Lyrebird

‘Yes. Yes,’ he shakes his head. ‘My dad was a fisherman. I used to go out on the boat with him sometimes.’ He goes to say more but stops. ‘Anyway, you don’t need to hear that … I’m sure people are always putting their stories on you. You took me back, that’s all.’


The crowd applauds as the act finishes. Laura’s heart pounds, her mouth is dry, her legs are trembling. She needs water. The crowd roar as they go to a commercial break, it feels like her chest rattles with the crowd’s rumble. The adrenaline from the five-hundred-strong studio audience feeds her like electrical blue lines firing towards her heart and gut.

The dancers line up around her, stretching their legs up and back behind their earlobes. They pat each other on the backs, on the arses, good luck. The choreographer, Gloria, oversees the routine; she’s dressed in black, heavy black eyeliner and the usual scowl on her face as she throws her eyes over everything and judges, calculates, appraises and adjudicates everything everyone says and does, not just how they dance. She catches Laura looking at her and starts to give her last-minute orders. Her face is all screwed up, twisted, and Laura tries to pay attention but all she hears is the sound of a corkscrew being twisted open, until it pops.

Gloria frowns. Laura’s not sure how to explain herself.

Tommy motions her forward. Laura’s stomach lurches. Everyone looks at her in surprise as she realises the vomiting sound has come from her. That time when she was new to foraging and chose the wrong mushrooms. Tommy looks at her, eyes wide and alarmed, unsure if she’s serious or not, but treating her as if she has actually physically vomited, so convincing was the retching sound. The last time she felt this nervous Solomon had helped her. She recalls the feel of his breath in her ear, his scent so close to her. He’d told her she was beautiful. His presence always calmed her and she longs for him to be here, but knows it was she who walked away from him. It’s her fault he’s not here.

‘Are you okay? Water?’

His pupils are dilated. The panic, the fear, a live fucking show and the star has lost it.

‘I’m fine,’ Laura says shakily.

She follows him to the stage, and as soon as she takes the few steps upward the crowd erupts in applause and cheers. Laura smiles shyly at the reaction, feeling less alone. She waves and takes her place on the stage, standing on the white mark that’s her opening spot. A woman in the front row grins, showing all her teeth, and gives her the thumbs up. Laura smiles. They’re just people. Lots of people. More people in one room than she’s met in her entire life, but it’s never the people she’s worried about – it’s herself.

Tommy counts down to the return of the show. One minute. Dancers take their places, form their dramatic opening positions. Laura’s heart thumps in her chest, so loudly she’s sure the whole room can hear her. Suddenly the crowd explode with laughter and she realises that it was her making the heartbeat sound.

She looks at Jack and he’s grinning. He winks. He looks exhausted as Harriet from make-up powders his face. He looks how Laura feels.

Laura stands in the centre of the enormous stage, the dancers getting in place, the cameras in position while Laura’s VT plays.

‘The last week has changed my life completely. I went from a very quiet life in Cork to suddenly everyone knowing my name.’ Footage of her walking down Grafton Street, then a crowd chasing her. It’s all sped up, as though it’s an old Laurel and Hardy film. Posed, of course. Filmed yesterday – or was it this morning? And then they air the words she was unsure of saying. She had wished to phrase them differently and they had kindly allowed her to, but then they wanted one take to be said and done their way, for them to have. Naturally, that’s the take they use, each sentence sharply edited, her face zoomed in on closer for each one and made more dramatic by a booming drum to emphasise the stakes.

‘I don’t want to go back to being who I was.’ Boom.

‘This is my one chance to shine.’ Boom.

‘The whole world is watching me.’ Boom.

‘I’ll fight for my place in the final.’ Boom.

‘Watch out world.’ Boom.

‘The Lyrebird is coming.’ Boom.

Laura cringes at the sound of her own voice. It sounds as empty as she had felt while saying it. She doesn’t even like that girl. She doesn’t like the girl they’re trying to portray. Doesn’t like the girls like her that are sitting at home, thinking about the one time in their lives that they will have to prove themselves. No such thing exists. Nothing so great ever hinges on one such moment.

Cecelia Ahern's books