Pachinko

Mozasu knew he was becoming one of the bad Koreans. Police officers often arrested Koreans for stealing or home brewing. Every week, someone on his street got in trouble with the police. Noa would say that because some Koreans broke the law, everyone got blamed. On every block in Ikaino, there was a man who beat his wife, and there were girls who worked in bars who were said to take money for favors. Noa said that Koreans had to raise themselves up by working harder and being better. Mozasu just wanted to hit everyone who said mean things. In Ikaino, there were homely old women who cussed and men who were so drunk that they slept outside their houses. The Japanese didn’t want Koreans to live near them, because they weren’t clean, they lived with pigs, and the children had lice. Also, Koreans were said to be even lower than burakumin because at least burakumin had Japanese blood. Noa told Mozasu that his former teachers had told him he was a good Korean, and Mozasu understood that with his own poor grades and bad manners, those same teachers would think Mozasu was a bad one.

So the fuck what? If the other ten-year-olds thought he was stupid, that was okay. If they thought he was violent, that was okay. If necessary, Mozasu was not afraid to clean out all the teeth right from their mouths. You think I’m an animal, Mozasu thought, then I can be an animal and hurt you. Mozasu did not intend to be a good Korean. What was the point in that?

Before spring, a few months before the war in Korea ended, a new boy from Kyoto joined his class. He was eleven, going on twelve. Haruki Totoyama was obviously a poor kid, evident from his shabby uniform and pathetic shoes. He was also wiry and nearsighted. The boy had a small, triangular face, and he might have been acceptable to the others, but unfortunately, someone let it out that he lived on the border street between the Korean ghetto and the Japanese poor. Quickly, rumors spread that Haruki was a burakumin, though he wasn’t. Then it was discovered that Haruki had a younger brother with a head shaped like a dented summer melon. Even as a Japanese, it had been difficult for Haruki’s mother to find a better place for them to live, because many of the Japanese landlords thought the family was cursed. Haruki did not have a father; this would have been understandable if his father had died in the war as a soldier, but the truth was that at Haruki’s brother’s birth, the father had taken one look at the child and left.

Unlike Mozasu, Haruki cared deeply about fitting in and tried very hard, but even the kids with the lowest social status wouldn’t give him a chance. He was treated like a diseased animal. The teachers, who followed the cues of the student leaders, kept their distance from Haruki. The new boy had been hoping that this school might be different from his old one in Kyoto, but he saw that he didn’t have a chance here, either.

At lunchtime, Haruki sat at the end of the long table with two seat gaps around him like an invisible parenthesis while the other boys in their dark woolen uniforms stuck together like a tight row of black corn kernels. Not far from this table, Mozasu, who always sat alone, watched the new boy trying to say something now and then to the group of boys, though, of course, Haruki never got a reply.

After a month of this, Mozasu finally said something to him in the boys’ washroom.

“Why do you try to make those kids like you?” Mozasu asked.

“What choice do I have?” Haruki replied.

“You can tell them to fuck off and get a life of your own.”

“And what kind of life do you have?” Haruki asked. He didn’t mean to be rude; he just wanted to know if there was an alternative.

“Listen, if people don’t like you, it’s not always your fault. My brother told me that.”

“You have a brother?”

“Yeah. He works for Hoji-san, you know, the landlord.”

“Is your brother the young guy in the glasses?” Haruki asked. Hoji-san was their landlord, too.

Mozasu nodded, smiling. He was proud of Noa, who cut an impressive figure in the neighborhood. Everyone respected him.

“I better go back to class,” Haruki said. “I’ll get in trouble if I’m late.”

“You’re a pussy,” Mozasu said. “Do you really give two shits if the teacher yells at you? Kara-sensei is an even bigger pussy than you are.”

Haruki gulped.

“If you want, I’ll let you sit with me during recess,” Mozasu said. He had never made such an offer before, but he didn’t think he could bear it if Haruki tried to talk to those assholes one more time and was rejected. In a strange way, just watching his efforts was painful and embarrassing.

“Truly?” Haruki said, smiling.

Mozasu nodded, and even when they were men, neither one ever forgot how they became friends.





11

October 1955



Mozasu kept a photograph of the wrestler Rikidozan taped to the inside lid of his trunk, where he kept his special things like his favorite comics, old coins, and his father’s eyeglasses. Unlike the Korean wrestler, Mozasu did not like to get too close to his opponent and tussle for too long. Rikidozan was known for his famous karate chop, and similarly, Mozasu had deadly aim with his strikes.

Min Jin Lee's books