“But not you,” Trey said again.
“Hey, I’ve got nothing against making money. We play to our strengths, and that works. Clarice may not know how to build a dinghy, but she’s got an eagle eye on the business of the business. Connor could sell sand to a man wandering the desert. Mike could build if he wanted, but he’s best at design. Cathy and Cole, they’re both settled in Europe, got family there, and handle that end of things.
“And Hugh,” Owen added, speaking of his younger brother, “he’s grateful for the share Collin left him, and he’d do whatever I asked him to do. But what he wants is to live in New York, wear fancy suits, and work in finance. He’s good at it.
“Do you figure the women are coming down before lunch?”
“Sonya’s up. She wanted to check something in her office first. I don’t know about Cleo.” Trey looked in the bowl. “French toast?”
“It’s Sunday.” Owen got out two skillets. “Somebody else is doing the dishes. How many slices do you want?”
“I can smell the bacon. Are you making eggs, too?”
“It’s Sunday.”
“Then two.”
When Sonya walked in, Owen added more soaked slices of bread to the skillet. Then poured beaten eggs into the other.
“You meant a serious breakfast.”
“It’s Sunday. How many do you want?”
“Just one, thanks.”
“That’s sad, but your choice.”
By the time he’d piled everything on one big platter, Cleo joined them. He shot her a look.
“Do you wake up looking like that?”
She just smiled. “Now, that’s a Sunday breakfast.”
“I made extra in case you decided to show up.”
“It’s Sunday,” she said, and made Trey laugh.
As they ate, Sonya turned to Owen. “So, Trey tells me you build doghouses.”
“Not really. A couple.”
“You did that duplex for Lucy.”
“A few,” Owen corrected.
“Yoda really needs his own house. I mean like right now, he has guests. Maybe they all want to hang out, watch some ESPN. Or Paw Patrol.”
Owen scooped up some eggs, eyed her as she smiled at him.
“What’ll it take?”
“Don’t know. Haven’t thought about it. Right off, you need a design, dimensions.”
“It just so happens.” She popped up, retrieved the sketchbook she’d brought in with her. “I have that.”
“Did you get this going?” he asked Trey.
“Inadvertently.”
Owen continued to eat as he studied Sonya’s sketches. Ones she’d carefully drawn to scale.
“Mansard roof, a turret, arched windows.”
“It needs to honor the Victorian style of the manor. It’s Yoda’s manor.”
“Uh-huh. Interior, tray ceiling, with a fan, heated floor. A freaking trundle bed.”
“For sleepovers.”
“An electric fireplace.”
“Between that—I found a really small one—and the heated floors, it would be warm in the winter. What do you think?”
“She wants a boat.” He pointed his fork at Cleo. “And we already made the deal. But I can think about it. If I do, you’re slave labor,” he told Trey.
“No problem. Speaking of dogs, I’ll let them in, feed them.”
“I’ll handle the dishes.” Cleo rose. “I suppose we need to get started. Why don’t we take the downstairs?”
Within the hour, they were deep into it, removing more dustcovers, hunting through the warren of rooms. When she uncovered a big rolltop desk, Sonya searched through drawers and pigeonholes.
“Needs oiling.” Owen ran a hand over it. “Solid mahogany, got the S-shaped tambour front, original carved handles. Late Victorian probably.”
Sonya thought she knew him well enough now to recognize the tone.
“It’s yours.”
“No, no way. This piece has got to be worth—”
“A custom doghouse?”
“Shit. Damn it. Done.”
She surprised him by throwing her arms around him and giving him a noisy kiss.
He shot Trey a smug look. “You’re doomed now, pal. You know what happens when I kiss a woman.”
“She kissed you,” Trey pointed out.
“I can fix that.” But he turned back to the desk. “It’ll be interesting getting this out of here.”
As they worked their way through, the bell began to ring.
“There she goes,” Sonya muttered.
Trey walked over, put his hand on the bell, stilled it. Under his hand, it began to vibrate.
“You’re just pissing her off.” But Cleo crossed over, put a hand over his. “Insistent. And cold, right?”
“Yeah, getting colder.”
He removed his hand and the bell swung wildly.
“We could take it off the board.”
“I thought of that.” Joining them, Sonya shook her head. “But it’s kind of an early warning system. Plus, ignoring it’s like flipping her off.”
“Any of the others do that?” Owen asked.
“Not that I’ve noticed. Cleo, look at this desk. The slant top. That’s mahogany, too, isn’t it? You should take this.”
“I already have a desk.”
“For work, for art. You should set up an office. We have all these rooms. And the more of them we really use? It just feels like sticking a thumb in her eye.”
“When you put it that way.”
“It’s looking like we’re just the muscle,” Owen commented, then pointed. “What about down there?”
Sonya looked at the basement door. “I don’t go down there. Ever.”
“Can’t skip the basement.”
He went to the door, and it creaked just as Sonya imagined it would when he opened it. He hit the switch. “Lights work,” he said, and started down the steep, narrow stairs.
“We’ll do a quick sweep,” Trey said. “You can stay here.”
“I’m not staying here.” Cleo looked at Sonya when Trey went down. “Are we staying here like helpless damsels?”
“Oh hell. You go first.”
The stark lights only added to the gloomy shadows and corners. The concrete floor showed a dull, unhappy gray. It held another labyrinth of rooms, low-ceilinged, bare walled.
There should have been cobwebs, Sonya thought. But the basement proved as clean as the rest of the house.
“Molly keeps busy.” Sonya stuck close to Cleo.
“If you didn’t watch so many horror movies, you wouldn’t be thinking of Freddie or Jason or, who is it, Michael Myers.”
“Don’t say the names!”
She heard the men talking about tankless water heaters, furnaces, support beams. And headed in that direction.
At the top of the stairs, the door slammed shut.
And the lights went out.
“Oh shit, oh God. Jesus. Cleo?” She groped for Cleo’s hand, gripped it.
“I’m here. Where—”
Since Cleo’s voice came from the left, and the hand she held was on her right, Sonya didn’t even think about stopping the scream.
Whirling, she ran into someone—something—screamed again.
“It’s me! It’s me!” Cleo held tight, and they heard feet running. Saw dim light bouncing.
“Sonya!”
“Something’s in here.”
When Trey reached her, he wrapped one arm around her, held his phone with the flashlight in the other. Beyond the door, the dogs barked like maniacs.
“Are you hurt?”
“No, no, but—”
“Got your phone?”
“Yes, sorry, yes. The door. The lights.”
She fumbled out her phone as Owen moved past her and toward the steps. “Locked, from the other side.”