Rebel (Dead Man's Ink #1)

Photos of him. Everywhere.

Photos of him in a football uniform. Much younger. Unsmiling. Photos of him in a graduation gown, cap perfectly straight on his head. Still unsmiling. Another picture, with another diploma in his hand—I see the name of the institute printed on the mounting of the picture, and my head starts spinning. “Massachusetts Institute of Technology? You went to MIT?”

“I did,” he says. He doesn’t stop walking. The muscles in his jaw are jumping like crazy.

“Wow.” We pass more and more photos. Images of Rebel, sans his tattoos, shirtless and holding trophies, swimming trophies, still unsmiling. As we near the end of the hallway, the photos on the wall change dramatically. They’re not of Rebel the over-achiever. Rebel the sporting hero. They’re of Rebel the soldier. I try to slow, to look properly, but he tightens his grip, walking faster. “Will you—will you just stop!” I rip my hand free, backing up a few paces so I can look at the walls properly.

For some reason, my heart is hammering in my chest as I take it all in. The first picture of him is in a dress uniform, buttons shining brightly, hat placed firmly on his head. Unlike in his other pictures, there’s a quiet sense of pride lurking in those cool blue eyes of his. He looks so young. Just a baby. “How old are you here?” I whisper.

Rebel sighs, rubbing the back of his neck with one hand. His expression is tired as he joins me in front of the photograph, his chest so close to my back I can feel the heat of him radiating into me. “Fifteen,” he says. “I went to a military school.”

“And how was that?”

He laughs a hard laugh. “Like winning a five-year-long trip to motherfucking Disneyland. The fun just never ended. They called me Duke. Seems, when your name ends in ‘the third’, you can’t really avoid that shit.” His voice is full of sarcasm, but I can hear something else in there, too. Hatred. He hated it there. So why, then, does he look so proud in his uniform? I want to ask, but we’re not there yet. He probably wouldn’t tell me.

I walk along, looking at the rest of the pictures. In each shot, he gets older, bigger, taller, stronger. That hardness develops in his eyes—not cruelty, but strength. A challenge to the outside world. The photos show images of him with a bunch of other men, always surrounded by other guys in uniform. Even frozen this way, trapped in some millisecond of the past, it’s clear they respected him. Gravitated toward him. There’s always an arm thrown over his shoulder. Someone grinning or laughing, pleased to be the guy standing next to him. I see Cade in nearly every single shot, no matter what the landscape in the background—from what must be training grounds at his school to actual army bases. And then…then to the desert.

“You didn’t just go to military school,” I say. “You signed up afterwards. You were deployed.” I turn to look at him. He doesn’t return my gaze—just stands there, staring at the history of his life, framed and hung on the walls of his father’s home. “Where did they send you?” I whisper.

“Afghanistan.” The word comes out flat. Devoid of any and all emotion. Rebel blinks, a visible shiver running through his body.

“And?” I need to know more. I never would have guessed he was in the army, but it makes sense. His club might as well be a military organization, after all. A military organization at war.

“And what? There is nothing else. I did two tours. I left and I didn’t look back. The end.” He takes hold of my hand again, this time not pulling me quite so determinedly, but drawing me away all the same.

“There is no the end on something like that, Rebel. The story’s never over. It becomes a part of you. There’s just what comes after.”

He narrows his eyes at me, opening the final door in the corridor—a room all on its own, separated from the others. “You seem to know a lot about ex-servicemen, Miss Sophia Letitia Marne. Did a couple of tours yourself, did you?”

“No. I was studying psychology before all of…this. We studied the way people’s perspectives on the world change when they were thrown into tense, dangerous situations and expected to fight. To put the welfare of others in front of their own.”