Blood in Her Veins (Nineteen Stories From the World of Jane Yellowrock)

“You’re going to tattoo me?” he asked, incredulous, relief flooding his system. “That’s all?”


“A tattoo of binding. Using her blood and animal blood in the final part of the spell. The blood will bind you to her. You’ll be a blood-servant. Of sorts.” The girl looked at him through her bangs, her eyes smoky brown. “It’s an old spell. I think she stole it from my grandmother. And I’m sorry to use it on you.” Her voice dropped lower. “So very sorry.”

Hot sweat broke out along his skin, and his sphincters pulled in so tight that his belly ached. He swore violently as his hope evaporated. The girl’s a witch. Rick raised his head and looked at the black marble beneath him. Considered the metal ring. An impressive witches’ circle, one used for a long time by powerful witches. Probably the girl’s grandmother and her coven. He dropped his head back. “Can your grandmother break it once it’s done?”

“She could. But Isleen killed her. Broke her neck and threw her in the bayou.” Her voice shook, and there was something dark and terrible in her tone. Rick knew Isleen had made the girl watch.

? ? ?

The cute little vampire, Isleen, needed a stake and a beheading. As soon as he got free. Assuming he could get free before his will was sapped and he was magically bound to the crazy bitch vamp. But if one witch knew how to break the spell, then others would too. Assuming he could find them. Assuming . . . assuming a hell of a lot for a guy stretched out naked in a witches’ circle. He concentrated on regulating his breathing, feeling the pen against his skin. Pen, then cool, damp cloth. Pen, then cloth. He had to keep his head if he was going to get out of this. He marshaled the negotiation techniques taught in class. “What’s your name?”

“Loriann.” She lifted his head and shoved a pillow under his neck so that he could see without strain. She turned her back a moment, and Rick quickly scanned the barn. Nothing. Nothing there to help him at all. Not even an old hoe to fight with.

“Put out a finger. Cut the cards.”

When Rick looked at her, she was holding cards, bigger than playing cards. Tarot. “I’m Catholic. I don’t read tarot.” Which was utterly stupid considering his current position, but refusal was instinct, pounded into him by a lifetime of nuns.

“I don’t care. Put out a finger or”—Loriann pulled in a breath and firmed her face, steeled her voice—“or I’ll make you wish you had.”

Shock spilled through him, an icy chill. “You’re not a black witch,” he managed.

Loriann closed her eyes. Her skin paled even more, looking almost translucent in the lantern light. “It doesn’t matter what I am anymore,” she whispered. “White, black, blood, light, or dark.” She laughed, the sound broken. “I’ve lost myself. I’ve lost my choice. So put out your finger and cut this deck, or I’ll hurt you.”

Straining to move the blood-deprived digit, Rick put out a finger. Placed his nail into the deck about midway through, parting the cards. Loriann separated the deck and shuffled until the oversized cards were well mixed. Then she laid one out. It was a skeleton riding a horse, and the legend beneath the picture read DEATH. “Great,” he said. “This is why I don’t do tarot.”

Loriann said, “Death isn’t usually real death. It means change. Now shut up.” After that she ignored him and laid out twelve cards in a circular pattern around Death, mumbling to herself. The last card, at the twelve-o’clock position, was the Hanged Man. Whatever she saw didn’t make her happy, and she gathered up the cards and reshuffled them, mumbling, “I never liked Aunt Morella’s time reading anyway.” Louder, she said, “Stick out a finger.”

Again he cut the deck with his fingernail, and Loriann laid out a card. The title at the bottom read KNIGHT OF WANDS; the knight was wearing plate armor and riding a red horse, and carried a stick with leaves growing out of it. “This is you,” she said. Over that card, at an angle, she laid out another card. It was Death. Again. “This is the problem.”

“No shit.” He laughed, and it sounded hopeless even to his own ears. Over that she laid another. The card depicted a woman sitting on a throne between two pillars: one white, one black. She wore a white crown like a nun’s wimple and a white dress, with a cross on her chest. The card read HIGH PRIESTESS. “Hmmm. This is the solution or best course of action.” Quickly Loriann laid out four cards: the first at the bottom, the next to the left, then the top card, placing the last card to the right, in a cross pattern. She laid down four more cards in a line to the far right. The last card she set down showed two naked people. The Lovers. She studied the cards silently. Then gathered them all up again.