A grimoire. A book of sorcery.
That includes spells, alchemy, and what would certainly have been considered outright witchcraft in the 15th century. The label comes from the French word grammaire, which at first referred to all books written in Latin. Eventually, it came to be associated only with books of magic. I dare not touch it, though I want to. Per the usual practice at auctions such as this, it will be carefully displayed, page by page, during a detailed inspection right before the bidding, its pages turned by means of a swabbed stick held by gloved hands. For now, it is open to a page showing an exquisite wood-block print of a winged lion being either attacked or embraced by a wingless lion. The text in Latin on the opposite page, headed by a beautiful illuminated O, is twined with fruiting vines and serpents. To my surprise, this isn’t the only grimoire on display, though it is by far the best. There are two others, one from the late 17th and another from the mid-18th century.
“These are all from a collection belonging to the last owner of this castle,” Chubb says, from behind my shoulder, a pair of bifocals perched on the tip of the Scot’s nose. “We think the one from the 15th century is a copy of a much older volume. Perhaps hand penned by Saint-Germain himself. Le grimoire du Le Compte Saint-Germain.”
There’s a name. More legend than fact. At once a courtier, adventurer, inventor, pianist, and alchemist. Credited with near godlike powers and immortality. But nobody knows if he’d ever been real.
“That’s quite a claim,” I say. “Is there anything to support the idea?”
“Only hope, my good man,” Chubb says. “Simply hope. The former owner of that grimoire had quite a taste for strange things. Both natural history and the odder branches of the occult. He owned many books on magic, though most of those aren’t anything special. Not like this beauty.”
“What was his name?” I ask, moving down the table to examine a spectacular double-folio edition of Albertus Seba’s Das NaturalienKabinett, open to a pair of pages featuring an array of delicately drawn puffer fish, all looking surprised and annoyed.
“Appleton,” Chubb says. “An Englishman. Strange man, I gather. He vanished quite suddenly one day without a word. The estate had to wait seven years to have him declared dead. That’s why these”—he nods at the books—“had not come on the market before.”
“He just vanished? Foul play?”
Chubb shrugs. “No sign of anything amiss, either physically or in terms of his affairs. The police investigated thoroughly. But you know, the cliffs are quite near. You could hear the sea now, if it wasn’t raining so hard. And if he’d gone walking and fallen there, the currents are treacherous. The body would be swept out.”
One of the servants approaches, bows, then murmurs something to Chubb, who nods and turns back.
“Dinner in twenty minutes. You’d best go up and dress. Nigel will show you the way.”
Malcolm Chubb hadn’t been joking.
Waiting for me, laid out on the poster bed, is a kilt, complete with sporran, hose, oddly laced shoes, and a short jacket. The tartan is a subdued gray with a faint blue check, everything crafted of fine wool. A low fire burns in the grate of the bedroom, casting a golden glow. It might technically be spring on the calendar, but it feels like winter, or at least late fall, outside. I’m actually not all that fond of the harsh Scottish weather.
But it’s part of the charm.
The good with the bad, as the saying goes.
I undress and hesitate a moment over the question of underwear, but then shrug and don the kilt without it.
What the hell.
When in Scotland—
Back downstairs, Chubb introduces me to the other guests, all of them are wearing Highland dress too. Even the lone woman, who wears a full-length bodiced dress, a becoming muted tartan in shades of lavender and blue.
“Madam LeBlanc.” Chubb pauses and bows, gesturing. “Allow me to present a valued friend, Mr. Harold Earl ‘Cotton’ Malone.”
She’s tall, with blond hair not her own as a trace of light brown can be seen at the roots. The color, though, suits her swarthy skin. Her smile reveals curious marks of fun that surround twinkling hazel eyes. I draw the conclusion that she’s of money, accustomed to the finer things. She holds out a hand, and before I can decide whether I’m supposed to kiss it, she grabs mine and gives me a pleasantly firm clasp.
“Enchanted, Mr. Malone,” she says. “Call me Eleanor, if you like.”
I catch a faint French accent, but her direct manner is straight American business.
“Call me Cotton.”
“Such a name. I bet there’s a story there.”
I grin. “Quite a long one.”
I’d like to speak to her more, but Chubb is ushering me onto the next of the kilted guests. My eidetic memory, a gift at birth from my mother’s side of the family, catalogs them all. There is John Simons, a London bookseller, short and spectacled, sporting a black kilt with a tartan tie. Wilhelm Fenstermacher, from Berlin, whom I met once long ago, of the Deutsches Historisches Museum. Nigel Soames from Edinburgh, a private collector, who I see now and then at Sotheby’s. And Alexsandr Kuznyetsov, a saturnine sort whose predétente steel teeth clash with his Black Watch kilt. Most likely a private shopper for an oligarch, the people now with the real money in Russia. But who am I to judge. I too am here on behalf of others.
At dinner, I find myself seated next to Eleanor LeBlanc. She’s adroitly dividing her attention between me on one side and Fenstermacher on the other, the effort made even more impressive as she is conversing in both English and German. Languages come easy to me, another benefit of my unusual memory. I’m fluent in several, so I catch all of her conversation with Fenstermacher. Finally, I ask whether she has a particular interest at the auction, as it’s always good to know the competition.
“Most definitely,” she says, tossing me a slight smile. “The same as yours, I believe. The incunabulum grimoire.”
I had not been trying to disguise my interest, but I’m a little surprised that she’d been watching close enough to notice.
Her smile deepens, as she sees the question on my face.
“I have a personal interest in that book,” she explains. “It was in my own family for generations. An impoverished ancestor sold it in the late 18th century, and it wandered, as you might say, for some time, owner to owner. I was excited to see it in the catalog here.”
“So if you get it, you plan to keep it? Expensive bit of sentimentality.”
She lifts one shoulder in a graceful shrug and twinkles at me. “Or perhaps I mean to use it. I’m told there are a great many interesting spells in that book.”
I chuckle at her dismissal of my questions.