‘I can see this isn’t a good time,’ he says. ‘But, look, here’s my card. It would be lovely to catch up at some point. I’m meeting someone and I’m late, but it’s great to see you, Amber.’ I take the card and have another attempt at smiling. He touches me on the shoulder and disappears back into the crowd. He couldn’t wait to get away.
I gather all the little pieces of myself together and switch to autopilot. My legs carry me to a small bar just off Oxford Street. I used to come here with Paul when we started dating. We don’t come here any more, I can’t remember the last time we went out. I thought the familiarity of the place would make me feel safe, but it doesn’t. I order a large glass of red wine and manoeuvre my way to the only free table near the open fire. There’s no guard. I move my chair a little further away from it, despite wanting to get warm. I stare at my glass of Malbec, successfully blocking out the seasonal chaos rushing around. I need to persuade a woman who doesn’t like anyone to like me, and if I stare at my drink for long enough, I’m hoping I’ll think of a solution. At the moment, I’ve got nothing.
I take a sip of the wine, just a small one. It’s good. I close my eyes, swallow it down and enjoy the sensation as it coats my throat. I’ve been so foolish. Everything was going well and now I’ve risked it all. I should have tried harder with Madeline, should have stuck to the plan. I can’t lose this job, not yet. There will be a solution, I’m just not convinced that I can come up with it on my own. I need her. I regret the thought and decide I need another drink instead.
When my glass is empty, I order another and pull my phone out of my bag while I wait. I dial Paul’s number. I should have called him straight away, don’t know why I didn’t. He doesn’t answer, so I try again. Nothing, just his voicemail. I don’t leave a message. My second glass of wine arrives and I take a sip, I need it to numb myself but I know I should slow down. I have to maintain a coherent state of mind if I’m going to get things back on track, which I will, because I have to. I should be able to deal with this on my own, but I can’t.
‘I see you’ve started without me,’ says Jo, unwrapping a ridiculously long scarf from around her neck and sliding into the chair opposite. Her smile vanishes when she takes a proper look at my face. ‘What’s wrong? You look like shit.’
‘You don’t know then?’
‘Know what?’
‘I had a chat with Matthew.’
‘That explains your depressive state,’ she says, glancing down at the wine list.
‘I think I’m going to lose my job.’
Jo stares at my face as though looking for something. ‘What the fuck are you talking about?’
‘Madeline has given him an ultimatum. Either I go or she will.’
‘And he’s told you you’re out? Just like that?’
‘Not quite. I have until the New Year to change her mind.’
‘So change her mind.’
‘How?’
‘I don’t know, but they can’t do this to you.’
‘My contract ends in January, so they can just not renew it without there being any mess. I wouldn’t have a leg to stand on. Plus, I suppose it gives them time to find a suitable replacement over the Christmas break.’ I watch Jo process everything I’ve said and I can see she’s reached the same conclusion I had a couple of hours ago.
‘Drama really follows you like a shadow, doesn’t it?’
‘I’m fucked, aren’t I?’
‘Not yet. We’ll think of something; but, first, we’re going to need more wine,’ she says.
‘Can I get another glass of this, please?’ I ask a passing waiter. I turn back to Jo. ‘I can’t lose this job.’
‘You won’t.’
‘I haven’t had time to do everything I needed to do.’ The waiter is still hovering nearby and gives me a look of concern. I smile. He nods politely and goes to get the wine. I glance around the bar and a straw poll of eyes confirm that I’m being too loud. It happens sometimes when I’m tired or drunk. I remind myself to be quiet.
As soon as the wine arrives, Jo tells me to take a notepad and pen out of my bag. She instructs me to write PROJECT MADELINE in big red letters across the top of a blank page, so I do, underlining the words for good measure. Jo is the kind of girl who likes to write everything down. Being like that can get you into trouble if you aren’t careful. She stares at the notepad and I drink some more of the wine, enjoying the feel of its warmth surging down through my body. I smile and Jo grins back, we’ve had the same idea at the same time, like we so often do. She tells me what to write and I furiously scribble every word on the pad, struggling to keep up with what I’m hearing. It’s a good idea.
‘She thinks they’ll never get rid of her, Madeline Frost is Coffee Morning,’ says Jo. I notice that she hasn’t touched her glass.
‘That’s exactly what Matthew said. Perhaps it could be a new jingle,’ I say, expecting her to smile. She doesn’t.
‘But she doesn’t know how your chat with Matthew went. So, maybe what we need to do is get Madeline to think they’ve had enough of her temper tantrums and that they are going to get rid of her,’ she says.
‘But they’d never do that.’
‘She doesn’t know that for sure. Nobody is irreplaceable any more and I’m starting to think if we plant enough seeds, the idea will start to grow. If she didn’t have that job, she’d be nothing. It’s her life, it’s all she has.’
‘Agreed. But how? There isn’t enough time, not now.’ I start to cry again. I can’t help it.
‘It’s OK. Cry if you need to, get it out of your system. Luckily, you’re a pretty crier.’
‘I’m not a pretty anything.’
‘Why do you do that? You’re beautiful. Admittedly, you could make more of an effort . . .’
‘Thanks.’
‘Sorry, but it’s true. Not wearing make-up doesn’t make you look pale and interesting, it just makes you look pale. You’ve got a nice figure but it’s like you’re always trying to hide beneath the same old clothes.’
‘I am trying to hide.’
‘Well stop it.’
She’s right, I’m a mess. My mind rewinds to Edward, he must have thought he’d had a lucky escape not ending up with me.
‘I just bumped into an ex on Oxford Street,’ I say, studying her face for a reaction.
‘Which one?’
‘There’s no need to say it like that, there weren’t that many.’
‘More than me. Who was it?’
‘It doesn’t matter. I just felt like such a frump, such a loser. I wish he hadn’t seen me looking like that, that’s all.’
‘Who cares? Right now you just need to focus on what matters. Go and buy yourself a new wardrobe; a few new dresses, some new shoes, something with a heel, and get some make-up while you’re at it. You need to look really happy and confident tomorrow, just stick it all on a credit card. Madeline knew he would tell you today, so she’ll be expecting you to be upset, probably doesn’t think you’ll come in at all, but you will. We’ll start some rumours on social media. We’ll take control of the situation. You know what you have to do.’
‘Yes, I do.’
‘So go shopping, then go home. Get an early night and come in tomorrow looking fabulous, as though you don’t have a care in the world.’
I do as I’m told, drain my glass and pay the bill. I’ve always stayed within the lines when colouring in my life, but now I’m prepared to let things get a bit messy. Before leaving the bar, I rip the Project Madeline page from my notebook, screw it up and throw it on the open fire, watching the white paper brown and burn.
Now
Boxing Day, December 2016 – Evening