Pachinko

When Risa was fourteen or so, her father, a beloved doctor at the local clinic, had dispensed improper medication to two patients during the flu season, resulting in their deaths. Shortly thereafter, the doctor took his own life, rendering his family both destitute and tainted. Risa was effectively unmarriageable, since a suicide in a family could indicate mental illness in her blood; even worse, her father was perceived to have done something so shameful that he felt that he needed to die. The relatives did not come to the funeral, and they no longer called on Risa and her mother. Risa’s mother never recovered from the shock and no longer left the house even to run errands. After Risa completed secondary school, Takano, a former patient of Risa’s father, hired her to do clerical work.

Noa had noticed her beautiful handwriting on the files even before he noticed her. It was possible that he was in love with the way she wrote the number two—her parallel lines expressing a kind of free movement inside the invisible box that contained the ideograph’s strokes. If Risa wrote even an ordinary description on an invoice, Noa would pause to read it again, not because of what it said, but because he could detect that there was a kind of dancing spirit in the hand that wrote such elegant letters.

When Noa asked her to dinner one winter evening, she replied, in shock, “Maji?” Among the file clerks, Nobuo Ban was a fascinating topic of discussion, but after so many years, with so little change in his behavior, the interested girls had long since given up. It took two dinners, perhaps even less time than that, for Risa to fall in love with Noa, and the two intensely private young people married that winter.

On their wedding night, Risa was frightened.

“Will it hurt?”

“You can tell me to stop. I’d rather hurt myself than hurt you, my wife.”

Neither had realized the loneliness each had lived with for such a long time until the loneliness was interrupted by genuine affection.

When Risa got pregnant, she quit her job and stayed home and raised her family with as much competence as she had run the file rooms of a successful pachinko business. First, she had twin girls; then a year later, Risa gave birth to a boy; then a year after that, another girl.

Every month, Noa traveled for work for two days, but otherwise he kept to a kind of reliable schedule that made it possible to work six days a week for Cosmos and raise his family attentively. Curiously, he did not drink or go out to clubs, even to entertain the police or to be entertained by pachinko machine salesmen. Noa was honest, precise, and could handle any level of business complication from taxes to machine licenses. Moreover, he was not greedy. The owner of Cosmos respected that Noa avoided mizu shobai. Naturally, Risa was grateful; it was easy to lose the affections of a husband to an ambitious bar hostess.

Like all Japanese mothers, Risa volunteered at the children’s schools and did everything else she could to make sure that her four children were well and safe. Having so many little constituents kept her from having to involve herself with those outside her family. If her father’s death had expelled her from the tribe of ordinary middle-class people, she had effectively reproduced her own tribe.



The marriage was a stable one, and eight years passed quickly. The couple did not quarrel. Noa did not love Risa in the way he had his college girlfriend, but that was a good thing, he thought. Never again, he swore, would he be that vulnerable to another person. Noa remained careful around his new family. Though he valued his wife and children as a kind of second chance, in no way did he see his current life as a rebirth. Noa carried the story of his life as a Korean like a dark, heavy rock within him. Not a day passed when he didn’t fear being discovered. The only thing he continued to do from before was to read his English-language novels. After marrying, he no longer ate at the employees’ cafeteria. Now he allowed himself lunch at an inexpensive restaurant where he ate alone. Over lunch, for thirty minutes a day, he reread Dickens, Trollope, or Goethe, and he remembered who he was inside.

It was spring when the twin girls turned seven, and the family went to Matsumoto Castle for a Sunday picnic. Risa had planned the outing to cheer up her mother, who seemed to be retreating further into herself. The children were overjoyed, since they would get ice cream on the way home.

The doctor’s widow, Iwamura-san, had never been a competent woman; in fact, she was often helpless. She had remained childishly pretty—soft, pale cheeks, naturally red lips, and dyed black hair. She wore simple beige smocks and cardigans, closed only on the top button. Her expression was perpetually one of a small child who had been disappointed by her birthday present. That said, she was hardly ignorant. She had been a doctor’s wife, and though his death had destroyed her cherished social ambitions, she had not relinquished her wishes for her only child. It was bad enough that her daughter worked in pachinko, but now she had married a man who worked in the sordid business, cementing her caste in life. On her initial meeting with Nobuo Ban, she had guessed that there was something unusual about his past, since he had no family. No doubt, he was foreign. She felt suspicious of his character; however, there was also something so sad beneath his fine manners that reminded her of her dear husband, that the widow felt compelled to overlook his background as long as no one ever found out.

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