Midway through the movie I look around again. I can’t say there’s not a dry eye in the house since only half of them are dripping. The rest are dry and distant, from rolling or from thousand-mile stares. Declan is slouched so far down I doubt his butt is on the seat cushion. Holly never slouches and her expression is less slack-jawed, but she’s restless like when she’s bored and trapped.
They’d pulled into the driveway while HJ was trying to get me to talk—I’d completely forgotten they were coming. I ran the box inside, hid it in my closet, ran back out, and tried to act like nothing happened. I didn’t feel like Movie Roulette anymore but couldn’t cancel now without explanations I wasn’t willing to give.
I hoped the movie might stop the conversation with Annie from looping in my head. It’s too fresh to block out on my own. Trying not to think about it, and failing, is winding me up more and more. Every few minutes Holly touches my knee to tell me to stop bouncing my legs; I don’t even know I’m doing it until she does and then I stop, but a few minutes later it happens again. Unfortunately the movie isn’t enough to distract me. Worse, it’s not just boring, it’s aggravating.
If I remember the novel correctly, which I do, and if they didn’t change it much, and they haven’t yet, we’re coming to a part that’s going to be longish, quietish, and unbearable without any ish whatsoever.
I can’t take it much longer, this sappy nonsense playing out on the big screen in front of us. Somebody has to do something about it. For everyone’s sake. But no one will. It’s up to me.
I scrunch down and cup my hands around my mouth …
“In a world …”
Holly’s head whips around.
“… of sobbing twelve-year-old girls …”
People laugh and heads turn. I’m definitely not the only one. It’s not just guys laughing, either. Being immune to this Kool-Aid is an equal-opportunity agony.
“… based on the book that changed your life forever … in the seventh grade …”
Declan laughs. Holly swats my leg and hisses, “Stop it!” but I can’t stop now …
“… comes a movie about a love so strong it defies believability, reason, the ability to digest solid food …”
“Quiet!” someone yells up front. Tearful. Definitely no older than thirteen.
I’m unmoved. These people need to know life’s nothing like what’s on this screen. Besides, too many people are laughing now, pent up from silently enduring an hour of this feature-length Hallmark commercial. They get it.
“And the guy’s a pussy!” some dude in the back shouts. His friends shush him but they’re laughing, too.
“Shut up!” another crying girl yells. She can’t be more than ten. I guess some people’s lives were changed in elementary school. “He’s going to die for her!”
“Spoiler!” someone yells, laughing.
“Snape kills Dumbledore!”
“Shut UP!”
Roars of laughter and a room divided. Holly covers her eyes with one hand.
I press on. “The story of a girl pursued by a dreamboat she doesn’t love whose sole purpose is to die for her … with a smudge of dirt on his cheek and perfect hair …”
“Be quiet!”
“Don’t be quiet!” More laughter.
The room’s in chaos, the laughing faction joking loudly, the sobbing sisterhood whispering indignantly. A woman storms the exit. No way she’s alone. She’s a mom with her kids, her daughters—at least I really hope so—and she’s going to tattle.
“See you outside,” I whisper and head for the aisle, crouching low.
“You’re not leaving me here,” Declan says.
Holly comes, too. Cheers and jeers follow as we walk quickly up the aisle. We pass behind the mom who’s bitching out some poor guy who only knows how to scoop cold stale popcorn into thin cardboard boxes.
We escape into the cool night air. They’re laughing. I’m not.
Holly says, “That was mean.”
“Then stop giggling,” Declan says.
“I’m not giggling. And I didn’t say it wasn’t funny. I guess I’m a bad person.”
“Not as bad as Mel!” He holds his arms up to protect Holly from me. “I think we need to call an exorcist!” He drops his arms and laughs. “Man, what was that in there? I can’t even get you to raise your hand in class when you know the right answer!”
“Yeah,” Holly says, looking sideways at me. “Is this what you’re like when you’re bored and we’ve just never seen you this bored before?”
“The movie didn’t bore me.” I try to sound more casual than I feel. “It offended me.”
“It’s just a fantasy,” Holly says.
“She didn’t love him,” I say. “Being in love with someone who doesn’t love you back is a tragedy. A fantasy is having someone understand the real you and love you anyway.”
“Yeah,” Declan says. “And having someone be exactly what you want every single moment is a perverse fantasy … like dating your English butler.”
Holly thinks about this until Declan says, “Forget it, Holly. Your life isn’t a movie.”
She sighs. “Sure isn’t.” Then she stops his reply with a quick kiss. “Okay,” Holly says to me. “I didn’t know you had it in you, but maybe you saved lives in there. A much-needed wake-up call.”