“Bloody hell, Celestine, drop it, will you?”
“I’m just asking.”
“You’re not really supposed to.”
“Aren’t I?”
“Not here, anyway,” he says, looking around nervously.
I go quiet. I can only look ahead at the Flawed woman, head swirling with unfamiliar thoughts. Dangerous thoughts.
ELEVEN
AT THE NEXT stop, the Flawed woman gets off and a rather large lady gets on. She recognizes the woman with the crutches and sits down beside her, and they chat.
At the next stop, an old man gets on the bus, and I almost call out to him. He looks so much like my granddad that I’m convinced it’s him, which doesn’t make sense because my granddad lives on a farm in the country, but then I see the large F symbol on his armband and I shudder, annoyed with myself for ever thinking someone like him could possibly be related to me.
My prejudice strikes me. I had been repulsed by the reaction of the woman with the crutches to the Flawed woman smiling at her, but I hold equal views of my own without ever realizing it.
The man is in his seventies or eighties. I’m not sure. He’s old, and he is dressed in a smart suit and polished shoes, as if he’s on his way to work. From this angle, I can’t see any signs of branding, though it could mean it is on his chest, tongue, or foot. He looks respectable, and again I study him, surprised by his appearance. I always thought of the Flawed as less than us, and I can’t believe I have admitted that to myself. He is unable to sit, because the two Flawed seats are taken—by two women who are not Flawed but are so busy chatting that they don’t notice him. He stands near them, holding on to the pole to stay upright.
I hope they notice him soon. He doesn’t look like he will go very far standing.
A few minutes pass. He is still standing. I look around. There are at least a dozen free seats where he could sit, but he is not allowed to. I’m a logical person, and this does not prove logical to me.
I look across at Juniper, who has taken off her headphones and is sitting up, poker straight, alert, and looking at the same situation that I am. Juniper has always been more emotional than I am, and I can see her on the edge of her seat, ready to pounce. Instead of fearing she will do something stupid, for once I am glad she and I feel the same.
The old man starts coughing. And then he won’t stop.
His breath is wheezy, barely still for a moment before he coughs again. He takes out a handkerchief and coughs into that, trying to block the germs and noise. His face goes from white to pink to purple, and I see Juniper move closer to the edge of her seat. She looks at the two women chatting, then back to the old man. Finally, he stops coughing.
Moments later he starts again, and all heads turn away from him and look out the window. The fat lady stops talking to look at him, and I’m relieved, knowing she will finally let him sit in the seat he is entitled to. Instead, she tuts as if he’s bothering her and continues her conversation.
Now I straighten up in my seat.
The coughing is bothering her. It is bothering everyone on the bus. His loud gasps for breath can’t be ignored, and yet they are. Rules state that if anyone aids a Flawed, they will be imprisoned, but not in this case, surely? Are we to watch him struggling right before us?
The coughing stops.
My heart is pounding.
I let go of Art’s hand. It feels clammy.
“What’s up?”
“Can’t you hear that?”
“What?”
“The coughing.”
He looks around. “There’s no one coughing.”
The coughing starts again, and Art doesn’t bat an eyelash when he looks at me intimately and says, “You know I can’t wait to be somewhere alone. Why don’t we miss the first class?”
I can barely hear him over the coughing, over my pounding heart. Does nobody hear the old man? Does nobody see him? I look around, flustered. All eyes are staring out the window or on him in disgust, as if he’s about to infect us all with his flaws.
Juniper’s eyes are filled with tears. My own flesh and blood agreeing with me is validation enough. I make a move to stand up, and Art’s hand suddenly clamps around my arm.
“Don’t,” he says firmly.
“Ow!” I try to move, but instead his grip feels like a red-hot iron. “You’re hurting me.”
“And do you think when they sear your skin it won’t hurt more than this?” He squeezes tighter.
“Art, stop! Ouch!” I feel my skin burning.
He stops.
“How is this fair?” I hiss.
“He has done something wrong, Celestine.”
“Like what? Something that’s completely legal in another country but that people are prosecuted for here anyway?”
He looks as if I stung him.
“Don’t do anything stupid, Celestine,” he says, sensing he has lost the argument. “And don’t help him,” he adds quickly.