Denny entered behind them and said, “Okay, get on with it. Seven more drawers in here. I’m almost inside the other room.”
They returned to their labors as Trey casually smoked a cigarette on a park bench across the street and glanced repeatedly at his watch. The frenzy across the campus showed no signs of dying down, but it wouldn’t last forever.
The second and third drawers in the first room revealed more rare books by authors unknown to the gang. When Denny finished cutting his way into the second room, he told Jerry and Mark to bring the drill. This room, too, had eight large drawers, seemingly identical to the first room. At 2:15, Trey checked in with a report that the campus was still in lockdown, but curious students were beginning to gather on the lawn in front of McCarren to watch the show. Police with bullhorns had ordered them back to their rooms, but there were too many to handle. At least two news helicopters were hovering and complicating things. He was watching CNN on his smart phone and the Princeton story was the story at the moment. A frantic reporter “on the scene” continually referred to “unconfirmed casualties,” and managed to convey the impression that numerous students had been shot “by at least one gunman.”
“At least one gunman?” Trey mumbled. Doesn’t every shooting require at least one gunman?
Denny, Mark, and Jerry discussed the idea of cutting into the drawers with the blowtorch, but decided against it, for the moment anyway. The risk of fire would be high, and what good would the manuscripts be if they were damaged. Instead, Denny pulled out a smaller one-quarter drive drill and began drilling. Mark and Jerry bored away with the larger one. The first drawer in the second room produced stacks of delicate papers handwritten by another long-forgotten poet, one they’d never heard of but hated nonetheless.
At 2:30, CNN confirmed that two students were dead and at least two more were injured. The word “carnage” was introduced.
5.
When the second floor of McCarren was secured, the police noticed the remnants of what appeared to be firecrackers. The empty smoke bomb canisters were found in the restroom and the shower. Trey’s abandoned backpack was opened by a demolition crew and the spent smoke bomb was removed. At 3:10, the commander first mentioned the word “prank,” but the adrenaline was still pumping so fast no one thought of the word “diversion.”
The rest of McCarren was quickly secured and all students were accounted for. The campus was still locked down and would remain so for hours as the nearby buildings were searched.
6.
At 3:30, Trey reported, “Things seem to be settling down out here. Three hours in, fellas, how’s the drilling?”
“Slow,” came the one-word response from Denny.
Inside the vault, the work was indeed slow, but determined. The first four opened drawers revealed more old manuscripts, some handwritten, some typed, all by important writers who didn’t matter at the moment. They finally struck gold in the fifth drawer when Denny removed an archival storage box identical to the others. He carefully opened it. A reference page inserted by the library read, “Original Handwritten Manuscript of The Beautiful and Damned—F. Scott Fitzgerald.”
“Bingo,” Denny said calmly. He removed two identical boxes from the fifth drawer, delicately placed them on the narrow table, and opened them. Inside were original manuscripts of Tender Is the Night and The Last Tycoon.
Ahmed, still glued to his laptop and now drinking a highly caffeinated energy drink, heard the beautiful words: “Okay, boys, we have three out of five. Gatsby’s here somewhere, along with Paradise.”
Trey asked, “How much longer?”
“Twenty minutes,” Denny said. “Get the van.”
Trey casually strode across the campus, mixed in with a crowd of the curious, and watched for a moment as the small army of policemen milled about. They were no longer ducking, covering, running, and dashing behind cars with loaded weapons. The danger had clearly passed, though the area was still ablaze with flashing lights. Trey eased away, walked half a mile, left the campus, and stopped at John Street, where he got into a white cargo van with the words “Princeton University Printing” stenciled on both front doors. It was number 12, whatever that meant, and it was very similar to a van Trey had photographed a week earlier. He drove it back onto campus, avoided the commotion around McCarren, and parked it by a loading ramp at the rear of the library. “Van in place,” he reported.
“We’re just opening the sixth drawer,” Denny replied.
As Jerry and Mark flipped up their goggles and moved their lights closer to the table, Denny gently opened the archival storage box. Its reference sheet read, “Original Handwritten Manuscript of The Great Gatsby—F. Scott Fitzgerald.”
“Bingo,” he said calmly. “We got Gatsby, that old son of a bitch.”
“Whoopee,” Mark said, though their excitement was thoroughly contained. Jerry lifted out the only other box in the drawer. It was the manuscript for This Side of Paradise, Fitzgerald’s first novel, published in 1920.
“We have all five,” Denny said calmly. “Let’s get outta here.”
Jerry repacked the drills, the cutting torch, the canisters of oxygen and acetylene, and the pry bars. As he bent to lift the duffel, a piece of the splintered wood from the third drawer nicked him above his left wrist. In the excitement, he barely noticed and just rubbed it for a split second as he removed his backpack. Denny and Mark carefully placed the five priceless manuscripts into their three student backpacks. The thieves hustled from the vault, laden with their loot and tools, and scampered up the stairs to the main floor. They left the library through a service entrance near a delivery ramp, one hidden from view by a thick, long hedge. They jumped through the rear doors of the van and Trey pulled away from the ramp. As he did so, he passed two campus security guards in a patrol car. He flicked a casual wave; they did not respond.
Trey noted the time: 3:42 a.m. He reported, “All clear, leaving the campus now with Mr. Gatsby and friends.”
7.