A Thousand Boy Kisses

I smiled again.

He wasn’t immune. And no matter how much he resisted, he loved this. I could feel it as easily as I could feel the snow hit my skin outside. I led him to the second picture. My eyes widened as I took in the dramatic sight. Tanks rolling forward in convoy, a man standing directly in their path. I quickly read the information, heart racing. “Tiananmen Square, Beijing. June 5, 1989. This picture captured one man's protest to stop the military suppression of continuing protests against the Chinese government.”

I stepped closer to the picture. I swallowed. “It’s sad,” I said to Rune. Rune nodded his head.

Every new picture seemed to evoke a different emotion. Looking at these captured moments I truly understood why Rune loved to take photographs. This exhibition demonstrated how capturing these images impacted society. They showed humanity at its best and at its worst.

They highlighted life in all its nakedness and in its purest form.

When we stopped at the next picture, I immediately glanced away, unable to look properly. A vulture patiently waiting, hovering over an emaciated child. The image immediately made me feel full of sorrow.

I moved to walk away, but Rune stepped closer to the image. My head snapped up and I watched him. I watched him study every part of the picture. I watched as his eyes flared and his hands clenched at his side.

His passion had broken through.

Finally.

“This picture is one of the most controversial pictures ever taken,” he informed me quietly, still focused on the image. “The photographer was covering the famine in Africa. As he was taking his pictures, he saw this child walking for help, and this vulture waiting by, sensing death.” He took a breath. “This picture showed, in one image, the extent of the famine more than all the previous written reports ever did.” Rune looked at me. “It made people sit up and pay attention. It showed them, in all its brutal severity, how bad the famine had grown.” He pointed back at the child, crouched on the ground. “Because of this picture, aid work increased, the press covered more of the people’s struggles.” He took a deep breath. “It changed their world.”

Not wanting to stop his momentum, we walked to the next one. “Do you know what this one is about?”

Most of the photographs, I struggled to look at. Most were of pain, most were of suffering. But to a photographer, although graphic and heart-wrenchingly difficult to view, they held a certain type of poetic grace. They held a deep and endless message, all captured in a single frame.

“It was a protest—the Vietnam war. A Buddhist monk set himself on fire.” Rune’s head dipped and tipped to the side, studying the angles. “He never flinched. He took the pain to make a statement that peace should be achieved. It highlighted the plight and the futility of that war.”

And the day rolled on, Rune explaining almost every picture. When we reached the final shot, it was a black-and-white picture of a young woman. It was old; her hair and make-up seemed to be from the sixties. She appeared to be around twenty-five in the picture. And she was smiling.

It made me smile too.

I looked to Rune. He shrugged, silently telling me that he didn’t know the picture either. The title simply read, “Esther”. I searched the guidebook for the information, my eyes immediately brimming with water when I read the inspiration. When I read why this picture was here.

“What?” Rune asked, his eyes flashing with worry.

“Esther Rubenstein. The late wife of the patron of this exhibition.” I blinked, and finally managed to finish, “Died aged twenty-six, of cancer.” I swallowed the emotion in my throat and stepped closer to Esther’s portrait.

“Placed in this exhibition by her husband, who never remarried. He took this picture, and hung it in this exhibition. It reads that even though this picture didn’t change the world, Esther changed his.”

Slow tears trickled down my cheeks. The sentiment was beautiful; the honor was breathtaking.

Wiping my tears away, I glanced back at Rune, who had turned away from the picture. My heart sank. I moved before him. His head was hanging low. I pushed back the hair from his face. The tortured expression that greeted me tore me in two.

“Why did you bring me here?” he asked, through a thick throat.

“Because this is what you love.” I gestured around the room. “Rune, this is NYU Tisch. This is where you wanted to attend. I wanted you to see what you could achieve one day. I wanted you to see what your future could still hold.”

Rune’s eyes closed. When they opened, he caught my stifled yawn. “You’re tired.”

“I’m fine,” I argued, wanting to address this now. But I was tired. I wasn’t sure I could do much more without some rest.