Hunger: A Memoir of (My) Body

I always wonder what healing really looks like—in body, in spirit. I’m attracted to the idea that the mind, the soul, can heal as neatly as bones. That if they are properly set for a given period of time, they will regain their original strength. Healing is not that simple. It never is.

Years ago, I told myself that one day I would stop feeling this quiet but abiding rage about the things I have been through at the hands of others. I would wake up and there would be no more flashbacks. I wouldn’t wake up and think about my histories of violence. I wouldn’t smell the yeasty aroma of beer and for a second, for several minutes, for hours, forget where I was. And on and on and on. That day never came, or it hasn’t come, and I am no longer waiting for it.

A different day has come, though. I flinch less and less when I am touched. I don’t always see gentleness as the calm before the storm because, more often than not, I can trust that no storm is coming. I harbor less hatred toward myself. I try to forgive myself for my trespasses.

In my novel, An Untamed State, after Miri, my protagonist, has been through hell, she thinks about how sometimes broken things need to be broken further before they can truly heal. She wants to find something that will break her in that necessary way so she can get back to the life she had before she was kidnapped.

I was broken, and then I broke my ankle and was forced to face a lot of things I had long ignored. I was forced to face my body and its frailty. I was forced to stop and take a breath and give a damn about myself.

I have always worried that I am not strong. Strong people don’t find themselves in the vulnerable situations I have found myself in. Strong people don’t make the mistakes I make. This is some nonsense I have cooked up over the years, notions I would disabuse anyone else of but somehow still carry myself. When I worry I’m not strong, I become very invested in appearing invulnerable, unbreakable, stone-cold, a fortress, self-sustaining. I worry that I need to keep up this appearance even when I cannot.

Before October 10, 2014, I was running myself into the ground. I have always run myself into the ground, been relentless, pushed and pushed, thought myself superhuman. You can do that when you’re twenty, but when you’re forty, the body basically says, “Get a grip. Have a seat. Eat some vegetables and take your vitamins.” I came to many realizations in the aftermath of breaking my ankle. The most profound of those realizations was that part of healing is taking care of your body and learning how to have a humane relationship with your body.

I was broken and then I broke some more, and I am not yet healed but I have started believing I will be.





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I sort of knew, when I published my novel, that things would change, but I was pretty passive about it, partly because I was a little resentful that when a woman writes, her personal story becomes part of the story, even though the novel is fiction.

My parents have always known I was a writer. As a young girl they encouraged my creativity, got me my first typewriter, read the little stories I wrote, and praised them as loving parents do. But my writing was also something vague to them, particularly when I was an unknown writer without a book in, say, Barnes & Noble. They weren’t familiar with the online magazines where most of my work was published, and I didn’t go out of my way to share my work with them. When my story “North Country” was included in The Best American Short Stories, I told my mother and she asked, “What’s that?”

I was pretty vague about the release of An Untamed State and Bad Feminist. I was particularly silent on the revelations to be found in Bad Feminist. And then Time magazine reviewed it and referenced my rape, which is not a secret to anyone who has read some of my essays but was, at the time, a secret to most of my family. What happened is not something I discussed with my family. I couldn’t talk about it with them—it was too much. The memories are too fresh even now. The consequences are still with me. Or it was a secret.

The day he read the article online, my dad called and said, “I read the Time review.” I was nonchalant, but I knew what he was getting at.

A few weeks earlier, my mom had poked at me, in her way, and we had a conversation about how sometimes children, even ones with great parents, are too scared to talk to their parents about the trauma they experience. I told her that most of my writing is about sexual violence and trauma. We talked about how we hoped the world would be better to my niece, and that if anything happened to her, she would talk to someone. I realized my mother knew and I was grateful that she and I are so similar and that it was enough to talk around the truth rather than stare it down.

When I went to visit my parents after the Time article, my dad asked, “Why didn’t you tell us about what happened?” and I said, “Dad, I was scared.” I said, “I thought I would get in trouble.”

When I was twelve, I was so ashamed of what had happened, of everything I had done with a boy I wanted to love me leading up to what happened with him and all his friends, of the aftermath. I felt like it was my fault.

My father told me I deserved justice. He told me he would have gotten justice for me, and I went inside myself as I all too often do. I went through the motions of the rest of the conversation, punctuated by a lot of staring at an electronic device. I could have handled it better, but I was hearing what I have needed to hear for so very long and I wanted to break down, though I don’t know how to do that anymore. My family knows my secret. I am freed, or part of me is freed and part of me is still the girl in the woods. I may always be that girl. My dad and brothers want names. I will not speak his name.

My family understands me more now, I think, and that’s good. I want them to understand me.

I want to be understood.





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Some years ago, I looked up this boy from my past, wanted to know what had become of him. He does not have an uncommon name,

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