Eligible: A Modern Retelling of Pride and Prejudice (The Austen Project #4)

Liz squared her shoulders. “Of course.”

But Darcy’s comment at the Lucases’ barbecue about Liz’s ostensibly single status—I suppose it would be unchivalrous to say I’m not surprised—had echoed unpleasantly in Liz’s head during the last week. Could it have been his spontaneous attempt at wit? Or in their brief encounter, had he taken note of some off-putting feature of her presentation—disgustingly bad breath, say—that no one, even Jane, had ever felt comfortable mentioning? In New York, Liz rarely dwelled on the contours of her romantic life, but in Cincinnati, the irregularity of her arrangement with Jasper had come into sharper focus. Depending on how long Susan’s grandmother took to die, it could be several more years before Jasper and Susan officially divorced and, Liz imagined, she and Jasper moved in together. Eventually, in some low-key ceremony, they would marry. It seemed plausible she’d be the last of her sisters to wed, but Liz didn’t share her mother’s view of matrimony as a race. After all, she already had a companion to reliably talk things over with and another body in the bed to reliably curl against, and weren’t those marriage’s truest perquisites?



And yet, with regard to Jasper, Liz wasn’t impervious to self-doubt. At a co-worker’s wedding, when filling out a form that required her to declare her marital status or identify an emergency contact (she always wrote Jane’s name), or if otherwise confronted with evidence of choices she’d made without necessarily having recognized them as such in the moment—these circumstances all gave her pause. In recent weeks, as she’d repeatedly bumped into former classmates or old family friends, the proof was ample that other people’s choices had been different. A few days before, she had met Charlotte for a drink at Don Pablo’s, which had once been their favorite restaurant, and as Liz took a sip of her pomegranate margarita, she realized that at the adjacent table, standing up to leave, was their Seven Hills classmate Vanessa Krager, as well as a bald man who appeared to be Vanessa’s husband and four children between the ages of five and twelve who appeared to be their offspring. How was this mathematically possible? And wasn’t there, in Vanessa’s avid reproduction, something unseemly, some announcement of narcissism or aggression? It was generally less shocking to Liz that twenty years after high school she was still her essential self, the self she’d grown up as, unencumbered by spouse or child, than that nearly everyone else had changed, moved on, and multiplied. After moderately warm greetings, introductions, and updates (Vanessa was working part-time doing billing for a chiropractor, the family was soon due at the ten-year-old’s piano recital), Vanessa said, “Liz, I read your interview with Jillian Northcutt. Do you think Hudson Blaise cheated on her?”

Five years earlier, after the dissolution of one of Hollywood’s then-most-famous marriages, Liz had been the first journalist to interview the actress Jillian Northcutt post-split. That this remained Liz’s best-known article was slightly embarrassing—the entirety of the interview, which had happened in a hotel suite, had lasted eighteen minutes and occurred in the presence of not only Jillian Northcutt’s publicist and personal assistant but also the publicist’s assistant, a silent manicurist, and an equally silent pedicurist. While the encounter had paid dividends in subsequent cocktail party conversations, and had even landed Liz on several entertainment talk shows, she actually felt sorry for Jillian Northcutt because of the degree of prurience she inspired.



To Vanessa, Liz said, “I think the only people who really know what went wrong are the two of them.”

Insistently, Vanessa said, “But he and Roxanne DeLorenzo were together like a month later!” At this point, Vanessa’s husband said, “V, we gotta go,” and Charlotte said, “Great to see you, Vanessa,” and then the family departed in a commotion that included spilled rice from a polystyrene take-home container, tears, and intersibling violence.

When they were gone, Charlotte and Liz looked at each other, and at exactly the same time, Liz said, “There but for the grace of God go I,” and Charlotte said, “Should I freeze my eggs?”

“Jinx?” Liz said.

When Charlotte laughed—Liz hadn’t been sure she would—Liz was reminded once again of how much she liked her friend.

Curtis Sittenfeld's books