor than risk a long-term ailment. They will make you tea in the kitchen to help with your headache. Spend the duration of the day in rest and study.

There’s nothing to do but bow at the great act of generosity he is showing me. I’m embarrassed at being singled out but even more relieved not to have to face the blur of village activity.

Thank you, master, I tell him.

Who knows? he asks. Perhaps I will take a walk and keep watch at your post. If not, we still have your sister on watch over there, so that part of the mines won’t go unobserved.

My sister! At his words, a jolt of panic hits me. Master Chen’s presence tells me the other elders must be here as well. I didn’t have a chance to check Zhang Jing’s work last night and promised myself I’d do it this morning. I look across the room, and Elder Lian is strolling around, making her way to Zhang Jing’s canvas. Desperately, I search for some sort of distraction, something that will slow Elder Lian and allow me to save Zhang Jing like I always do. Maybe someone will faint from exhaustion. Maybe a servant will burst in with news of another food theft.

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