End of Watch (Bill Hodges Trilogy #3)

On the following nights—late nights, when he could be sure no one might come in and see—Brady experimented with his phantom hand. Often as he did so he thought of a high school classmate named Henry “Hook” Crosby, who had lost his right hand in a car accident. He had a prosthetic—obviously fake, so he wore it with a glove—but sometimes he wore a stainless steel hook to school, instead. Henry claimed it was easier to pick things up with the hook, and as a bonus, it grossed out girls when he snuck up behind them and caressed a calf or bare arm with it. He once told Brady that, although he’d lost the hand seven years ago, he sometimes felt it itching, or prickling, as if it had gone numb and was just waking up. He showed Brady his stump, smooth and pink. “When it gets prickly like that, I’d swear I could scratch my head with it,” he said.

Brady now knew exactly how Hook Crosby felt . . . except he, Brady, could scratch his head with his phantom hand. He had tried it. He had also discovered that he could rattle the slats in the venetian blinds the nurses dropped over his window at night. That window was much too far away from his bed to reach, but with the phantom hand he could reach it, anyway. Someone had put a vase of fake flowers on the table next to his bed (he later discovered it was Head Nurse Becky Helmington, the only one on staff to treat him with a degree of kindness), and he could slide it back and forth, easy as pie.

After a struggle—his memory was full of holes—he recalled the name for this sort of phenomenon: telekinesis. The ability to move objects by concentrating on them. Only any real concentration made his head ache fiercely, and his mind didn’t seem to have much to do with it. It was his hand, his dominant left hand, even though the one lying splay-fingered on the bedspread never moved.

Pretty amazing. He was sure that Babineau, the doctor who came to see him most frequently (or had; lately he seemed to be losing interest), would be over the moon with excitement, but this was one talent Brady intended to keep to himself.

It might come in handy at some point, but he doubted it. Wiggling one’s ears was also a talent, but not one that had any useful value. Yes, he could move the bottles on the IV stand, and rattle the blinds, and knock over a picture; he could send ripples through his blankets, as though a big fish were swimming beneath. Sometimes he did one of those things when a nurse was in the room, because their startled reactions were amusing. That, however, seemed to be the extent of this new ability. He had tried and failed to turn on the television suspended over his bed, had tried and failed to close the door to the en suite bathroom. He could grasp the chrome handle—he felt its cold hardness as his fingers closed around it—but the door was too heavy and his phantom hand was too weak. At least, so far. He had an idea that if he continued to exercise it, the hand might grow stronger.

I need to wake up, he thought, if only so I can get some aspirin for this endless fucking headache and actually eat some real food. Even a dish of hospital custard would be a treat. I’ll do it soon. Maybe even tomorrow.

But he didn’t. Because on the following day, he discovered that telekinesis wasn’t the only new ability he’d brought back from wherever he’d been.

? ? ?

The nurse who came in most afternoons to check his vitals and most evenings to get him ready for the night (you couldn’t say ready for bed when he was always in bed) was a young woman named Sadie MacDonald. She was dark-haired and pretty in a washed-out, no-makeup sort of way. Brady had observed her through half-closed eyes, as he observed all visitors to his room in the days since he had come through the wall from his basement workroom where he had first regained consciousness.

She seemed frightened of him, but he came to realize that didn’t exactly make him special, because Nurse MacDonald was frightened of everyone. She was the kind of woman who scuttles rather than walks. If someone came into 217 while she was about her duties—Head Nurse Becky Helmington, for instance—Sadie had a tendency to shrink into the background. And she was terrified of Dr. Babineau. When she had to be in the room with him, Brady could almost taste her fear.

He came to realize that might not have been an exaggeration.

? ? ?

On the day after Brady fell asleep thinking of custard, Sadie MacDonald came into Room 217 at quarter past three, checked the monitor above the head of his bed, and wrote some numbers on the clipboard that hung at the foot. Next she’d check the bottles on the IV stand and go to the closet for fresh pillows. She would lift him with one hand—she was small, but her arms were strong—and replace his old pillows with the new ones. That might actually have been an orderly’s job, but Brady had an idea that MacDonald was at the bottom of the hospital pecking order. Low nurse on the totem pole, so to speak.

He had decided he would open his eyes and speak to her just as she finished changing the pillows, when their faces were closest. It would scare her, and Brady liked to scare people. Much in his life had changed, but not that. Maybe she would even scream, as one nurse had when he made his coverlet do its rippling thing.

Only MacDonald diverted to the window on her way to the closet. There was nothing out there to see but the parking garage, yet she stood there for a minute . . . then two . . . then three. Why? What was so fascinating about a brick fucking wall?

Only it wasn’t all brick, Brady realized as he looked out with her. There were long open spaces on each level, and as the cars went up the ramp, the sun flashed briefly on their windshields.