Cross the Line (Alex Cross #24)

Howard’s bleary eyes got hard and beady. “In here.”


He stood aside. We walked into his sad little world. The apartment reeked of cigarette smoke. The muted television was tuned to a cable station rerunning classic baseball games. Beer cans and three empty bottles of Smirnoff vodka crowded the coffee table. The parakeet in the cage between the easy chair and the couch looked like a miniature plucked chicken. It had no feathers except for a crown of baby blue and orange.

“That’s Sylvia Plath,” Howard said. “She’s got issues.”

He laughed uproariously at that and then started coughing hard. He picked up a tissue, spit into it, and then said, “Aren’t you going to ask me where I was when Tommy got it?”

“We figured we’d dance with you awhile before that,” Sampson said.

Howard sobered, said, “No reason to. I was right here at the time the TV guys say he was killed.”

“Anyone see you?”

“Six of the fine ladies from my neighborhood Hooters were supposed to come over for breakfast and watch last night’s game with me on the DVR,” Howard said. “But, alas, they stood me up. Too bad. Good game. Senators demolished the Red Sox in interleague play. Harper went three for four.”

“So you have no alibi,” I said.

“Nope,” Howard said, going to the kitchen and pouring orange juice and vodka into a dirty highball glass. “But I know you can’t put me on upper Wisconsin because I wasn’t there. Hell, I can barely walk two blocks.”

“You must have wanted to kill Tommy at one time,” Sampson said.

“Man destroys your life, it crosses your mind,” Howard said, shuffling back and settling into a recliner. “But I did not pull the trigger on COD McGrath.”

“You own a Remington 1911?” I asked.

“I have always been a devotee of Smith and Wesson, so no.”

“Mind if we look around?”

“Hell yeah, I mind,” the disgraced detective said. “You got a warrant, Cross, have at her. Otherwise, and with all due respect, we’re done here. Me and Sylvia P. got another game to watch.”





CHAPTER


10


SAMPSON AND I didn’t argue with Howard. The former detective didn’t strike me as being physically or mentally capable of shooting McGrath. He seemed to have given up and was at some bitter peace with that.

So we left and returned to the office, where I found Bree and Muller waiting with Rico Lincoln and Martin O’Donnell, the other detectives Chief Michaels had assigned to the murder of Tom McGrath. Bree and Muller described their meeting with Vivian McGrath and we brought them up to speed on what we’d found at McGrath’s, Edita Kravic’s, and Terry Howard’s.

When we finished, I looked at Detective Lincoln, a tall, skinny marathoner who’d been smiling and acting impatient during our reports.

“You got something you’d like to share, Rico?”

“I do,” Lincoln said. “I mean, we both do.”

“You first,” O’Donnell said.

Lincoln got on his computer and linked it to a large screen on the wall. The screen jumped to a traffic-camera perspective of upper Wisconsin Avenue. Cars in both northbound lanes came at the camera head-on so we could see each vehicle and its passengers best at a distance. With the rain, it was hard to get a good look through the windshields, especially the ones in the right lane.

Lincoln sped the video up, watching the data in the lower corner, and then paused at the time stamp reading 7:20 a.m.

“Tommy McGrath and Edita Kravic are gunned down at seven twenty,” he said, and he hit Play. “Coming at you in the northbound right lane, dark-primer four-door sedan, stripped, almost looks like it’s about to be repainted.”

“That Treasury agent called it,” Sampson said.

“Watch now,” Lincoln said.

The car was passing, rain spattering its windshield, and you couldn’t see a thing. Lincoln froze the screen when the front of the car was almost out of view. He pointed to the left side of the windshield. Up on the dashboard, there was a red Washington Redskins ball cap.

“We saw Howard wearing a red Redskins cap just like that not an hour ago,” Sampson said.

It was true. Same hat.

Lincoln said, “Something else.”

The detective advanced the frames so the windshield of the car and then the tinted driver-side window disappeared. When he stopped the film again, we had a side-angle view through the open rear window.

We could see the silhouette of a person with a wild mop of hair sitting in the middle of the backseat.

“Okay?” I said.

Lincoln advanced the film two frames. Here, the shadows were different. Three-quarters of the face was revealed.

I stared for a second and then said, “Raggedy Ann?”