Pachinko

Kuroda-san’s lecture was primarily an extensive psychological portrait of the heroine in Daniel Deronda, the self-centered Gwendolen Harleth, who changes as a result of her suffering and the goodness of Daniel. The professor put great emphasis on a woman’s lot being determined by her economic position and marriage prospects. Unsurprisingly, the professor compared Gwendolen to the vain and greedy Rosamond Vincy of Middlemarch, but argued that in contrast, Gwendolen achieves the Aristotelian anagnorisis and peripeteia. Kuroda-san spent most of the lecture on Gwendolen, then right before the period ended, she spoke a little about Mirah and Daniel, the Jews of the book. Kuroda-san gave some background on Zionism and the role of Jews in Victorian novels.

“Jewish men are often seen as exceptionally brilliant, and the women are often beautiful and tragic. Here we have a situation where a man does not know his own identity as an outsider. He is like Moses, the infant in Genesis who learns that he is Jewish and not Egyptian—” As Kuroda-san was saying this, she glanced at Noa, but he was not aware of it, because he was taking notes.

“However, when Daniel learns that he is indeed a Jew, Daniel is free to love the virtuous Mirah, another talented singer like his Jewish mother, and they will go east to Israel.” Kuroda-san sighed quietly, as if she was pleased by Eliot’s ending.

“So are you saying that it is better for people to only love within their race, that people like the Jews need to live apart in their own country?” Akiko asked, without raising her hand. She did not seem to believe in that formality.

“Well, I think George Eliot is arguing that there is great nobility in being Jewish and wanting to be part of a Jewish state. Eliot recognizes that these people were often persecuted unfairly. They have every right to a Jewish state. The war has taught us that bad things happened to them, and that can’t happen again. The Jews have done no wrong, but the Europeans—” Kuroda-san spoke more quietly than usual, as if she was afraid that someone might overhear her and she would get in trouble. “It’s complicated, but Eliot was far ahead of her contemporaries to think about the issue of discrimination based on religion. Nee?”

There were nine students in the class, and everyone nodded, including Noa, but Akiko looked irritated nonetheless.

“Japan was an ally of Germany,” Akiko said.

“That is not part of this discussion, Akiko-san.”

The professor opened her book nervously, wanting to change the subject.

“Eliot is wrong,” Akiko said, undeterred. “Maybe the Jews have a right to have their own state, but I see no need for Mirah and Daniel to have to leave England. I think this nobility argument or a greater nation for a persecuted people is a pretext to eject all the unwanted foreigners.”

Noa did not look up. He found himself writing down everything Akiko said, because it upset him to think that this could be true. He had admired Daniel’s courage and goodness throughout the book, and he had not thought much about Eliot’s political design. Was it possible that Eliot was suggesting that foreigners, no matter how much she admired them, should leave England? At this point in the course, everyone in the room despised Akiko, but suddenly he admired her courage to think so differently and to suggest such a difficult truth. He felt lucky to be at a university and not in most other settings, where the person in charge was always right. Nevertheless, until he really listened to Akiko disagree with the professor, he had not thought for himself fully, and it had never occurred to him to disagree in public.

After class, he walked home alone, deep in thoughts of her, and he knew that he wanted to be with her, even if it would not be easy. The following Tuesday, before the seminar began, Noa went early to class to claim the chair next to hers. The professor tried not to show that she was hurt by this defection, but of course, she was.





16

Osaka, April 1960



At some point in the past four years, Mozasu had worked as a foreman at all six of Goro’s pachinko parlors. Goro had opened new parlors in rapid succession, and Mozasu had helped him to start each new one. Mozasu was twenty years old, and he did little else but mind the shops and fix whatever needed fixing while Goro scouted for new locations and came up with inspired ideas for his growing empire, which oddly seemed to work out. In business, Goro could not miss, it seemed, and he credited some of his good fortune to Mozasu’s willingness to labor without ceasing.

It was April and early in the morning when Mozasu arrived at the manager’s office at Paradaisu Six—the newest pachinko parlor.

“Ohayo. The car is waiting. I’m taking you to Totoyama-san’s for new clothes. Let’s go,” Goro said.

“Maji? Why? I have enough suits for this year and next. I’m the best-dressed foreman in Osaka,” Mozasu said, laughing. Unlike his brother, Noa, Mozasu had never cared for nice clothing. He wore the well-tailored clothes Goro wanted him to wear only because his boss was fastidious about how his staff should look. Goro’s employees were an extension of himself, he believed, and Goro was strict about their personal hygiene as well.

Mozasu had too much to do, and he didn’t feel like going down to Totoyama-san’s place. He was eager to phone the newspapers to put out ads for more workers. Paradaisu Six needed men to work the floor on the late shift, and since the interiors of Paradaisu Seven would be finished in a month, he had to start thinking about hiring for Seven as well.

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