Solo

to a community, to a greater garden, she says.

But what if the garden is barren? I think, still captivated by the way she talks by the way she cares by the way

the moon

paints

her perfect

face.

I see you are staring again.





Portrait of a Woman


I am no Michelangelo I prefer music to mezza fresco this old tree is my canvas and I marvel at your body and soul

the masterpiece that is your pristine walk the heavenly way it colors

the world

from earth to sky.

I want to write your song, is what I want to say, but what comes out is: Can I get that mosquito net, please?





Conversation


You should rest, my friend. The roosters will be here soon.

And with them come eager children who want to meet the American boy.

I doubt if I will sleep with the big rats looming.

Oh, they are more afraid of you than you are of them.

You sure about that?

Positively. What you must keep your eye out for are the mountain lions, she says, laughing so loud even the crickets stop to listen.

Her smile

makes me forget that I am

seven thousand miles away from

the spider

that bit

and poisoned me.





I dig through my suitcase


for my malaria pills beneath the iPad

with 4245 pictures of Chapel I can no longer look at, guitar picks I no longer have use for, wallet with too much money yet never enough

to help me make sense of this life, Charlotte’s Web, which makes me think too much of the spider in my dreams, the clothes and pillow that smell like home, until I reach

Mom’s sealed letter that taunts me

that scares me

that I hold

while I drift off

to the unfamiliar hum and frantic patter of a Ghanaian night.





Text Conversation with Storm


4:45 am

I think I only slept for four hours.

Jet-lagged like crazy.

4:45 am

Plus the roosters started crowing like thirty minutes ago.

You finish the song?

4:45 am

Stop blowing up my phone, Blade. I’m busy.

Studying ciphers.

4:45 am

Ciphers? What are you, a rapper now?

4:46 am

Kabbalah. Don’t hate.

Madonna does it too, I think.

4:46 am

Whatever works. Express Yourself! LOL!

4:47 am

Storm, you still there?

I slept in a makeshift school last night.

4:47 am

It’s really just dirt and concrete. Next stop, hotel.

4:47 am

BLADE, what part of stop bothering me did

you not get!!!

4:47 am

The whole place is a work-in-progress, actually.

4:47 am

Boy, bye.





zZZZZZ


An hour later, when the

roosters take a break, I fall

back asleep and dream

of nothing.





This Morning


Last night, after missing the gentle strum of my guitar that always helps me find

my slumber and finally passing out from the boiling heat, and then

waking up at three am and thinking of all the things I’m going to say to my mother and then falling back asleep at six thirty am, I wake to the sound of chopping timber,

the crying of babies, the thumping of dozens of bare feet kicking a ball outside,

and a little girl with a whopping smile smacking her teeth and winking at me

over and

over again.





Foreign Language


As soon as I open

my eyes,

she runs away,

startled

and yelling

a phrase

I don’t understand.





A Village of Faces


I step outside and see

a large green field filled with twenty or thirty boys and girls running,

kicking

a worn-out ball between

two poles, trying to keep their balance.

A bell gongs and the athletes, along with other kids who’ve been milling around, scurry

in military rows like they’re about to be

inspected.





There must be a hundred


of them,

bright, little faces all lined up

in front of the school, smiling and silent.

What are they doing? I say to no one in particular.

I shrug my shoulders, turn to head back inside, gather my belongings to figure out the next part of my journey, when they all start chanting, GOOD MORNING, MR. BLADE.

I freeze.

To hear your name called in unison in a place

in a time

where you feel nameless and alone

is as stunning and shocking

as fireworks

on a Sunday

in December.

I turn back around, to find Joy

waving me over.





Welcome


HOW ARE YOU? the children say, in unison.

HELLO! How are you?

We are fine, how are you?

I’m good.

Very nice to meet you, sir, they say, again in unison.

The children have a song they’d like to sing you, says Joy, who’s now standing next to me in front of all one hundred children. Children, are you ready?

I am fully prepared for some traditional Ghanaian song, but what I get is: All the kids

doing The Whip and The Nae Nae in utter hilarity, and one of the athletes doing his best

Michael Jackson

impression,

moonwalk and all.





Stories


After about an hour

of dance and song and the kind of cheer

I haven’t had in a while, Joy introduces me to a few children who either want a hug

or my ears so they can tell me their stories their wishes and the names of their favorite American pop stars.





I wish


to find

my mother’s

reasons

for leaving

me alone

and unsure

that love

exists.





Texts to Storm


3:30 pm

Now that I can scratch

sleeping in an African village

off my bucket list

3:30 pm

I’m going to a hotel

for a shower and a

Coke. Call me when

3:30 pm

you wake up,

sleeping beauty.





Goodbye


The taxi drivers

are plentiful now,

still arguing

over who gets

to drive

the American

to the nearest hotel.





The little, winking girl


with a smile

as big

as this country

and apparently

a voice

as powerful

as mine

comes screaming

and crying,

with Joy

chasing

behind her.





Mighty Protector


The little girl

hugs me tight, still crying, and refuses to let go.

She thinks you are going to die, Joy says.

What? Why?

She says you were screaming in your sleep this morning.

Did I scare you with the mosquitoes? I’m sorry.

No, it wasn’t that. I must have been dreaming again.

Well, Sia does not want you to leave. I think she wants to protect you.

I see. That’s so cute. But please tell her I have to go, that I’m on a mission.

She is relentless. Plus, she sometimes stays with Auntie Lucy. They are very close.

Is she an orphan?

She is.

. . . .

Sia, he must go, Joy says to the girl, whose tears have paused since she reached my leg.

It’s okay, I’ll stay for a few extra hours, is what I really don’t want to say. But, I do.





Stay


Thank you for staying. You will be her world for the rest of the day.

It’s no problem. She’s a pretty cute kid.

We find

two folding chairs near the school.

The sky is draped in gray.

No rays of light, but the little girl dancing in front of us

to the music in her head.

When she finishes entertaining us she climbs into my lap and falls asleep.

Joy smiles. See, that’s all it takes.





Conversation


Kwame Alexander, Mary Rand Hess's books