“That sounds like every Star Trek: TNG* ever,” Archer declared. He had a point. They were a Trekkie household, always had been (nothing against the Star Wars franchise, they were fine if you liked glorified soap operas whose characters all had daddy issues*).
They’d all noticed that no one ever gave Captain Picard specifics. Ever. It could be a bomb, it could be a spy, it could be a bomb made of spies, and all Riker or Geordi would ever say was, “Captain, I think you should see this” or “Captain, you’d better get down here.” As Paul had pointed out when he was a wee lad (a wee-er lad), “They’re all terrible at debriefing their superior officer. Did they all flunk military protocol?”*
(This had the unfortunate side effect of sparking the “Resolved: That the United Federation of Planets is the galaxy’s military, not the galaxy’s Peace Corps” debate again. No one got to bed before 3:00 a.m.)
“Why? Do you have an update?” she asked. “A new witness?” A new witness would be wonderful. The old ones were dead or had disappeared or had refused to talk in the first place. A new witness would be Christmas.
He shook his head. “I don’t know if it’s related to the case or not.”
Okay. Is that disappointing? Am I disappointed?
“Will you come?”
Not disappointed. “Of course, I can go right now. I— Wait.” She turned to Archer. “What’s Mom up to?”
“Dunno. Jack said she’s in her room with the door closed.”
“Fine.”
“But she knows he’s here,” he added, jerking his head toward Jason. “She asked who was knocking.”
“Okay. So it’s unlikely she’ll come out anytime soon.”
“Based on my lifetime of observing her behavior . . . yeah. Pretty safe bet.”
Fine. Better than Widow Drake storming into the kitchen, insulting Jason for reasons only known to her, then vanishing for hours, maybe days. She remembered her uncle telling Jason to go direct traffic last week and wondered what caused the older generation of Drakes to have so little respect for law enforcement. She hoped, very sincerely, it skipped a generation. Preferably two or three generations.
Paul had once pointed out that living with Emma was like sharing a house with the Phantom of the Opera: You knew she was creeping around somewhere behind the scenes, wanting everyone to remain in the house, but she was hardly ever seen.
Jason was probably a bit weirded out by the exchange. Suddenly Angela was too tired to go into it one more time. “It’s complicated,” she said, and shrugged.
Jason pointed to himself. “Homicide detective. I know all about complicated.”
“That’s true,” Archer cheerfully acknowledged. “You’ve seen shit that would horrify even us. Probably. Well, maybe not Leah. But the rest of us?”
“Maybe,” Jason replied, deadpan.
“Possibly,” Angela added, and then giggled, because why not? It was turning into that kind of day. Week.
So that was that.
? ? ?
“THIS WILL SOUND strange,” Jason Chambers began stiffly, “but I find cemeteries relaxing.”
“I feel the same way about KitKats.”
That startled a laugh out of him. “I knew I should have brought something to bribe you.”
“You don’t have to bribe me,” she said quickly. “I was glad to hear from you.”
“That may change,” he said quietly, shutting off the ignition.
It was late afternoon and she would have loved a nap. But her fatigue had taken flight when Jason called. They were in his
(boat, carriage, train, car, who cares?)
car at a
(grocery store, gym, library, AA meeting, who cares?)
cemetery she was more than familiar with: Graceland.
“Okay, this I didn’t expect.”
“I wasn’t even here for your case,” Jason said as they got out of his car. “Like I said, I like cemeteries. They’re beautiful and quiet. Sometimes the precinct . . . it’s all noise, and most of it doesn’t make much sense. I like my work, but some days . . .”
“Jason, you’re talking to the woman who studied for finals in a prison visiting area. You don’t have to explain one thing about yourself to me. It’s fine.”
“Thank you.”
“For what? Not judging the hell out of you and then running away screaming?”
“Yes.”
So out of curiosity, how many people have done that to you? Two? Five? Enough to make you feel bad about enjoying gorgeous landscaping, that’s for sure. Morons.
“Did you know,” he began, “they used to bury bodies on top of each other? It never occurred to them to spread out, so they packed them like sardines.”
“Annnnnd now you’ve ruined sardines for me.”
He smiled at her. “Sorry. But as I was saying, back in the day, Graceland was designed the new way, with more space and better maintained tombstones. They even set aside space for families to have picnics. So the grounds weren’t just beautiful, they were practical. I think that’s lovely. You know the saying: ‘In the midst of life, we are—’”
“‘—having picnics.’ Yep, got it.” But it was interesting. Visits here had always been more of a duty than a pleasure, but she had to admit it was peaceful.
“Do you have family here?”
“No.”
“I mean—are you buried here? One of your past lives?”
He smiled and she caught a glimpse of that enchanting dimple. “No. I just like cemeteries. Especially their histories.”
“Well, Graceland’s got a lot of that. It’s a who’s who type of graveyard.” A who’s who type of . . . Gawd. Stop. Talking.
Luckily, Jason picked up the conversation slack. “Did you know George Pullman’s here? His family was so worried about activists and former employees wreaking havoc on the corpse—”
“‘Wreaking havoc on the corpse,’” she repeated, delighted. “I really like the way you talk. It’s friggin’ poetry.”
“Thanks.” Was that a blush? Surely not. “His family buried him in the middle of the night, in utmost secrecy. They lined his coffin with lead and sealed it up with reinforced concrete.”
“Those wacky anti-industrialists.”
Jason grinned. “It worked. But even if it hadn’t, my thinking is: If you were prepared to go to all that trouble, and actually broke through to the coffin, take the body. It’s yours. You’ve earned it.”
They giggled guiltily, like kids who were talking about something so awful, it was actually funny. Or seemed that way.
Jason pointed out a few monuments. “They also had to move quite a few bodies here after the 1871 fire.”
“Yeah, I read about that somewhere. It always gave me a creepy Poltergeist vibe.”
“Sorry?”
“‘You left the bodies and you only moved the headstones! You only moved the headstones!’ You know. Poltergeist? Not the remake. The good one from the eighties. No?” She shook her head. “Terrible. Your habit of lurking in cemeteries is fine—”
“Lurk is an exaggeration.”
“But your inability to see Poltergeist despite having had decades to do so is gonna be a problem.”
“I would never want to be a problem for you,” he replied seriously. “I’ll see it.”
What? He will? Just like that? Naw. Really? Is it possible this crush isn’t just one-sided?
Naw.
“It’s right over here,” he added, gently taking her by the elbow
(!!!!!!!)
and leading her past the imposing mausoleums. As always, she averted her gaze from the Eternal Silence statue. A bronze sculpture (oxidized, so it shone green, not brass) with a black base, the thing was ten feet tall, a sinister robed and hooded figure holding one arm across its face like Dracula fending off sunshine.
She’d been amazed and a little frightened (in her defense, she’d still been a kid) to find out there was a legend about the statue: If you looked into its dead stony gaze, you’d have a vision of your own death.* For years afterward, Mitchell always blindfolded the thing when they visited.
Should’ve taken a page out of Jason’s book and just gone on picnics instead.
Wait. She knew this path. She recognized everything. “We’re going to my father’s grave, aren’t we?”
“Yes.”
That . . . that couldn’t be good. She couldn’t think of any instance in which a concerned cop taking her to her father’s grave would work out for her. Not one.
Then she saw it. And instantly knew why she was there.
My God.
THIRTY