“Why would you? Who wants to think about something like that?”
“I know, but a woman walking around naked in broad daylight … I should have made the connection.”
“It’s better you didn’t.”
The teakettle sings its alarm, and Gertie gets up to retrieve it. When she returns to the table, she opens two envelopes and dunks the bags with her fingertips until the water turns almost black. As he reaches for his cup, she waves him off.
“Not yet.” She digs through her purse and removes a silver flask, shaking it gently to confirm that there’s something left inside.
Gertie didn’t strike him as the type of person who carried alcohol in her bag, but upon closer inspection, it starts to make sense. No one who looks so pulled together ever really is. She empties the flask into their tea, turning it upside down to shake out the last few drops.
“Times like these…,” she says, then looks away, embarrassed. “I actually don’t know what I was going to say there.”
The bourbon and Earl Grey don’t mix well together, but he drinks the acrid concoction anyway. Gertie adds two sugar cubes to her cup, dissolving them slowly with her spoon.
“So … how are they now?” she asks. “Your parents?”
Something about his expression must answer the question for him because she doesn’t bother to wait for a response.
“It was good that your mother came to you that day. That must give you some relief, at least.”
“Why would it?”
“Well, she trusts you. She came to you for help.”
He doubts that Mae trusts anyone. Not him, not his father, not even the people from her church. It was proximity that led her stumbling into his backyard that day, nothing more.
“I’ll give you the listing,” he says. “How soon can you get it on the market?”
Gertie hesitates. “I don’t think I can sell this house, Kyung. I’m sorry.… I really wish I could, but no one’s going to be able to sell it, not for a while.”
“Because of what happened here?”
She nods. “Maybe if you waited a year. People might start to forget, and the market could be in recovery by then,” she adds optimistically. “For now, though, there’s no way. Someone just died here. Your mother was … assaulted here. Even if you slashed the price, I can’t see buyers getting past that kind of history. Not yet, at least. It’d be easier to get rid of this place by burning it down.”
Kyung would like nothing more than to take a match to the drapes and watch the flames engulf them, erecting violent walls of amber where real ones once stood. Everything in the house is so old; every piece of its ancient frame is wood. It wouldn’t take long for a fire to reduce it all to an expensive pile of ashes.
“So my father and I are the same, I guess.”
“I don’t follow.”
“We both own houses that you can’t sell.”
At first, Gertie appears hurt by his comment, ready to object. But she takes a long sip of tea instead.
“I’m sorry. I didn’t mean to criticize. I understand that my family’s situation is—complicated.”
“Well, at least you have each other, right? You’re all in this together.”
“Yes,” he says, having resolved not to cry in front of Gertie again. “We all have each other.”
SIX
Kyung unlocks the door to his office and turns on the lights, bracing himself for the noise and flicker of the fluorescent tubes hanging overhead. One by one, they buzz to life, rendering the walls an unpleasant, tobacco-stained shade of yellow. He assumed things would look different when he returned to work, but his books and papers are exactly where he left them, scattered in their usual disarray across the length of his desk. The only thing that’s changed in his absence is the smell—a musty shut-in odor that reminds him of a warm attic. Kyung opens his window, which overlooks a tree-lined quad of office buildings. The campus below is barely awake. A handful of maintenance men and early-bird secretaries travel the sidewalks, their pace leisurely, not yet hurried by the start of the day.