How like the Alethi these people act, she thought. She had found humans to be … stern. Angry. Always walking about with their emotions worn openly, prisoners to what they felt. These former slaves were similar. Even their jokes were Alethi, often biting toward those to whom they were closest.
At the conclusion of her speech, an unfamiliar Voidspren ushered the people back to work. She’d learned there were three levels in the hierarchy of Odium’s people. There were these common singers, who wore the ordinary forms Venli’s people had used. Then there were those called Regals, like herself, who were distinguished by forms of power—created by bonding one of several varieties of Voidspren. At the top were the Fused—though she had trouble placing spren like Ulim and others. They obviously outranked the common singers, but what of the Regals?
She saw no humans in this town; those had been rounded up or chased off. She’d overheard some Fused saying that human armies still fought in western Alethkar, but this eastern section was completely singer controlled—remarkable, considering how the humans greatly outnumbered the singers. The Alethi collapse was due in part to the Everstorm, in part to the arrival of the Fused, and in part to the fact that the Alethi had repeatedly conscripted eligible men for their wars.
Venli settled down on the back of the cart, and a femalen singer brought her a cup of water, which she took gladly. Proclaiming yourself as the savior of an entire people was thirsty work.
The singer woman lingered. She wore an Alethi dress, with the left hand covered up. “Is your story really true?”
“Of course it is,” Venli said to Conceit. “You doubt?”
“No, of course not! It’s just … it’s hard to imagine. Parshmen fighting.”
“Call yourselves singers, not parshmen.”
“Yes. Um, of course.” The femalen held her hand to her face, as if embarrassed.
“Speak to the rhythms to express apology,” Venli said. “Use Appreciation to thank someone for correction, or Anxiety to highlight your frustration. Consolation if you are truly contrite.”
“Yes, Brightness.”
Oh, Eshonai. They have so far to go.
The woman scampered away. That lopsided dress looked ridiculous. There was no reason to distinguish between the genders except in mateform. Humming to Ridicule, Venli hopped down, then walked through the town, head high. The singers wore mostly workform or nimbleform, though a few—like the femalen who had brought the water—wore scholarform, with long hairstrands and angular features.
She hummed to Fury. Her people had spent generations struggling to discover new forms, and here these people were given a dozen different options? How could they value that gift without knowing the struggle? They gave Venli deference, bowing like humans, as she approached the town’s mansion. She had to admit there was something very satisfying about that.
“What are you so smug about?” Rine demanded to Destruction when Venli stepped inside. The tall Fused waited by the window, hovering—as always—a few feet off the ground, his cloak hanging down and resting on the floor.
Venli’s sense of authority evaporated. “I can’t help but feel as if I’m among babes, here.”
“If they are babes, you are a toddler.”
A second Fused sat on the floor amid the chairs. That one never spoke. Venli didn’t know the femalen’s name, and found her constant grin and unblinking eyes … upsetting.
Venli joined Rine by the window, looking out at the singers who populated the village. Working the land. Farming. Their lives might not have changed much, but they had their songs back. That meant everything.
“We should bring them human slaves, Ancient One,” Venli said to Subservience. “I fear that there is too much land here. If you really want these villages to supply your armies, they’ll need more workers.”
Rine glanced at her. She’d found that if she spoke to him respectfully—and if she spoke in the ancient tongue—her words were less likely to be dismissed.
“There are those among us who agree with you, child,” Rine said.
“You do not?”
“No. We will need to watch the humans constantly. At any moment, any of them could manifest powers from the enemy. We killed him, and yet he fights on through his Surgebinders.”
Surgebinders. Foolishly, the old songs spoke highly of them. “How can they bind spren, Ancient One?” she asked to Subservience. “Humans don’t … you know…”
“So timid,” he said to Ridicule. “Why is mentioning gemhearts so difficult?”
“They are sacred and personal.” Listener gemhearts were not gaudy or ostentatious, like those of greatshells. Clouded white, almost the color of bone, they were beautiful, intimate things.
“They’re a part of you,” Rine said. “The dead bodies taboo, the refusal to talk of gemhearts—you’re as bad as those out there, walking around with one hand covered.”
What? That was unfair. She attuned Fury.
“It … shocked us when it first happened,” Rine eventually said. “Humans don’t have gemhearts. How could they bond spren? It was unnatural. Yet somehow, their bond was more powerful than ours. I always said the same thing, and believe it even more strongly now: We must exterminate them. Our people will never be safe on this world as long as the humans exist.”
Venli felt her mouth grow dry. Distantly, she heard a rhythm. The Rhythm of the Lost? An inferior one. It was gone in a moment.
Rine hummed to Conceit, then turned and barked a command to the crazy Fused. She scrambled to her feet and loped after him as he floated out the door. He was probably going to confer with the town’s spren. He’d give orders and warnings, which he usually only did right before they left one town for another. Despite having unpacked her things, working under the assumption she’d be here for the night, now Venli suspected they would soon be moving on.
She went to her room on the second floor of the mansion. As usual, the luxury of these buildings astounded her. Soft beds you felt you would sink into. Fine woodworking. Blown-glass vases and crystal sconces on the walls for holding spheres. She’d always hated the Alethi, who had acted like they were benevolent parents encountering wild children to be educated. They had pointedly ignored the culture and advancements of Venli’s people, eyeing only the hunting grounds of the greatshells that they—because of translation errors—decided must be the listeners’ gods.
Venli felt at the beautiful swirls in the glass of a wall sconce. How had they colored some of it white, but not all of it? Whenever she encountered things like this, she had to remind herself forcefully that the Alethi being technologically superior did not make them culturally superior. They’d simply had access to more resources. Now that the singers had access to artform, they would be able to create works like this too.
Oathbringer: Book Three of the Stormlight Archive
Brandon Sanderson's books
- The Rithmatist
- Alcatraz Versus the Evil Librarians
- Infinity Blade Awakening
- The Gathering Storm (The Wheel of Time #12)
- Mistborn: The Final Empire (Mistborn #1)
- The Alloy of Law (Mistborn #4)
- The Emperor's Soul (Elantris)
- The Hero of Ages (Mistborn #3)
- The Well of Ascension (Mistborn #2)
- Warbreaker (Warbreaker #1)
- Words of Radiance