Stop trying to make sense of it. It’s just a dream, she told herself, and then her fingers closed around something cool and hard. Her heart gave a jolt. She drew her hand out of the satchel and saw, rolling in her palm, a hard gray orb.
She sank down with her back against the wall, staring at it. Petrov’s stone. It could be nothing else. The feel of it, the weight in her hand, was familiar; as she gazed at it, she seemed to see smoke swirling in its depths. Now and then it formed itself into shapes that seemed almost recognizable, almost like words . . .
But how had it gotten into her satchel? She recalled Petrov jostling against her as he’d opened the door of his flat. He was clever and careful. He could have dropped it into her bag, but why? Because of the men coming up the steps? Was he hiding it from them?
She sat and wondered, gazing at the stone, until the aubade, the morning bell, rang out from the Windtower Clock, signaling the start of the working day and the end of the watches of the night.
The greatest lesson that we, citizens of the Empire, can take from the time of the Sorcerer-Kings is that power should not be limitless. It is for that reason that, when an Emperor is crowned, it is whispered in his ear by a priest of the Gods: Remember that you are mortal. Remember that you will die. For when we die, we face Anibal, the Shadow God, who judges our actions in life, and any abuse of mortal power will result in eternity in Hell.
But the Sorcerer-Kings had no Gods. And the One Word bestowed on them a great power. Yet that power was limited by mortal strength. Magic required energy, and too great a spell could exhaust the magician, even unto death.
It was then that the Sorcerer-King Suleman invented the Arkhe—the Source-Stone. It allowed magicians to store energy outside themselves. Such energy came from many sources: from a drop of blood fed to the stone each day to more violent methods; the murder of a magic-user provided great power, which could be stored within the Arkhe.
The world darkened. The Sorcerer-Kings grew in murderous ambition. They began to look past their borders and covet what their neighbors had. Why should I not be the greatest? each asked themselves. Why not the most powerful?
Thus was the world nearly destroyed.
—Tales of the Sorcerer-Kings, Laocantus Aurus Iovit III
CHAPTER SIX
It was almost noon. Kel was looking at Conor. Conor was looking at himself in the mirror.
“I dislike this bandage,” Conor said. “It’s destructive to the integrity of my ensemble.”
Kel, sitting on the arm of the sofa, sighed. It appeared Lilibet had noticed Conor’s injuries, after all. The Royal Surgeon, Gasquet, had arrived that morning, woken them both up, and insisted on bandaging Conor’s hand before the Dial Chamber meeting.
“I doubt anyone will notice,” Kel said now.
Conor made a noncommittal noise. He was looking at himself in the pier glass that hung against the east wall. He generally dressed outrageously for Dial Chamber meetings, as if certain that could liven up the proceedings. Today, however, he had chosen to wear shades of black and silver: black velvet cloak, black silk trousers, tunic of silver brocade. Even his crown was a plain silver circlet. Kel was not entirely certain that Conor intended to take the Dial Chamber meeting seriously, but at least his clothes would.
“You see,” said Conor, “my outfit is black. This bandage is white. It destroys the symmetry.” He glanced over his shoulder. “I can’t believe you didn’t chase off Gasquet. Aren’t you supposed to protect me?”
“Not against your own doctor,” Kel pointed out. “Anyway, you know perfectly well what would have happened. Gasquet would have run to the Queen. The Queen would have raised a fuss. And you hate fuss. I was protecting you against fuss.”
Conor, clearly hiding a smile, said, “And I expect you to do the same at the meeting. No one fusses like the Charter Families.” He pushed a heavily ringed hand through his hair. “All right. Into the den of overdressed lions we go.”
They left the Castel Mitat together, Conor humming a popular song about unrequited love. It was a bright, blustery day, the wind tossing the tops of the cypress and pine trees that dotted the Hill, the sky clear enough to see the mountains of Detmarch ranged in razor-sharp formation to the north. To the west, cliffs fell away toward the ocean, its roar audible even at a distance. And to the east, the Star Tower rose from the ramparts of the walls surrounding Marivent.
As they neared the tower, Kel ran through a quick check: slim blades at his wrists, under the sleeves of his plain gray tunic. A dagger at his hip, hilt tucked through his belt, concealed by the fall of his jacket. He had dressed plainly, in dark gray and green, intending to be ignored.
Kel could hear the sound of voices as they passed through the tower gates—guarded on either side by Castelguards—and into the Dial Chamber, where the sound rose to a din.
The Dial Chamber was a circular marble room whose domed roof rose to a central oculus; meetings were generally held at midday, when the chamber was most directly illuminated by the sun. When it rained, a glass dome was placed over the oculus, though rain in Castellane was rare.
The mosaic floor had been designed—in tesserae of blue, gold, black, and scarlet—to resemble a sundial. A great ironwood chair had been placed at the location of each hour’s tiled numeral—Roverge at six, Montfaucon at four, Aurelian at twelve. The chairs themselves belonged to the House they represented, and their backs were carved accordingly: Trees adorned the chair belonging to House Raspail, who held the timber Charter; a bunch of grapes for Uzec; a silk moth for Alleyne; the sun and its rays for Aurelian.
Circling the interior of the dome, words in Callatian, the language of the Empire, had been picked out in gold tiles: ALL THAT IS GOOD COMES FROM THE GODS. ALL THAT IS EVIL COMES FROM MEN.
Kel had always felt that this commentary seemed pointed, considering what tended to go on in the Dial Chamber. He wondered if the Charter Families thought the same, or if they even noticed it. They were not the sort of people who spent much time looking up.
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