“What’s going on out there?” Mrs. Whitshank asked. She was wiping a counter; the last of the pots and pans had been dried and put away.
Abby said, “Well, they got the trunk down, but Mitch hasn’t shown up yet. Dane is taking a cigarette break, and Ward and Earl and Landis are clearing the yard, and Red is counting tree rings.”
“Tree rings?” Mrs. Whitshank asked. Then, perhaps imagining that Abby had no knowledge whatsoever of the natural world, she said, “Oh! He must be guessing its age.”
“He was just standing there, after all that fuss, wondering how old a poplar was,” Abby said, and all at once she felt on the verge of tears; she had no idea why. “He’s a good man, Mrs. Whitshank,” she said.
Mrs. Whitshank glanced up in surprise, and then she smiled—a serene, contented, radiant smile that turned her eyes into curls. “Why, yes, honey, he is,” she said.
Then Abby went out to the porch again and settled in the swing. It was the prettiest afternoon, all breezy and yellow-green with a sky the unreal blue of a Noxzema jar, and in a minute she was going to tell Red she’d like to ride with him to the wedding. For now, though, she was saving that up—hugging it close to her heart.
She nudged a porch floorboard with her foot to set the swing in motion, and she swung slowly back and forth, absently tracing the familiar, sandy-feeling undersides of the armrests with her fingertips. Her eyes were on Dane now; she watched him with a distant feeling of sorrow. She saw how he dropped his cigarette, how he ground it beneath his heel, how he picked up his axe and sauntered over to a branch. What a world, what a world. And then the line that came after that one: “Who would have thought,” the witch had asked, “that a good little girl like you could destroy my beautiful wickedness?”
But Abby stood up from the swing, even so, and started walking toward Red, and with every step she felt herself growing happier and more certain.
PART THREE
A Bucket of Blue Paint
10
EVERY GROUND-FLOOR ROOM but the kitchen had double pocket doors, and above each door was a fretwork transom for the air to circulate in the summer. The windows were fitted so tightly that not even the fiercest winter storm could cause them to rattle. The second-floor hall had a chamfered railing that pivoted neatly at the stairs before descending to the entrance hall. All the floors were aged chestnut. All the hardware was solid brass—doorknobs, cabinet knobs, even the two-pronged hooks meant to anchor the cords of the navy-blue linen window shades that were brought down from the attic every spring. A ceiling fan with wooden blades hung in each room upstairs and down, and out on the porch there were three. The fan above the entrance hall had a six-and-a-half-foot wingspan.