‘What’s the matter?’
‘This was the bed Nat slept in. It’s strange. The space where he was being filled again. That’s all. He was there, and now he isn’t there.’
I saw she was hurt, and for a moment I felt selfish in my own grief. ‘I can sleep somewhere else. I could sleep on the floor.’
She shook her head and smiled. ‘No, no.’
Breakfast was rye bread and a small cup of ale. Grace had some ale too. It was the one drink people could afford that they knew wouldn’t kill them. Unlike water, of course, which was basically Russian roulette.
‘This is my house,’ Rose explained, ‘and the lease has passed to me now my parents have died. So, so long as you live here, you must live by my rules. And the first rule is that you will pay us what you owe, and after that you can pay us two shillings a week as long as you stay here. And help us fetch the water.’
As long as you stay here.
It was quite a nice prospect, having somewhere I could stay indefinitely. And the cottage was a sufficient home. Dry and clean and well aired and smelling of lavender. A bunch of lavender, I now noted, stuck out of a simple vase. There was a fireplace for when the weather became cool. The cottage was a little larger than the one in Edwardstone, with separate rooms, but the same level of care was taken to keep everything as clean and tidy and well scented as possible.
And yet, the offer of indefinitely staying there – if that is what it was – made me feel sad.
I had the sense, even then, that there could be nothing permanent in my life from now on.
You see, at this point, I didn’t know things were going to change. I had no understanding of my condition. It had no name. And I wouldn’t have known even if it had. I just assumed that was it. I was going to stay looking this age for ever. Which you might think would be quite joyful but, no, not really. My condition had already caused the death of my mother. I knew I wouldn’t be able to tell Rose or her sister about it, without putting them at similar risk. And back then, things changed fast, especially if you were young. Faces changed almost with the seasons.
‘Thank you,’ I told her.
‘It will be good for Grace, having you here. She misses her brothers greatly, we both do. But if you cause any mischief – if you bring us into any disrepute – and if you refuse to pay’ – she held the moment like a cherry still to be swallowed – ‘you will be out on your arse.’
‘In a ditch?’
‘Covered in shit,’ said little Grace, having finished her ale.
‘Sorry, Tom. Grace is her name, not a description.’
‘Shit is a fine word,’ I said diplomatically. ‘It is quick to its point.’
‘There are no ladies in this house,’ Rose said.
‘And I am no lord.’ Now wasn’t the time to tell them that I was, however, technically a member of the French aristocracy.
Rose sighed. I can remember her sighs. They were rarely sad sighs. They always had a sense of this is the way things are and how they are going to be and that is perfectly fine about them. ‘Good. Well, today is a new day.’
I liked these two. They were a comfort amid the silent howl of grief.
I wanted to stay. But I didn’t want them to be in danger. They couldn’t be curious about me. That was the main thing.
‘My mother was thrown from a horse,’ I said, from out of nowhere. ‘That’s how she died.’
‘That’s sad,’ said Grace.
‘Yes,’ said Rose. ‘Very sad.’
‘That is what I dream of sometimes.’
She nodded. She may still have had questions but she kept them inside.
‘You should probably rest today. Restore your humours. So, while we go to the orchard you can stay in the cottage. And tomorrow you can go and play your lute and bring us money.’
‘No, no, I will pay my debt. I will earn some money today. You are right, I will go into the street and I will play.’
‘Any street?’ asked Grace, amused.
‘A busy one.’
Rose shook her head. ‘You need to be in London. South of the city walls.’
She pointed. She showed me the way.
‘A boy playing the lute! They will rain pennies on you.’
‘Do you think so?’
‘Look, the sun is out. There will be good crowds. It might give you new things to dream about.’
And the sun shone through the window and lit her face and strands of her brown hair turned gold, and for the first time in four days my soul – or what I used to consider my soul – for the smallest sliver of a moment felt something other than insufferable torment.
And her little sister picked up her basket and opened the door and the day streamed in, a slanted rectangle of light working its alchemy on the wooden floor.
‘So then,’ I said, as if I was going to say something more. And Rose caught my gaze and smiled and nodded as if I just had.
London, now
It is three in the morning.
I really should be in bed. There are only four hours left before I have to be up for work, for school.
Yet, realistically, there is no way I am getting to sleep. I switch off the Discovery Channel documentary about Ming, the five-hundred-and-seven-year-old clam, which I was watching on the computer.
I am sitting here staring at the screen. It probably isn’t very good for my headache to be doing this. But I am resigned to it now. It is the curse of the alba. A kind of altitude sickness, but of time, not height. The competing memories, the jumble of time, the stress of it all, made these headaches an inevitability.
And then, of course, being threatened at knife point hadn’t helped. And seeing Anton among the boys had unsettled me.
I go on the BBC and Guardian websites. I read a couple of news articles about fracturing US and Chinese relations. Everyone in the comments section is predicting the apocalypse. This is the chief comfort of being four hundred and thirty-nine years old. You understand quite completely that the main lesson of history is: humans don’t learn from history. The twenty-first century could still turn out to be a bad cover version of the twentieth, but what could we do? People’s minds across the world were filling with utopias that could never overlap. It was a recipe for disaster, but, alas, a familiar one. Empathy was waning, as it often had. Peace was made of porcelain, as it always was.
After reading the news, I go on Twitter. I don’t have an account but I find it interesting – all the different voices, the squabbles, the arrogance of certainty, the ignorance, the occasional, but wonderful, compassion, and watching the evolution of language head towards a new kind of hieroglyphics.
I then do what I always do, and type the names ‘Marion Hazard’ and ‘Marion Claybrook’ into Google, but there is nothing new. If she is alive, she isn’t using either name.
Then I head over to Facebook.
I see a post from Camille.