Lyrebird

A loud horn frightens her and she looks up in time to see the city tram headed straight for her. She jumps onto the path, her heart pounding as the driver shouts as he passes.

When she has calmed herself somewhat, she looks left and right, decides to go left in the direction of the tram, it must be bringing people somewhere. Somewhere is better than the unknown, that same thought pattern she’s had since Bo and Solomon came into her life. Follow them, they’re going somewhere, somewhere is better than nowhere. While she walks she thinks of the sound of the tram that almost stopped her heart. She doesn’t hear herself mimicking it, though she hears its sound, like a song she can’t get out of her head. But people are startled, jumping away, some laughing when she nears.

Perhaps she’s not making a sound at all, perhaps it’s the sight of her that is so shocking to them and the smell of her. The vomit in her hair, the dried vomit on her boots that she sees now for the first time. She looks a disgrace, she smells even worse. She attempts to tie back her hair, make her appearance neater, especially when a camera phone comes out of a bag. It’s like a tidal effect, once one is out it gives others the permission, the confidence to do the same.

She feels the beat in her chest of last night’s music, the people shouting, the broken glass, the muffled sounds that blend together into one noisy, disturbing cacophony. She holds her hands to her ears, to block it all out. The people staring at her, the phones are held up, the flashbulbs of the photographers, now she remembers. The photographers. Oh God, people will see her in the newspaper. Would they print such awful pictures? She thinks of Solomon, opening his morning paper. If he sees her, she will never look him in the eye again, such is her embarrassment.

She hears the rustle of his morning paper while Bo clicks away on her phone, everything for her on a screen, everything for him to be touched. Rustle, click, tram warning, smash of a glass. An angry taxi man, shouting at her. A rough hand on her arm. She remembers now. She’d thrown up in the taxi, he’d thrown them out. She’d kneeled on the roadside and vomited some more. The lads laughing. Blue Converses standing beside her, splashing the white tip with vomit. More laughter. A hand on her head now and then, an arm around her waist. Not being able to stand, being taken away, a girl, the nice girl asking the owner of the arm around her waist what he thinks he’s doing. Rory telling the man with the hand around her waist to back off. What was he going to do to her? Her cheeks flame with the shame that she allowed herself to end up in that position.

Then the bathroom. The toilet bowl. The shit stain on the side. A warm blanket. A glass of water. Distant laughter and music.

She holds her hands over her ears, she sinks to the ground, trying to hide from the cameras. Her mum and Gaga were right to hide her, she’s not able for all of this, she can’t run anywhere. She wishes they’d hide her now.

As she thinks of them, the noises in her head start to calm. She can think more clearly, as the thoughts quieten she hears herself whimpering, crying, breathless, hiccups. She’s sitting on the ground. A crowd gathers around her. Some people too polite to look directly at her but still they hover nearby. She looks up at the person standing beside her. A garda. A female one. Mam and Gaga said not to trust them. But this garda seems kind. She looks worried. She bends down, gets to her level and smiles, concern in her eyes. ‘Want to come with me?’

She holds out her hand and Laura takes it. She has nowhere else to go. Somewhere is better than nowhere.





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