Lyrebird

‘Jesus,’ Rory says, looking at her as if she’s weird. ‘It’s only a fucking hare.’


‘You can’t kill fucking hares here,’ his dad snaps at him, trying to keep his voice down with so many eyes on them. ‘Christ, what are you thinking, you’ll have us all banned, Rory.’

‘He was showing off, that’s what,’ Cormac says, annoyed.

‘We really should get back to the cabin,’ Finbar says to Solomon, eyeing Laura worriedly, conscious of the stares they’ve attracted.

‘I know.’ Solomon rubs his eyes tiredly. ‘Just give her a minute.’

He watches as Laura kneels next to the dying hare, mimicking its sounds, sobbing with such sadness. While the others might think she’s crazy, he understands her pain, her loss.

The owner starts to walk towards them, a red, angry head on him.

Solomon goes to Laura, hunches down and puts his arm around her shoulder. ‘It’s gone now, come on let’s go.’

He feels her body tremble as she slowly stands and looks around. At all the eyes on her. At the sniggering, at the frowns, at the raised camera phones. Even Rory won’t meet her eye now, hanging back and starting to head to the cabin without them. She wipes her cheeks and tries to compose herself.

Rory is gone by the time they reach the cabin, he’s hitched a lift with somebody else. The mood ruined, they’re a man down and the game is over, so they return to the house.

Marie and Cara look at them questioningly as they arrive home earlier than expected to shrugs and awkward grumbles. Solomon leads Laura upstairs to her bedroom, he stands at the doorway.

‘Are you okay?’

She lies down on her bed, curls herself into a ball, continues crying. Solomon wants to lie alongside her, wrap his body around hers, protect her.

‘Do you want to leave?’ he asks.

‘Yes please,’ she says through a sob.

It’s a quiet goodbye to Finbar and Marie. Marie gives her a gentle hug and tells her to mind herself, but Laura is silent, aside from a whispered thank you. She insists on sitting in the back seat of the car while Solomon drives to Dublin, and at first it’s because she doesn’t want to be near him, but then he sees her lie down, facing away from him. He plays the radio lightly, a Jack Starr song comes on the radio and though he usually turns it off, he turns it up a little.

‘That’s Jack Starr,’ Solomon says to her. ‘The lad who’ll be judge on StarrQuest.’

She doesn’t respond. He looks in the rear-view mirror and sees her back still turned to him. He turns the music down, eventually changes the station and then decides to turn it off completely. Occasionally she whimpers like the dying hare and the sound merges into Mossie’s whimpers of a few days ago, on the same back seat as they headed to the vet.

He keeps the music off for the remainder of the journey as she deals with yet another loss in her life in the same week, in the only way she knows how.

Laura lies across the back seat of Solomon’s car. Her head is pounding, a migraine that pulsates behind her eyes; her sinuses throb, as if the pain has been transferred and now she’s feeling the pain from the organs that saw it. She can’t make it go away; the best she can do is to close her eyes, fixate on the darkness.

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