Daughter of the Burning City

“Because this is your legacy. If you want it to be. I can teach you everything you need to know. The history of each lucky coin and the illustrious people who came before you. The art of writing letters to foreign dignitaries. The parts of Gomorrah you have never seen. If you want this, that is.”

“That isn’t what I meant,” I say, purposefully avoiding his unstated question. I don’t know if I want this. I’ve always been satisfied being a performer, my aspirations involving love and family more than power and leadership. Nor do I think I’m capable enough to handle such a position. “I thought we were going to discuss the investigation.”

“This is the investigation, Sorina. I have enemies right now just beyond Skull Gate, maybe even within it.” We both reproachfully watch the patrons as they pass through the entrance. “I am almost certain that the perpetrators are after me. After both of us. We’ve interviewed people in your neighborhood, in the games neighborhood, anyone who we imagine could be responsible. But we should be looking outside Gomorrah, not within.”

“But there have been murders in two different cities now. Unless you think the killer is following us?”

“No, I don’t think it’s one killer. I believe it to be organized beyond Frice, beyond Cartona, throughout the Up-Mountains. My most powerful enemies live in these cities. I brought Gomorrah here searching for ways of destroying them, and, instead, they were the ones to make the first moves.”

To our left, a woman begins to perform on a harp. Its box lies open before her with a few coppers inside to invite donations. The song sounds jovial, meant to welcome patrons into our gates, with a fast rhythm to quicken everyone’s steps and lighten their hearts. It occurs to me that this is a terrible choice of place for my father to share this information with me. Now I cannot help but see the Festival as a farce. We are putting on a show, but I had always believed that was because Gomorrah is a city of performers.

Turns out, we are a city of liars. I suppose one could call them the same thing.

“I need your help, Sorina. I wish I could provide you with a simple solution, a single perpetrator for you to bring to justice. But I fear the battle will be not so easily won.”

“I don’t think I can do that. I’m not...” Smart enough. Strong enough. Brave enough.

“When I met you thirteen years ago, I saw the potential in you. Three years old, rebelling against slavers. You rode Tree to battle the way a general rides a stallion. I knew you were a warrior.”

“That was a long time ago.” I don’t remember being that child. Villiam makes the story sound like a fairy tale, when truly it’s a horror story in real people’s lives. And his words make me uncomfortable. I am no warrior.

“I don’t want to pressure you, but this is what I have to offer.”

I lean back and press my shoulder blades into the firm wood of the bench. When Villiam proposed to include me in his investigation, I expected interviews, paperwork. I wasn’t anticipating this sort of responsibility. I was hoping for clearer answers.

But haven’t I always wanted Villiam to take me more seriously as the future proprietor? For thirteen years, all he’s taught me is record-keeping and moving agriculture. Not strategy. Not politics.

If I say no, I can continue my investigation with Luca in Gomorrah. But Villiam doesn’t believe the killer will be found within our walls, and I’m inclined to agree with him. If I want to protect my family, helping Villiam is my only option. Becoming a true proprietor is my only option. Even if it eventually means leaving the Freak Show behind.

“When do we begin?”

Villiam smiles and then wraps his arm around my shoulder and squeezes. “Immediately.”

On our return trip to his caravan, he details his plans for my upcoming education. Rather than meeting with him twice a week, as I always have, I will meet with him five or six times. There will be reading, and studying, and a number of assignments, already piling up in the back of my mind with a lump of anxiety. I’m not a fantastic student. What if, after all of this, Villiam doesn’t think I’m good enough?

I remind myself I’m doing this for Gill and Blister. And maybe a little for myself.

Back in Villiam’s caravan, Agni remains hunched over the desk. Villiam pulls various volumes off the shelves. “This is a history of all of the proprietors. This is a list of historic places in Gomorrah. This is a history of all eight of the Trade Wars.” He slips them all in a messenger bag and then hands it to me. “Oh, and one last thing.”

He reaches into his cupboard and pulls out a glass box. Inside is a scarlet cricket, as red as Villiam’s brooch. It’s petrified from the use of charm-work, perfectly preserved within the glass. “This is a rare Cartonian Cricket. They’re considered a delicacy here, served with bay leaves and paprika. I thought you might want to add it to your collection. A piece of memorabilia from the city.”

I don’t want anything to remember Cartona by. I’ll already remember it forever as the place where Blister died. Still, I take it, because Villiam means well. He loves spoiling me with gifts. “Thank you,” I say. The cricket has three eyes. Probably a deformity. Rather fitting, for someone like me.

“Do you like it?” he asks.

“Absolutely.”

He beams and slaps my shoulder. “Great. I’ll see you soon, my dear. Take tomorrow to read and spend time with your family, and then come visit me the day after that. That’s when the real fun will begin.”





>





CHAPTER NINE

When Gomorrah is standing still, a three-foot-tall fence separates the Downhill and the Uphill. The stakes are painted black and sharpened into points, and trinkets and trash hang along their entire length, from top to bottom. Empty bottles stuffed with cigarette ash. Animal bones from food picked clean. Broken charms. Flyers advertising attractions and services, such as a short-term moneylender in Skull Market, where you could find anything from stolen jewelry to pickled lizard eyes for charm-work. Occasionally, there is a white ribbon for memorial of someone passed.

I haven’t decided what I’m going to say to Luca. Villiam is convinced the killers are from outside Gomorrah, so convinced he is allowing me to train as proprietor two years early. I am inclined to agree with him. Before meeting with Villiam today, I intended to tell him about Luca’s proposition, but it didn’t seem to matter by the end. I’ll find Luca and tell him thanks, but no thanks. The thought of doing so thrills me a little. He rejected me once; now I can reject him.

Amanda Foody's books