Behind The Hands That Kill (In The Company Of Killers #6)

“You’re the reason for everything that’s happened,” Hestia accused boldly, completely unafraid of me in every way. “I don’t why, or who else is involved, but I’ll find out.” She pressed the tip of her index finger dead center in my chest, glared more coldly than before. “And if you hurt my sister…so help me God, I’ll hunt you every minute of every day until I find you. I’ll hang you from a meat hook and strip you of your skin, slowly, and I’ll leave you there to feel the pain. And then I’ll kill you.”

I had been threatened by many people in my life, but never had a threat chilled me before—I knew she would do it. I didn’t know why, but something told me that Hestia Stone was more than capable of backing up her threats—she would make sure of it. She was the only woman I ever feared.

A flash of black hair moved suddenly in the corner of my eye, and I lost my footing as Artemis flung herself between Hestia and me. I stumbled backward, grabbing onto the arm of the sofa for balance, but before I could stop her, Artemis was on top of Hestia, a shard of glass poking from the top of her hand. At first I thought maybe she had fallen on it because there was blood seeping through her fingers, running down her wrist, but when she raised her hand on her sister I saw that the glass was not there by accident, but with purpose.

“Artemis!” I ran toward her, tried to stop her.

But I was too late. Artemis’s hand came down, and it all happened so fast: the look on Hestia’s face, twisted by pain and shock and betrayal—most of all betrayal; the sound of glass penetrating the skin; the dark red color that soaked through the white of Hestia’s blouse; the chilling, rage-filled bellow that thundered through Artemis’s core, filling my ears and my heart with something I never could have imagined of her—unadulterated insanity.

Frozen in shock, I could not will my mind to move my legs; I could not form a sentence. My dear, sweet, Artemis Stone, not innocent by any means before this day, but certainly not what she became when she attacked her sister—I could not believe it.

Hestia managed to kick Artemis off of her, and Artemis fell backward into my arms; blood from both of them stained my hands. I grabbed her wrist and squeezed, knocking the shard from her grip; it fell on the floor without a sound. She fought against me, writhing, hitting, kicking, screaming, but I held her with ease in my arms until she calmed.

Hestia picked herself up from the floor, one hand covering the stab wound on her left breast; she was breathing hard, and could barely remain on her feet.

Raising her head once she was able, she started to look at me first, perhaps to finish what we started, to let me see just how much more desperately she wanted to kill me. But at the last second, her eyes veered and found Artemis instead. The look on her face, it spoke volumes—Artemis was no longer a sister of Hestia, and Hestia would never forgive her for what she had done.

Not a single word was spoken from the three of us, only the silent words that needed not be spoken to hear and understand them.

And then Hestia left. And it was the last time I saw her.



After all these years, I thought that because of what Artemis did, Hestia did not care much anymore about revenge against me. I kept tabs on Hestia from that day forth; it was only logical and mandatory I watch my back because of her threats. I could have killed her on many occasions, but, like Nora Kessler, I wanted her alive. I wanted to study her. She intrigued me. She intrigued me, because I feared her. And I have never been a man to snuff out or run from something that I fear. I face it and move toward it so that I can better understand what it is about that thing that I fear.

“You know,” Apollo says, waking me from my memories, “I never believed it before, but I see now that it’s true—you’re afraid of Hestia. You’re actually afraid of her!” His laughter echoes throughout the space.

I raise my eyes to look at him. I want to say, ‘No, I no longer fear Hestia; that was a long time ago when I was still young—the only fear I have for her now is what she will do to Izabel.’ But I do not say these things; defending my pride and protecting my ego is not important.

“Let me see Izabel,” I demand.

Apollo smiles and sucks on a tooth.

“Can’t do that just yet,” he says, with the shrug of his shoulders. “But you’ll see her soon enough.”

He leaves, closing the door behind him.

I grab the bars of my cage again and roar something not even I understand into the night.





Izabel





The strong smell of perfume wakes me, and when I open my eyes I see that woman from before again, dressed in the tight bodysuit that zips all the way up her throat, standing in the room with me.

“Good. You’re awake,” she says. “We should get started.”

I realize that I’m lying on a bed; a pillow has even been tucked under my head. My bonds have been cut; the gag has been removed from my mouth.

“Get started with what?” I ask, weakly.

The woman smiles carefully at me. I glimpse a knife beside her on a vanity next to various sorts of makeup, hair styling items, and other such things; four bright lights, two on each side of the vanity mirror, light up the small room that has little else in it worthy of noting.