I nod. ‘Now, hear me, Marion. If anything were to happen to you, if you were ever to become like me, if you were different, you must learn to build a shell around yourself. A shell as hard as a walnut. A shell no one else can see, but one you know is there. Do you understand what I am saying?’
‘I think I might.’
‘Be a walnut.’
‘People crack walnuts. And eat them.’
I suppressed a smile. There was nothing I could say to Marion sometimes.
A little later, after a jar of ale, I lay beside Rose, fearing for a future I already knew was against us. And I felt sick, knowing the time would arrive when I’d have to leave them. When I’d have to run away, and keep running, for however much life I had been given. Away from Canterbury. Away from Rose. Away from Marion. Away from myself. I was already feeling a kind of homesickness for a present I was still living. And I lay there, trying to find a route to a far distant future, where things might be better. Where somehow the course of my life had re-routed and headed homewards once more.
Byron Bay, Australia, now
You can hear the crashing of waves quite clearly on Broken Head Road. Where they break against the side of the cliff. It is quite easy for the sound of petrol splashing against timber to be disguised. I smell it before I see what he is doing.
‘Hendrich,’ I say, ‘stop!’
In the dark he almost looks his age. Stooped and thin and withered, like a Giacometti sculpture in jeans and a Hawaiian shirt. One of his arms hangs down, crooked, struggling awkwardly with the weight of the petrol can. But there is an urgent energy to his movement.
He stops for a second and looks at me with blank eyes. He isn’t smiling. I note this because I have rarely seen Hendrich without a smile.
‘You told me you couldn’t be the one to burn his house down in Tahiti. You were never really a finisher, were you, Tom? Well, history has a way of correcting its mistakes.’
‘Don’t do this. Omai isn’t a danger.’
‘As you get older you not only get a certain aptitude for people, Tom, you also get an insight into time itself. You’re probably not quite there yet but there are moments where the understanding is so profound that you see time both ways. Forwards and back. When they say “to understand the future you must understand the past”, I don’t think they know the real truth of it, Tom. You can actually see the future. Not the whole of it. Just pieces. Flashes. Like reverse memories. We forget some of our future just as we forget some of our past, it seems. But I’ve seen enough. I knew you weren’t to be trusted any more to finish a job. I’ve sensed it for some time. I knew where this was going.’
‘It doesn’t matter. None of this matters.’
‘Of course it matters. We need to protect ourselves.’
‘Fuck, Hendrich. That’s bullshit. You mean protect yourself. That’s all you’ve ever meant. The society is a society of one. Come on, Hendrich. It’s not the eighteen hundreds any more. You knew about Marion. You lied to me.’
He shakes his head. ‘I did something you find hard. I kept my promise. I told you I would find her and I found her. Something you were unable to do. I keep people safe.’
‘By setting fire to their homes?’
‘You have your nose against the canvas, Tom. Stand back and see the whole picture. We are under threat like never before. Berlin, biotech, everything. Things don’t get better. Look at the world, Tom. It’s all fucked. Mayflies don’t live long enough to learn. They are born, they grow up, they make the same mistakes, over and over. It’s all a big circle, spinning around, creating more destruction every time. Look at America. Look at Europe. Look at the internet. Civilisation never stays around for long before the Roman Empire is falling again. Superstition is back. Lies are back. Witch hunts are back. We’re dipping back into the Dark Ages, Tom. Not that we ever really left them. We need to stay a secret.’
‘But all you’ve done is replace superstition with more superstition. You lie. You found my daughter and you sent her to kill me.’
‘I’m not the only one who lies, Tom, am I now?’
He pulls a chrome lighter from his pocket. It was the same lighter he’d had the first time I met him, back in the Dakota. ‘Gave up smoking years ago. They lynch you in LA for less. But I kept this memento. You know, like you with that stupid penny. The petrol, though, the petrol I had to buy.’
He flicks a flame into life. Suddenly, I understand this is real. There is no surprise, really, that Hendrich is willing to kill Omai, or me, or that he kept Marion’s whereabouts secret. Ever since I joined the society I have known what he is capable of. The surprise is that he is willing to expose himself like this, endanger himself, be this close to the heat.
‘Omai!’ I shout. ‘Omai! Omai! Get out of the house!’
And then it happens.
The peak of the crescendo. A cascade of everything. All the paths of my life intersecting in one spot.
As I begin to run towards Hendrich, a voice rings out, puncturing the night: ‘Stop!’
It is, of course, Marion.
And then Hendrich stops, for a moment, and seems suddenly weak and vulnerable, like a little boy lost in the woods. He glances from Marion to me and back again. Simultaneously, Omai steps barefoot out of the house, carrying his aged daughter in his arms.
‘Look at this. Isn’t it so sweet? A father and daughter get-together. That’s your weakness, you see. That’s what separates you from me. This desire to be like them. The mayflies. I never had that. I knew, before I acquired my first fortune, years before I sold my first tulip, that the only way to be free was to have no one at all.’
A shot rings out. The noise of it shakes from the sky. Marion’s face looks hard – yes, hard as a walnut – but her eyes are now filled with tears and her hands are shaking.
She’s hit her target. Black lines of blood trickle from his shoulder down his arm. But he is raising the can of petrol and tilting it, pouring the fluid over himself.
‘In the end, it turns out I was Icarus after all.’
He drops the can as he brings the flame close to his chest. I think, or imagine, I see a small smile, a faint signal of contented acceptance, the moment before he violently blooms into fire. His flaming body staggers away from the house. He keeps walking across the grass towards the sea. The cliff.
He is heading to the edge, his feet pushing through the grass that grows wilder nearer to the edge. The grass smokes and singes and glows at its tips, like a hundred tiny fireflies. He keeps walking; there is no moment of pause or reflection, but nor is there a scream of pain. Just a continued staggering momentum. A determination, a last act of control.
‘Hendrich?’ I say. I don’t know why his name comes out as a question. I suppose because, even in his last moments, he is a collection of mysteries. I have lived a long life but it is never long enough to be entirely free from surprise.
‘Oh, man,’ Omai keeps saying. ‘Oh, man, oh, man . . .’