He thinks about the children. Fuck. There were children. Two, yes? A boy and a girl. How old? The girl was bigger. Ten maybe? But the boy was small, a toddler still.
“Hello!” he shouts, with added urgency, swimming now toward the biggest piece of wreckage. It looks like part of a wing. When he reaches it, the metal is hot to the touch and he kicks away hard, not wanting to get swept onto it by the waves and burned.
Did the plane break up on impact? he wonders. Or did it crack open on the way down, spilling passengers?
It seems impossible that he doesn’t know, but the data stream of memory is clogged with indecipherable fragments, pictures with no order, and right now he has no time to try to clarify anything.
Squinting in the dark, Scott feels himself rising suddenly on a heavy wave. He struggles to stay on top of it, realizing he can no longer avoid the obvious.
Straining to stay afloat, he feels something in his left shoulder pop. The ache he endured post-crash becomes a knife that cuts through him whenever he raises his left arm above his head. Kicking his legs, he tries to stretch the pain away, like you would a cramp, but it’s clear something in the socket is torn or broken. He will have to be careful. He still has partial motion—can manage a decent breaststroke—but if the shoulder gets worse he could find himself a one-armed man, adrift, injured, a tiny fish in the saltwater belly of a whale.
It occurs to him then that he may be bleeding.
And that’s when the word sharks enters his mind.
For a moment there is nothing but pure animal panic. Higher reason evaporates. His heart rate soars, legs kicking wildly. He swallows salt water and starts to cough.
Stop, he tells himself. Slow down. If you panic right now, you will die.
He forces himself to be calm, rotating slowly to try to get his bearings. If he could see stars, he thinks, he could orient himself. But the fog is too thick. Should he swim east or west? Back toward the Vineyard or toward the mainland? And yet how will he even know which is which? The island he has come from floats like an ice cube in a soup bowl. At this distance, if Scott’s trajectory is off by even a few degrees he could easily swim right past it and never even realize.
Better, he thinks, to make for the long arm of the coast. If he keeps his stroke even, Scott thinks, rests occasionally, and doesn’t panic, he will hit land eventually. He is a swimmer, after all, no stranger to the sea.
You can do this, he tells himself. The thought gives him a surge of confidence. He knows from riding the ferry that Martha’s Vineyard is seven miles from Cape Cod. But their plane was headed to JFK, which means it would have flown south over the open water toward Long Island. How far did they travel? How far are they from shore? Can Scott swim ten miles with one good arm? Twenty?
He is a land mammal adrift in the open sea.
*
The plane will have sent a distress signal, he tells himself. The Coast Guard is on its way. But even as he thinks this, he realizes that the last flame has gone out, and the debris field is scattering with the current.
To keep himself from panicking, Scott thinks of Jack. Jack, the Greek god in his swim trunks, grinning, arms flexed into rippling towers, shoulders hunched forward, lats popped out. The crab. That’s what they called it. Snapping a crab. Scott kept his poster on the wall throughout his childhood. He had it there to remind himself that anything was possible. You could be an explorer or an astronaut. You could sail the seven seas, climb the tallest mountain. All you had to do was believe.
*
Underwater, Scott folds himself in half, peeling off his wet socks and flexing his toes against the cool deep. His left shoulder is starting to tighten up on him. He rests it as much as he can, pulling his weight with the right, settling for fifteen minutes at a time into a child’s dog paddle. Once more, he recognizes the sheer impossibility of what he must do, choose a direction at random and swim for who knows how many miles against strong ocean currents with only one working arm. Panic’s cousin, despair, threatens to settle in, but he shakes it off.
His tongue is already starting to feel dry in his mouth. Dehydration is another thing he will have to worry about, if he’s out here long enough. Around him the wind is picking up, roughing the seas. If I’m going to do this, Scott decides, I need to start swimming now. Once more he looks for a break in the fog, but there is none, so he closes his eyes for a moment. He tries to feel west, to divine it like the iron filling feels the magnet.
Behind you, he thinks.
He opens his eyes, takes a deep breath.
He is about to take his first stroke when he hears the noise. At first he thinks it’s gulls, a high-pitched ululation that rises and falls. But then the sea lifts Scott a few feet, and at the wave’s peak he realizes with a shock what he’s hearing.
Crying.
Somewhere a child is crying.
He spins, trying to pinpoint the sound, but the waves rise and fall unevenly, creating bounces and echoes.
“Hey,” he calls. “Hey, I’m here!”