“Hey there!” the woman calls.
I think she’s going to send us on our way, but instead, she beckons us closer as she heads toward the crime scene tape. “Can I speak with you two for a moment?” she says.
Sybil and I glance at each other before I call out, “Yes. Of course.”
We walk over to the cordoned-off area. Every step closer has my gut churning and my intuition telling me to stay away. Something here isn’t right.
“You two locals?” the officer asks, pulling out a notepad and pen.
“We’re attending witches at Henbane Coven,” I say.
“Do you regularly use this pathway?”
“She doesn’t,” Sybil says, gesturing to me. “I’ve been running this trail weekly for the past year.”
“Do either of you know of anyone else who regularly comes this way?” the officer asks, looking between us.
My eyes move over the crowd of officers and other uniformed personnel as that sick, uneasy feeling worms its way beneath my skin. The cluster of officers parts, and I catch sight of—of—
My mind can’t—won’t—make sense of what my eyes are seeing. The colors are crimson and pink and beige and black, so much oily black—
The officer steps in front of me, shifting to block my view.
I put a hand to my mouth to fight my rising nausea.
Sybil glances from me to the crime scene to the officer. “What’s going on? Has something happened?”
“We’re not at liberty to discuss an open investigation,” she says smoothly.
But I don’t need magic or intuition to know what’s going on. I saw it with my own eyes.
Save us, Goddess.
There’s been another murder.
CHAPTER 18
The news breaks later that day.
Another killing. Another witch gone too soon.
I try to focus during Intro to Magic, but all I can see is that shape on the ground, the one my mind couldn’t make sense of then—the one it still can’t make sense of. And then there was the oily, terror-steeped magic that clung to the crime scene like awful perfume.
Dark magic. True dark magic. The kind people sell their souls for.
It has me shivering even now.
The Politia hasn’t released much information about the killing, but it was obvious enough from what I saw that the attack happened sometime between yesterday evening and this morning.
Right after Memnon visited me.
I go cold all over.
Could he, in his anger, have attacked another witch? Could he have murdered her?
I remember the violence of Memnon’s power and presence.
Yes, he could have. Easily, he could’ve.
I draw in a shuddering breath, forcing the thoughts away before I spiral. I refocus on Professor Huang at the head of the lecture hall. They have pin-straight black hair that hangs all the way down to their thighs, and when they move, it swings like a curtain.
“As witches, we all draw magic from the world around us,” they say, making their way to the side of the stage, where a table rests. On it sit a dozen different items.
“However,” they continue, “every single one of you has a unique way of interacting with magic, and as you grow in your abilities, you’ll learn how to sculpt your power to fit your use.”
They move their hand over the items, touching them one by one. “I’ve set out several items, each one symbolic of a certain form of magic.”
I focus on the items in question. From where I sit, I can make out a potted plant, a loaf of bread, a locket, a dried bundle of herbs, a bowl of water, a crystal, a conch shell, a clay pot, a river rock, a bowl of soil, an unlit candle, a page of writing, and a vial of what looks like gray dust.
“Today, we’re going to learn the particular types of magic that call to you,” Professor Huang says. “This will give you a good foundational understanding of your own magic, which you can then build on. It’s important to know our magical strengths. And later in this course, we will do this again. Only, next time, we will look for the items you want to avoid—those will be your magical aversions.
“But I’m getting ahead of myself.” They clap their hands once, their hair swaying with the action. “Now, witches,” they say, “I’ll have you come down—please form a line in front of the table.”
I get up and follow my classmates down to the stage.
“I know what many of you are thinking,” Professor Huang says as we all get in line. “Why must you do this again when you have likely done it before?”
We’ve…done this before?
My mind strains to find a similar memory to this, one that either happened here at Henbane or at Peel Academy. None comes to me.
If the memory once existed, it’s become a casualty of my magic.
Our instructor continues. “I recommend repeating this test every few years. As we all know, magic is wily and wild, and it likes to grow and change just as much as we do.”
Once we’ve all lined up, Professor Huang moves to the table and the witch at the front. “Now let’s begin.”
One by one, my classmates step up to the table and pick out several items that represent their magical preferences. Most end up gravitating to the potted plant—green magic—as well as the loaf of bread and the bundle of herbs, all items that really speak to the life-giving, medicinal nature of witchcraft.
Every so often someone reaches for the locket, or the piece of paper, or the crystal. I watch, fascinated, curious about what I’ll end up picking.
When it’s my turn, I step up to the table, my magic buzzing beneath my veins. My eyes sweep over the items. I already know what my magic likes best—memories. But the items before me are conduits, allowing magic to be used to its furthest extent.
“Eyes closed, hand out,” Professor Huang instructs.
I do as they ask. I can’t see the objects clearly with my eyes closed, but I can sense the magic pulsing through each one. I reach out an arm, my palm turned toward the items.
Almost immediately, my hand moves, drifting to the right, then down, until my fingertips touch something wet.
“Water,” my instructor murmurs. “Go on.”
My arm moves again, now drawn to a different section of the table. When my hand drops into another bowl, I don’t even need to hear what my instructor has to say. I can feel the soft soil sifting between my fingers.
I lift my hand out of the dirt. Right next to it is another item tugging at me for attention.
My hand wraps around a smooth stone.
“River rock,” Professor Huang says. “Anything else?”
I release the smooth stone. My magic is calling me to two final points on the table. I go with the closest item first, my fingers brushing the rough rim of something and nearly knocking it over. I place my palm more firmly over it.
“The Vin?a cup,” my instructor murmurs. “Interesting, my dear.”
A sharp pull has my arm moving once more. With my eyes still shut, I close my hand around a cool glass vial. This is it, the last item.
“Moon dust,” Professor Huang says as my eyes flutter open. Beneath my hand is the vial filled with dark dirt.
“Good job,” my instructor says. “What an unusual combination.”