Robots vs. Fairies

The winter illness had stunned my brain. Made me dim and forgetful. Metaphor, simile, were mere words, and I couldn’t any longer feel the excitement of their effects. A darkness pervaded my chest and head. I leaned back in my chair away from the computer and turned toward the bookcases. I was concentrating hard not to let the fear of failure in when a damn housefly the size of a grocery-store grape buzzed my left temple, and I slapped myself in the face. It came by again and I ducked, reaching for a magazine with which to do my killing.

That was when a contingent of fairies emerged from the dark half-inch of space beneath the middle of the five bookcases that lined the right wall of my office. There was a swarm of them, like ants round a drip of ice cream on a summer sidewalk. At first I thought I wanted to get back to my story, but soon enough I told myself, You know what? Fuck that story. I folded my arms and watched. At first they appeared distant, but I didn’t fret. I was in no hurry. The clear, strong breath of spring had made of the winter a fleeting shadow. I saw out the window—sunlight, blue sky, and a lazy white cloud. The fairies gave three cheers, and I realized something momentous was afoot.

Although I kept my eyes trained on their number, my concentration sharpened and blurred and sharpened again. When my thoughts were away, I have no idea what I was thinking, but when they weren’t, I was thinking that someday soon I was going to go over to the preserve and walk the two-mile circular path through the golden prairie grass. I decided, in that brief span, that it would only be right to take Nellie the dog with me. All this, as I watched the little people, maybe fifty of them, twenty-five on either side, carry out from under the bookcase the ruler I’d been missing for the past year.

They laid the ruler across a paperback copy of Angela Carter’s Burning Your Boats. It had fallen of its own volition from the bottom shelf three days earlier. Sometimes that happens: the books just take a dive. There was a thick anthology of Norse sagas pretty close to it that had been lying there for five months. I made a mental note to, someday soon, rescue the fallen. No time to contemplate it, though, because four fairies broke off from the crowd, climbed atop the Carter collection, and then took a position at the very end of the ruler, facing the bookcase. I leaned forward to get a better look.

The masses moved like water flowing to where the tome of sagas lay. They swept around it, lifting it end over end, and standing it upright, upside down, so that the horns of the Viking helmet pictured on the cover pointed to the center of the earth. The next thing I knew, they were toppling the thick book. It came down with the weight of two dozen Norse sagas right onto the end of the ruler opposite from where the fairies stood. Of course, the four of them were shot into the air, arcing toward the bookcase. They flew, and each gripped in the right hand a rose bush thorn.

I watched them hit the wall of books a shelf and a half up and dig the sharp points of their thorns into dust jackets and spines. One of them made a tear in the red cover of my hardback copy of Black Hole. Once secured, they hitched themselves at the waist with a rope belt to their affixed thorn. I’d not noticed before, but they had bows and arrows, and lengths of thread, no doubt from Lynn’s sewing basket, draped across their chests like bandoliers. I had a sudden memory of The Teenie Weenies, a race of fairies that appeared in the Daily News Sunday comics when I was a kid. I envisioned, for a moment, an old panel from the Weenies in which one was riding a wild turkey with a saddle and reins while the others gathered giant acorns half their size. I came back from that thought just in time to see all four fairies release their arrows into the ceiling of the shelf they were on. I heard the distant, petite impact of each shaft. Then, bows slung over their shoulders, they began to climb, hand over hand, using the book spines in front of them to rappel upward.

Since their purpose seemed to be to ascend, I foresaw trouble ahead for them. The next shelf above, which they’d have to somehow flip up onto, held two rows of books, not one, so there was no clear space for them to land. They’d have to flip up and again dig in with their thorns and attach themselves to the spines of books whose bottoms stuck perilously out over the edge of the shelf. When I considered the agility and strength all this took, I shook my head and put my hand over my heart. I wanted to see them succeed, though, and went off on a trail of musing that pitted the reliability of the impossible against the potential chaos of reality. A point came where I wandered from the path of my thoughts and wound up witnessing the smallest of the fairies nearly plummet to his death. I felt his scream in my liver.

The poor little fellow had lost a hold on his thread line and was hanging out over the abyss, desperately grasping a poorly planted thorn in the spine of Blind Man with a Pistol. His compatriot, who I just then realized was a woman with long dark hair, shot an arrow into the ceiling of the shelf. Once she had that line affixed to her belt, she swung over to her comrade in danger and put her left arm around him. He let go his thorn spike and swung with her. I was so intent upon watching this rescue that I missed but from the very corner of my eye one of the other tiny adventurers fall. His (for I was just then somehow certain it was a he, and his name was Meeshin) minuscule weight dragged the book he’d attached to off the shelf after him. This was the thing about the fairies: if you could see them, the longer you looked, the deeper you knew them; their names, their motivations, their secrets.

I only turned in time to completely see that he’d been crushed by the slim volume of Quiet Days in Clichy. I watched to see if his compatriots from beneath the bookshelf would appear to claim his corpse, but they didn’t. The loneliness of Meeshin’s death affected me more than it should have. It came to me that he was married and had three fairy kids. His art was whittling totem poles full of animals of the imagination out of toothpicks. I’d wondered where all my toothpicks had gone. I pictured his wife, Tibith, in the fairy marketplace telling a friend that all Meeshin’s crazy creatures could be seen, like in a gallery, way in the back of the cupboard beneath the kitchen sink. Last I saw him behind my eyes, it was night and he lay quietly in bed, his arms around his wife.

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