You know we love you.
“It’s not like we were making plans behind your back,” Emily says. “We were only having a conversation. If this isn’t a good time for you—-”
“Don’t say that.”
She squeezes her eyes closed. “I don’t want to feel like I’m doing this wrong before I’ve even done anything.”
“Emily.” I put my arms around her from the side, the buckets dictating the shape of our embrace. She tries to pull away but I have her. I hold her, and then she starts to cry.
“Oh, Emmy.” Nell touches her sister’s shoulder. “Oh, god, I’m so sorry.”
Emily shakes her head, covers her face with her hands.
“Somebody didn’t get enough sleep,” Maisie says.
That’s what I used to say to the girls when they wailed over whatever it was they wanted and didn’t get—-another puff of cotton candy, a final spin on the Zipper. The perceived injustice of the phrase enraged them, but when they got older and started saying it to one another it was suddenly hilarious. Sure enough, Emily’s sobs are disrupted by her own hiccupping laughter. She pulls up her T--shirt to wipe her face, blow her nose.
“You’re so gross. You should be a vet,” Maisie says.
Emily shakes her head. “I don’t know how to do this.”
“Get married?”
“I don’t know how to do any of it.” She turns up her face to shout at the sky. “Are we going to get the cherries picked in time? Will anyone be working at the processing plant? Is everything going to rot in a warehouse? Then Benny says we should just go ahead and get married, at least get that knocked off the list, and I think, why not? If we do it now we don’t have to invite anyone—-no relatives, no neighbors, no friends from school. We’ve got the perfect excuse. It can just be us and the Holzapfels. We can bring blankets and sit in the grass by the pond. I can wear something I already own and nothing will cost anything and we won’t have to write thank--you notes.” The breeze shifts imperceptibly through the leaves and just like that she’s crying again. Maisie lifts the yoke of stone fruit from her sister’s neck and Emily rubs her eyes with the heels of her hands. “Whenever I think about getting married I feel like I’m losing my mind, and maybe that’s because I’m losing my mind, and then I think of poor Benny getting stuck with a crazy wife and what a burden I’m going to be for him, then two minutes later I don’t feel that way at all. Getting married is bullshit, if anyone wants to know. The whole institution is designed to drive women crazy. We don’t have the time or the money to blow on some princess fantasy I never had in the first place. So why can’t we just get married on a Thursday after lunch and then go back to work? Done. I love Benny, you know I do, and I want to marry him. I just don’t want to be a bride.”
Maisie and Nell and I are staring at her, and while I’ve always said my daughters are capable of a perfect communion of thought, this time I’m in on it. Emily has solved the age--old problem.
“You slipped the harness,” Nell says.
“You’re a fucking genius,” Maisie says, her voice gone soft with wonder.
Emily stands radiant before our adoration. “Dad doesn’t know this, does he?”
We shake our heads.
“Hold off for a minute, will you? Let me tell him. Benny’s going to want to talk to him. I want to talk to him. He’d be hurt, you know, if he thought we’d worked the whole thing out without him. We’re together all the time.”
Emily! I want to say. This sorrow at the thought of exclusion you wish to protect your dear father from, that’s what I’ve been feeling all morning. But I have been here long enough to understand the difference between daughters and mothers and daughters and fathers. We promise to wait. Secrets are at times a necessary tool for peace. “Take as long as you need.”
“I’ll tell him,” she says, then opens up her arms to take the three of us in.
When all of this is done we feel that we have lived enough for an entire day. We’ve done enough. Now we should be able to go home, sit on the porch or in the bathtub, go back to bed with our books and our dog and our sewing, but the truth is the sun is ticking up and we’ve barely started to work. Sweet cherries must be picked today and every day until they’re gone. We’ll start shaking the tarts before the sweets are finished. They overlap at the end. When all the cherries are harvested there will be just enough time to get the trees pruned and finish up the farm maintenance and take care of equipment repair before we start in on the apples. And the pears. Only a few acres but still, we have pears and they will have to come off the trees. Everything does.
“Did you ever think that you were going to marry Duke?” Emily asks, bringing the story back to me.
Given that marriage is Topic A, I try to remember. Did I ever look at Duke in my bed asleep, the cigarettes on the nightstand, his arm thrown out across my chest, and think, yes, you, every morning, forever?
“No,” I say.
“But you loved him,” Emily says.
“I was twenty--four.”
“That’s a yes,” Maisie says.
Did I ever wonder if my parents had been in love with other people, or think of them as having lives before their lives included me? Maybe it’s just that my girls are modern, or that Duke was famous, or that we’re mired down in work with only the past for distraction. I have no idea.
“So you did your first table read and then you went for a walk along the lake,” Nell says.
“And you smoked!” Maisie says. “We haven’t talked about the smoking. I can’t believe that. You’d kill us if we smoked.”
I nod, picking, picking, picking. That is all I have told them, and now I can feel them bearing down on me as if they are once again crawling into my lap, pushing my book aside, trampling my sewing. Mommy, Mommy, Mommy, they cry.
The most amazing thing was how well I slept—-in a new state with a new job and a naked man I scarcely knew in my bed—-I went through the entire night without so much as a dream. The window had no curtains, and when I opened my eyes to the brightness of Michigan I felt myself to be newly and fully adult. Certainly I hadn’t been an adult in New Hampshire, and in L.A. people made money by herding me around, Ripley or Ashby, my agent, a producer. But I’d gotten to Michigan all on my own, into the play and into this bed. “Hey you.” I tapped the small dip in the middle of Duke’s chest.
He kept his eyes closed, smiling as he pulled me to him. “Oh, perfect. This is perfect.” He snuffled into my neck. “I was hoping you’d still be here.”
“Where else would I be? It’s my room.”
“And you’ve been nice about sharing. What’s the time?”
I lifted up enough to see my travel clock, which was on his side of the bed. His side, my side. “Eight--seventeen.”