End of Watch (Bill Hodges Trilogy #3)

“Your drug didn’t do shit,” Brady says as the main screen comes up. He’s actually not sure of this, but it’s what he chooses to believe.

His fingers rattle the keyboard with a practiced speed of which Babineau would have been incapable, and a hidden program, one Brady installed himself on a previous visit to the good doctor’s head, pops up. It’s labeled FISHIN’ HOLE. He types again, and the program reaches out to the repeater in Freddi Linklatter’s computer hideaway.

WORKING, the laptop’s screen says, and below this: 3 FOUND.

Three found! Three already!

Brady is delighted but not really surprised, even though it’s the graveyard of the morning. There are a few insomniacs in every crowd, and that includes the crowd that has received free Zappits from badconcert.com. What better way to while away the sleepless hours before dawn than with a handy game console? And before playing solitaire or Angry Birds, why not check those pink fish on the Fishin’ Hole demo screen, and see if they’ve finally been programmed to turn into numbers when tapped? A combination of the right ones will win prizes, but at four in the morning, that may not be the prime motivator. Four in the morning is usually an unhappy time to be awake. It’s when unpleasant thoughts and pessimistic ideas come to the fore, and the demo screen is soothing. It’s also addictive. Al Brooks knew that before he became Z-Boy; Brady knew from the moment he saw it. Just a lucky coincidence, but what Brady has done since—what he has prepared—is no coincidence. It’s the result of long and careful planning in the prison of his hospital room and his wasted body.

He shuts down the laptop, tucks it under his arm, and starts to leave the study. At the doorway he has an idea and goes back to Babineau’s desk. He opens the center drawer and finds exactly what he wants—he doesn’t even have to rummage. When your luck is running, it’s running.

Brady returns to the living room. Z-Boy is sitting on the sofa, head lowered, shoulders slumped, hands dangling between his thighs. He looks unutterably weary.

“I have to go now,” Brady says.

“Where?”

“Not your business.”

“Not my business.”

“Exactly right. You should go back to sleep.”

“Here on the couch?”

“Or in one of the bedrooms upstairs. But you need to do something first.” He hands Z-Boy the felt-tip pen he found in Babineau’s desk. “Make your mark, Z-Boy, just like when you were in Mrs. Ellerton’s house.”

“They were alive when I was watching from the g’rage, I know that much, but they might be dead now.”

“They probably are, yes.”

“I didn’t kill them, too, did I? Because it seems like I was in the bathroom, at least. And drawed a Z there.”

“No, no, nothing like th—”

“I looked for the Zappit like you asked me to, I’m sure of that. I looked hard, but I didn’t find it anywhere. I think maybe she throwed it away.”

“That doesn’t matter anymore. Just make your mark here, okay? Make it in at least ten places.” A thought occurs. “Can you still count to ten?”

“One . . . two . . . three . . .”

Brady glances at Babineau’s Rolex. Quarter past four. Morning rounds in the Bucket begin at five. Time is fleeting on -wingèd feet. “That’s great. Make your mark in at least ten places. Then you can go back to sleep.”

“Okay. I’ll make my mark in at least ten places, then I’ll sleep, then I’ll drive over to that house you want me to watch. Or should I stop doing that now that they’re dead?”

“I think you can stop now. Let’s review, okay? Who killed my wife?”

“I did, but it wasn’t my fault. I was hypnotized, and I can’t even remember.” Z-Boy begins to cry. “Will you come back, Dr. Z?”

Brady smiles, exposing Babineau’s expensive dental work. “Sure.” His eyes move up and to the left as he says it.

He watches the old guy shuffle to the huge God-I’m-rich -television mounted on the wall and draw a large Z on the screen. Zs all over the murder scene aren’t absolutely necessary, but Brady thinks it will be a nice touch, especially when the police ask the former Library Al for his name and he tells them it’s Z-Boy. Just a bit of extra filigree on a finely crafted piece of jewelry.

Brady goes to the front door, stepping over Cora again on the way. He bops down the porch steps and does a dance move at the bottom, snapping Babineau’s fingers. That hurts a little, just a touch of incipient arthritis, but so what? Brady knows what real pain is, and a few twinges in the old phalanges ain’t it.

He jogs to Al’s Malibu. Not much of a ride compared to the late Dr. Babineau’s BMW, but it will get him where he needs to go. He starts it and frowns when classical shit comes pouring out of the dashboard speaker. He switches to BAM-100 and finds some Black Sabbath from back when Ozzy was still cool. He takes a final look at the Beemer parked askew on the lawn, then gets rolling.