“You should get ready,” Wolfe says.
“I’m not staying. This is an intimate, special thing. I don’t want to intrude.”
“You aren’t intruding. But you are running late,” he says.
Flustered, I look down at my clothing. “I don’t have time to get ready.”
“You don’t need time. You need magic.”
“But it’s after dark,” I say, hearing how ridiculous the words sound as they leave my lips. Music starts to play behind the door, and my heart beats faster.
“Mortana, you’ve pulled in the tide and commanded the wind. I think you can use a little magic to get ready.”
“Will you do it for me?” I ask, not wanting to break another rule. I’ve already done so many unthinkable things, but I don’t have to keep saying yes. “Please.”
Wolfe looks at me with a frustrated expression, but he nods. “Okay.”
Before I can even say thank you, Wolfe’s magic surrounds me, smoothing my hair and brushing makeup over my face. He steps out of the study and returns moments later carrying a dress.
“I’ll wait outside while you change,” he says.
I take the dress and a long silver necklace slides out from the fabric. “Is this for me to wear as well?” I ask, holding it up.
“Yes.” It’s the only answer he offers before leaving again.
Once the door is closed, I slip into the gray lace dress. It comes down to my calves and has fitted long sleeves that bell slightly at my wrists, and I walk to the ornate gold mirror behind Galen’s desk. My eye shadow is dark and smoky, my lips are a deep crimson, and my hair falls loosely down my back. The necklace Wolfe gave me is ornate and silver with an oval black gemstone in the center. The back is perforated, intricate filigree that is somehow delicate and bold at the same time, and I put it on over my head and let my fingers brush the smooth surface of the stone.
“Come in,” I say when there’s a soft knock on the door.
Wolfe walks in and stops when he sees me, staring as if I’m a meteor shower on a clear night. I shift uncomfortably and walk back to the mirror.
I’ve always been taught to keep my makeup light and soft. Natural, as my mother puts it. I’m not used to seeing myself like this, but instead of balking at my reflection or asking Wolfe to tone it down, I’m totally entranced. I love it.
“I can change it if you want,” Wolfe says. His voice is thick and rough, and heat rises in my core at the sound.
“I like it,” I say, turning to face him. “What do you think?”
“I think…” he starts, then stops, shoving a hand through his hair. He looks frustrated again, and he shakes his head. “I think you look perfect.”
“Then why do you sound so upset?”
He walks over to me and gently places a moonflower behind my ear. “Because I don’t want you to look perfect in my world. I don’t want you to fit.”
“I don’t,” I say, forcing the words from my mouth. My throat is dry, my voice barely audible.
“Look again,” he says, turning my face to the mirror.
I look for a single breath, then close my eyes and turn away. I don’t want to fit here, either.
We’re about to leave when a large painting above the fireplace catches my eye. I must have missed it on my way in, so distracted by the grimoires, but it’s breathtaking. It’s a portrait of a woman with long, dark hair cascading down her sides and a crown of moonflowers on her head. She wears a fitted silver gown with a large black pendant resting against her chest. There is a soft, contented smile on her face, and her hands are folded lightly in her lap.
“Did you paint this?” I ask, amazed.
Wolfe stands next to me, looking up at the portrait. “Yes. My mother,” he says.
“She’s beautiful. Will I meet her tonight?”
“She died a long time ago.” He tenses beside me, and a sharpness enters his voice.
“What happened?” I’m not sure if it’s an appropriate question, if it helps or hurts to talk about, but I want to know him. And this is part of him.
“She died in childbirth. She was on the mainland getting supplies that weren’t available on the island when she went into labor. There were complications, and my dad couldn’t get to her in time. If she had been on the island, she would have lived. My dad could have saved her.”
“That’s awful,” I say, staring up at the painting. “I’m so sorry.”
“Is it awful? Your coven would say that her death was the only acceptable outcome, that using magic to save a life is wicked.” I turn to face him, and he looks angry. Hurt. “Which is it, Mortana?”
I’m not sure what makes me do it, how I even work up the courage, but I wrap my arms around his neck and pull him close. “It’s awful.”
He hesitates, remaining still as I hold him. Then slowly, he wraps his arms around my waist.
The music beyond the door gets louder, and Wolfe steps back.
“We need to go,” he says.
He walks to the door and opens it without another word.
The foyer has been transformed in the time we’ve been in Galen’s study, the large staircase littered with white moonflower petals, the iron railings wrapped in vines of ivy. Black pillar candles line the stairs, and deep, rich music drifts inside from the open doors.
Wolfe takes my arm, the tension he was holding left behind in his father’s study. We walk outside to the long sloping lawn that leads to the water’s edge. Black wooden chairs face the shore, each one looking hand-carved, and hundreds of white moonflowers float in the water and reflect the moonlight. A large iron arch sits on the beach, wrapped in more ivy and illuminated by candlelight.
I’m stunned at the beauty of it, how alluring and rich it is. I’ve been to dozens of weddings on the Witchery, but none of them were like this.
A large garden sits to the north of the manor, much larger than the one I saw earlier, but it’s too dark for me to make out what’s in it.
“That garden is huge,” I say.
“We grow most of our own food.”
“It’s almost like your own little town,” I say. The garden stretches so far I can’t make out the edge of it in the darkness.
“Our own little town where we can practice our own kind of magic.”
At first I think he’s mocking me, but he sounds happy when he says it. Content.
“Well, well, well, if it isn’t a low-T in our midst.” A woman walks over to me, long dark hair hanging to her thighs and streaks of rouge smeared across her cheeks and lips, standing out against her pale skin. She carries a silver glass, her nails painted the same color red as her makeup. I’ve only ever been allowed to wear sheer polishes in tones of pink and ivory, and I instinctively move my hands behind my back.
“Low-T? Is that what you call us?” I ask, looking at Wolfe.
“A rather unimaginative nickname derived from low tide magic,” he says.
“I see.”
“You look good,” the woman says, an amused expression on her face. “Dark colors suit you.”
“I’m sorry, have we met before?”
“You’re the most powerful daughter on the Witchery, love. We all know what you look like.” She winks at me and drapes an arm around my shoulders. “I’m Jasmine. Let’s get you a drink,” she says, leading me away from Wolfe.
“Jasmine?” I ask, the name shaking something loose in my brain. “Jasmine Blake?”
She looks at me, raising an eyebrow, and then a smirk pulls at her mouth. “Yes.”
“You denounced the new coven.” I’m shocked, can’t believe I’m standing next to her. “I thought you had…” I trail off, not wanting to offend. I was too young to remember it myself, but I’ve heard the story.
“You thought I had died on the mainland?”
I nod.
“After denouncing the new order, I came here,” she says simply, offering no further explanation. And maybe she doesn’t need one; maybe making that choice isn’t as complicated as the new coven believes it to be.
She hands me a silver goblet filled with deep red wine, and it reminds me of my mother. My heart starts to race.
“I hear you’re quite gifted in the old order,” Jasmine says,