Mississippi Blood (Penn Cage #6)



Judge Joe Elder’s courtroom isn’t large by urban standards, but it’s spacious for Mississippi. The walls are cream, the curtains and chairs blue, the wood stained oak and pine. Once the judge enters and takes his throne, he will sit high above everyone except the spectators in the balcony. The witness stand isn’t really a stand at all, but an enclosed box raised a single step above the floor. The people in the second row of the jury box sit higher than the witnesses. A large balcony hangs over the gallery, with a staircase in the left rear of the courtroom leading up to it. Portraits of past circuit judges adorn the walls between high windows streaming spring sunshine, and all but one of those judges are white. Above the judge’s bench hangs the state seal, but the most iconic—and ironic—artifact in the courtroom is the Mississippi state flag, which, despite hanging in the court of an African-American judge, still bears the Confederate battle flag in its upper left quadrant.

I tried nearly a thousand criminal cases during my legal career, and I spent countless hours doing just what I’m doing now: waiting for a judge. At most of those trials, I was sitting at the prosecution table, representing the State of Texas. Today I’m sitting in Mississippi, and I am only a spectator. Today the man who sits in my customary place is one of my mortal enemies: Shadrach Johnson.

The district attorney of Adams County waits at the prosecution table like an actor in his prime waiting backstage at a Broadway theater. In five minutes, Shad will deliver his opening statement in the most important trial of his life—up to now, anyway. Unusually, he sits alone at the table. His assistant DA, a young male lawyer in his midthirties, sits in one of the chairs behind his table, backed against the bar.

Twenty feet to Shad’s left, Quentin Avery sits behind the defense table in his motorized wheelchair, a crocheted comforter tastefully covering his legless lap, a gray Armani jacket on his shoulders. To Quentin’s right—directly in the sight line of the jury—sits my father, as close to ramrod straight as he can manage with his arthritis and his osteoporotic spine. After three months in jail, Dad has lost twenty pounds. He’d already lost a good bit after the October heart attack; now his suit hangs off him the way suits do on fading men who don’t want to waste their children’s money on new clothes.

Doris Avery sits in one of two chairs placed several feet behind the defense table, her back against the bar. Most spectators probably assume she is a secretary rather than an attorney in her own right. And though I’m nominally part of the defense team, I’m sitting in the first row of the gallery behind the bar, between my mother and Rusty Duncan. My sister, Jenny, is sitting at Mom’s other shoulder. A helpful circuit clerk saved us seats immediately behind the defense table, which provides good optics in terms of supporting Dad but also limits our view of him to the back of his head.

Three months of sensational pretrial publicity have ensured that the opening of the trial proper is a standing-room-only event. With Caitlin’s sister running the Natchez Examiner, local newspaper coverage has been evenhanded, but the Jackson and Baton Rouge papers have had a field day with the lurid aspects of the case, and even the national media have run stories on the “landmark” trial. TV cameras are generally forbidden in Mississippi courtrooms, but I’ve heard that Judge Elder has been flooded with requests to make an exception to that rule. All it takes is a whiff of 1960s-flavored racism to bring the network hounds running. Thankfully, Joe Elder has so far denied all such requests, and instead allowed a half dozen pool reporters to make digital audio recordings of each day’s proceedings for accuracy, so long as they do not broadcast them. I’ve worried constantly that the judge would cave under pressure to allow the cameras in, but I suspect that Judge Elder knows Shad Johnson well enough to know he would play to the cameras every chance he got, and as for Quentin Avery: any lawyer nicknamed “Preacher” would be bound to find a way to use TV cameras to his advantage.

In truth, it wouldn’t have mattered if not one word had been printed or spoken about this case in the media. With a beloved white physician accused of murder, and wild rumors flying about him having several illegitimate black children, Natchez folks alone would have filled this courtroom twenty times. As we were ushered into the courtroom by the circuit clerk, he told me that people began lining up at six a.m. in hopes of getting a seat in the gallery. The judge has even allowed a certain number of people to be admitted without seats and stand at the back of the chamber. Amazingly, the eight chairs between the windows on the left wall are filled with ranking deputies, when normally five or six would stand empty.

Looking over my shoulder, I see a crowd that’s about 50 percent black, and 50 white. A little ominously, the races seem to have segregated themselves, like boys and girls at a junior-high-school party. The self-segregation isn’t absolute: the black section is salted by a few white faces, the white section peppered by a few African-Americans, but I can’t escape the feeling that deep currents of emotion seethe beneath the muted roar of expectant conversation in this room.