Lyrebird

Bo gives him a moment.

‘Knowing what you know now, will you allow Laura to continue living at the cottage?’

He doesn’t respond. He seems lost in his head.

‘Would you like to start a relationship with her?’ she asks gently.

Silence. Joe is completely still though his mind is most likely not.

Bo looks at Solomon uncertain as to how to proceed.

‘Perhaps a relationship is too much for you to think about now. Perhaps it would be simpler to consider whether you will continue to support her, as Tom did?’

His hands grip the armrests, Solomon watches the colour drain from his knuckles.

‘Joe,’ Bo says gently, leaning forward. ‘You know this means that you’re not alone. You have family. You’re Laura’s uncle.’

Joe stands up from the chair then, fiddling with the microphone on his lapel. His hands are shaking and he’s clearly upset, becoming irritated by the film crew’s presence now, as if they have brought this nuisance into his life.

‘That’s that,’ he says, dropping the mic to the thin cushion on the wooden chair. ‘That’s that now.’

It’s the first time he has walked out on them.

The crew move to Laura’s cottage. Laura sits in her armchair, the same checked shirt-dress tied at the waist with a belt, and a tattered pair of Converse. Her long hair has been recently washed and is drying, there isn’t a stitch of make-up on her clear, beautiful skin.

The camera is off, Rachel is outside with the gear, on the phone to Susie. The day is drizzly, unlike yesterday’s heatwave, and Solomon wonders how she survives in this place in the depths of winter when even his modern Dublin city apartment feels depressing. As Bo talks, Laura watches Solomon. With Bo in the room, this makes it somewhat awkward for him. He clears his throat.

Laura mimics him.

He shakes his head and smiles.

Bo misses what passes between them as she prepares for her conversation. ‘So, bearing in mind we don’t know how much of an assistance Joe will be to you, moving forward, we’d like, Solomon and I …’

He closes his eyes as she mentions him. It’s a ploy to build Laura’s trust by portraying herself as an ally to Solomon and therefore an ally to Laura. Technically, it’s true; she is, after all, his girlfriend. But it still feels like a ploy.

‘We’d like to make a suggestion. We’d like to offer to help you. I feel you and I got off to a wrong start – and let me explain why. I apologise profusely for how I behaved when I first met you. I got excited.’ Bo places her hand on her heart as she speaks completely honestly, meaning every word. ‘I’m a documentary maker. A couple of years ago, I followed your father and uncle for a year.’

Solomon notices how Laura flinches at that, as if equally uncomfortable with the truth as Joe is.

‘They are, were, fascinating people and their story spread all over the world. Aired in twenty countries, I have it here. This is an iPad; if you do this …’ She swipes carefully, looking at Laura then back to the iPad to see if she understands.

Laura mimics the iPad clicking sounds.

‘Then you press this to watch it.’ Bo touches the screen and the film starts playing.

She allows Laura to watch it for a moment.

‘I’d love to make a documentary about you. We’d love to film you here at the cottage, get a sense of who you are and how you live your life.’

Laura looks at Solomon. He’s about to clear his throat but stops himself. Laura does it instead, sounding like him. Bo still doesn’t notice.

‘There is a fee, but it’s small. I have the terms here.’

Bo takes a page from her folder and hands it to her.

Laura looks at the page blankly.

‘I’ll leave this with you, for you to decide.’

Bo looks at the piece of paper, wondering if she should explain it any further, or if doing so would seem patronising. With Solomon standing behind her shoulder, judging her, maybe not deliberately but she feels the judgement, this cold air that comes from him when she does or says something. She does appreciate that he has a better way with negotiating certain situations but she also wants the freedom to be able to act as she deems appropriate, without fearing or dreading the feedback, the sensing the disapproval and disappointment. Of always letting him down. Of having to check herself. She doesn’t want any more cold air between them, but mostly she doesn’t like to have to second-guess herself at a job that she knows she’s more than capable of doing. In ways, it was easier when their relationship was platonic. She cared more about what he thought, rather than what he thinks of her.

She’s sitting on the edge of her chair, too much in Laura’s space. She pushes herself back and tries to appear relaxed, waits for a positive answer.

Laura is watching the first few minutes of video of her father and uncle on the iPad.

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