Secrets of the Tulip Sisters

“I have to go get changed,” she said as she hurried to the door. “If you need anything, ask Alan. He knows all.”

Alan winked at her. “That’s true.” Once the door was closed, Alan turned back to him. “And your story is?”

Nick took off the gloves, wiped his hands on a towel sitting on the counter, then stepped out of his jeans. “I’m a carpenter. I answered an ad.” He put the gloves on again, bent over and rubbed up and down his legs.

“I see. Want some help with that?”

Nick didn’t bother looking up. “I’m good.”

“Well, I’m Alan, as you heard. Those two are Joseph and Jonathan. I call them the J’s. They’re high school students earning money on a Saturday. They play football.”

One of the teens looked up. “It’s basketball, Alan. We keep telling you.”

“Whatever. It’s sports and they’re all the same.” Alan turned back to Nick. “I’ve been on Broadway. That’s how I met Gerald. He was my mentor, and then he retired and moved here. I came for the winter weather and stayed. After Gerald died, I moved to LA, but when I’m here, I do this because it’s fun.”

As he spoke, Nick realized that the other man was a lot older than he’d first thought. At least in his late forties.

“People really have Roman weddings?” he asked.

“You have no idea. There are cowboy weddings, too, but I don’t do those.” He shuddered. “Horses are the worst! And they smell. I do like a good princess wedding though. I’m a very handsome courtier, if I do say so myself. But today we’re Romans. All hail Caesar.”

Ten minutes later, Nick stared at himself in the mirror. He was wearing an honest to God toga. Or at least a costume. The short white skirt came to midthigh. The top tied over one shoulder and Alan had given him a circlet of grape leaves to stick on his head. Now, as he laced up sandals, he thought maybe he wouldn’t be telling his brothers what he’d done, after all. They would never let him live it down.

“It’s very simple,” Alan told him when he was dressed. “The bride sits on the palanquin. We lift it up, carry her in. She gets off and we carry it out. The J’s and I also serve at the reception, but I doubt Pallas expects that of you. So you’re free to go.”

Nick didn’t bother pointing out that he’d yet to have his interview. To be honest, he was having his doubts about the job. He’d wanted something to fill his day while he figured out what he was going to do about his commission. While this place offered plenty of distraction, it wasn’t exactly what he was looking for.

Pallas returned. She’d replaced her jeans and T-shirt with a simple dark green dress that brought out her hazel eyes. Her long brown hair was still in its fancy braid and he didn’t think she was wearing any makeup. Of course she wasn’t the bride—she was here to make the bride’s dreams come true.

She walked up to him and nodded in approval. “You look great. Thank you for doing this. I would be in so much trouble if you hadn’t agreed to help out. Did Alan tell you what was going to happen?”

“We carry in the bride, then quietly leave.”

“Right. Oh, we still have to do our interview. I have no excuse for scheduling it so close to a wedding except to say I must have gotten the days wrong. There’s just so much to do.”

Emotions filled her eyes. He read worry, panic and more than a little determination. An interesting combination.

She squared her shoulders. “One crisis at a time, as Gerald always said. We are ready for the wedding. Gentlemen, if you’ll take your positions, please.”

She led the way downstairs. Nick wasn’t sure what to expect, but quicker than he’d anticipated, they were in a room with a frazzled-looking bride, several bridesmaids dressed in what he would guess were Roman-inspired gowns and an honest-to-God palanquin.

He moved closer to the sedan chair and studied the carving on the sides. They were hand done, then attached to what he guessed was a lightweight metal frame.

Pallas got everyone in position. The bride took her seat. Alan took the front right position, which Nick would guess meant he was in charge.

“On three, gentlemen. We lift slowly, in unison and with our knees.” Alan smiled at the bride. “Not that we have to worry about you, darling. You’re no bigger than a minute and so lovely in your gown. It’s designer, isn’t it? Lucky, lucky you.”

The bride visibly relaxed. “Thank you. I love my dress.”

“It loves you back. Shall we? On three.”

Nick waited for the count, then raised the bride. The crossbar had a padded, curved notch for his shoulder. He found he only had to use his hand to steady it, not support it. As Pallas had promised, the bride was light and the weight easy to bear.

He went with the others down the hall. A photographer snapped pictures. Huge double doors opened for them and they walked into a massive room with at least a twenty-foot ceiling.

Guests lined up on either side of the large aisle and a groom in a fancier version of toga waited up at the carved altar. Despite the fact that it was the middle of the afternoon, flickering torches provided light.

They reached the end of the aisle. Alan directed them to lower the bride. When she was with her Roman groom, they carried the palanquin back out. Alan ushered them to a huge outdoor courtyard set up for the reception. The palanquin was set down in a corner.

“People love climbing all over it for pictures,” Alan told Nick. “All right, you’re free to go.” He pointed to a door. “Go through there. You’ll find a staircase that will take you up to the second floor. The dressing room is at the end, on the right.”

“Thanks.”

Nick followed his directions. When he went inside, he saw the staircase. Before he reached it however, he spotted a partially open door.

“No way,” he murmured as he moved closer.

He opened the door wider, swore under his breath and stepped inside.

Several large carved wooden panels hung from tracks where they could slide into place. He stepped to the side and visually followed the track. He would guess it led to the big ballroom he’d just been in.

These panels—easily ten feet tall and twice as wide—were exquisite works of art. The carvings depicted what he would guess was early palace life. There were several tableaux of a royal court and a few outdoor country scenes. Sure, the arrangements were cheesy, but the carving was incredible. Each of the characters in the first relief seemed ready to come to life. He traced the etched lines that created dimension in a few elegant strokes only to feel rough edges. He looked more closely and saw the panels were dinged, dry and in need of some serious TLC. Was this the job Pallas wanted a carpenter for?