The Sheen of the Silk

chapter 73-75
Seventy-three

ANNA PICKED DELICATELY AT THE HERB LEAVES IN HER small garden. It was time to harvest many of them. The wild poppy heads were nearly ready to gather. She watered and tended the hellebore, aconite, digitalis, pennyroyal, and the mandrake she was carefully encouraging. If it grew successfully, she would take some of it to Avram Shachar. It would be a small gift in return for all his kindness.

Here in the shelter of the house on one side, and the outer wall on the other, the sun was warm on her shoulders, a memory of summer as the year faded fast. If the union did not become real enough to hold off Charles of Anjou and his crusaders, next summer might be the last before they attacked.

Would she be one of those who tried to escape, or would she stay, as perhaps a physician should? She would be needed here.

And afterward, what then? Life in an occupied city, under an enforced crusader rule. There would be no Orthodox Church then. But if she was honest, it was becoming more and more difficult for her to ally wholeheartedly with the Orthodox faith. She was beginning to accept that the way to God was a solitary one, born of a passion and a hunger of the spirit that no hierarchy, no ritual however beautiful, could give you, nor in the end prevent you from achieving.

She missed Giuliano. She could still remember, as if it had been moments ago, the look in his face when he had seen her in a dress. It was almost as if part of him had known and been repelled so intensely that it had churned his stomach, filled his mind with an inner betrayal he could not bear.

Afterward on the voyage back, he had made a massive effort of will to forget it, but nothing could erase the knowledge from his mind or hers. In a way, they had gone back almost to the beginning again, strangers feeling their way delicately.

Now she would do for him the only thing she could: release him from his own sense of being tainted by his mother's betrayal, unloved and possibly unable to love, as if her blood in him were a poison in his soul.

If she was able to discover more, perhaps it would not be as bad as Zoe had said.

Where would Zoe have looked for Maddalena Agallon? Was there still an Agallon family in Constantinople, or had they remained in the cities of their exile?

Anna collected what she had harvested and took it inside. She washed her hands, separated the leaves and roots, labeled them, and put them away, all except the lemon thyme and the mandrake root big enough to harvest. She wrapped them separately to take.

She would begin her quest by asking Shachar. Months passed as she awaited his answers.

She came in answer to his summons. The heavy skies of early winter were closing in, and his message told her to come warmly clothed and prepared for a long ride.

"I have made inquiries about the Agallons. We are going to a monastery," Shachar informed her. "It is several miles outside the city. We may not be back until morning."

She felt a quickening in her pulse, fear, and surprise.

He smiled, leading the way through to the back courtyard of his house where she had never been before. Two mules were ready, and obviously he intended to leave without delay.

They were a mile beyond the outskirts of the city, and it was dark, almost moonless, when he spoke to her quietly. "I have found Maddalena's sister, Eudoxia. I have little idea what she will tell you, but she is old and ill, a nun in a monastery. You are calling as a physician to see her and possibly treat her. You may ask what you wish, but you will have to accept whatever she says, and under whatever conditions she imposes. Your treatment is not conditional. If she chooses to tell you nothing, then still you will do your best for her."

"I?" she said quickly. "What about you?"

"I am a Jew," he reminded her. "I will be your manservant. I know the way and you do not. I will wait outside. You are both a Christian and a eunuch, the ideal person to treat a nun."

They rode together in silent companionship for another two hours until the black mass of the monastery loomed out of the shadows on the hillside. It was a huge building with small, high windows, like a fortress or a prison. Shachar was admitted only as far as the shelter of the kitchen.

Anna was conducted along narrow stone corridors to a cell where an old woman lay on the bed. Her face was ravaged by age and grief, but it still held the remnants of great beauty.

Anna did not need to ask who she was. The likeness to Giuliano jarred her as if she had been physically struck.

She tried to swallow the tightness in her throat and thanked the nun who had escorted her, then stepped into the room. There was a plain wooden crucifix above the bed, and near the door was a dark, severe, and beautiful icon of Mary. "Sister Eudoxia?" she said quietly.

The woman opened her eyes curiously and then sat up a little farther on the bed. "The physician. They are kind to have sent for you, but you are wasting your time, young man. There is no cure for age, except God's cure, and I think I shall gain that quite soon."

"Do you have pain?" Anna asked, sitting down.

"Only such as mortality and regret bring to all of us," Eudoxia replied.

Anna reached for her pulse and felt it, thin but regular enough. She did not have a fever. "It is not a trouble. Do you sleep well?"

"Well enough."

"Are you sure? Is there nothing I can do for you? No discomfort I can ease?"

"Perhaps I could sleep better. Sometimes I dream. I would like to do that less," the old woman replied with a slight smile. "Can you help that?"

"A draft could ease you. What about pain?"

"I am stiff, but that is time catching up with me."

"Sister Eudoxia..." Now that the moment had come, what Anna had to say seemed intrusive, and she was ashamed.

The old woman looked at her curiously, waiting. Then she frowned. "What troubles you, physician? Are you looking for a way to tell me I am going to die? I have made peace with it."

"There is something I would like very much to know, and only you can tell me," Anna began. "I recently sailed to Acre, on a Venetian ship. The captain was Giuliano Dandolo..." She saw the shock in Eudoxia's face, the sudden leap of pain.

"Giuliano?" Eudoxia said, no more than a breath between her lips.

"Can you tell me about his mother?" Anna asked. "The truth. I will tell him only if you give me permission to. He suffers bitterly, believing that she left him willingly, not loving or wanting him."

Eudoxia put a frail, blue-veined hand up to her cheek, fingers still slender. "Maddalena ran away with Giovanni Dandolo," she said quietly. "They were married in Sicily. Our father followed her, found her, and took her away by force. He brought her back to Nicea. He married her to the man he had chosen for her in the first place."

"But her marriage to Dandolo..." Anna protested.

"Father had it annulled. He did not know that Maddalena was already with child."

Eudoxia was pale; tears welled in her eyes. Anna leaned over with a soft muslin and wiped them gently. "Giuliano?" she asked.

"Her husband accepted the situation to begin with. He took Maddalena to live some distance away. However, when the baby was born, and was a boy, he became jealous. He was brutal, not only to Maddalena, but he threatened the child also. At first it was only in little ways, and Maddalena thought he would get over it." Her voice was strained with old grief, sharp again as when it was new. "But Maddalena's husband knew she still loved the boy's father, and every time he looked at the child, it was a reminder, another twist to the knife of his jealousy. His violence increased. Giuliano began to have accidents. Twice the servants rescued him only just in time from being seriously injured, perhaps killed."

Anna could imagine it only too vividly: the fear, the shame, the constant anxiety.

"To protect the boy, Maddalena took him and fled," Eudoxia continued. "She came to me. I was married then, and happy enough. My husband bored me." She flinched at the admission. "He was wealthy, and gave me a good life, but he could not give me children. In fact, he could not..." She left the sentence unfinished.

Anna smiled and touched the thin hand on top of the nun's gown. "Did you help Maddalena?"

"I did as she asked, which was that I should rear the child as my own. My husband agreed. I think at first he was quite happy to do it. I took Giuliano, and gave Maddalena what support I could." She blinked, but not fast enough to hold the tears. "I loved the boy..."

"Go on," Anna whispered.

"All was well, until Giuliano was five. My husband became possessive, and even more... dogmatic, more boring. I..." She let out her breath in a sigh. "I was beautiful when I was younger, like Maddalena. We were so alike people sometimes mistook one of us for the other..."

Anna waited.

"I was lonely, both in mind and in body," Eudoxia went on. "I took a lover-in fact, more than one. I behaved badly. My husband accused me of being a common whore, and said that he had witnesses to prove it." She gave a deep, shuddering sigh. "Maddalena took the blame. She insisted it was she, and not I, who had been with the man. She did it for Giuliano's sake-I know that-not mine. I could care for the boy, she couldn't."

Anna found she could barely swallow the pain choking her throat.

"Maddalena was found guilty, and suffered the penalty for being a whore. She died not long afterward, beaten and destitute. I think by then she wanted to die. She never stopped loving Giovanni Dandolo, and there was nothing else left for her."

Eudoxia's voice was choked with tears. "My husband knew it was I who had been in the tavern that night, and he knew why Maddalena had lied for me. He forced me to grant him a divorce, and to take the nun's veil. But he refused to take Giuliano. He would put him on the street, or sell him to some dealer in children, for God knows what use." She shivered. "I took him myself. I ran away from Nicea and begged and stole and prostituted my way to Venice with him. There I gave him to his father. A Dandolo, he wasn't difficult to find. I thought of staying in Venice, even of dying there. But I hadn't the courage. There was something in me which needed a better atonement than that. I came back and took the veil, as I had promised my husband I would. I have been here nearly forty years. Perhaps I have made my peace."

Anna nodded, the tears wet on her own face.

"A human mistake, a loneliness and a hunger so easy to understand. Of course you have made your peace. Now may I bring Giuliano so you can tell him?"

"Please-please do!" Eudoxia cried. "I... I did not even know if he was still alive. Tell me, is he a good man, a happy man?"

"He is very good," Anna replied. "And this will give him a greater gift of happiness than anything else possible."

"Thank you." Eudoxia sighed. "Don't bother with the draft for sleep. I shan't need it."

Seventy-four

GIULIANO HAD GIVEN THE ICON TO THE POPE. HE WOULD have liked to give it back to Michael, but with reluctance he understood why that could not be. If he did, it would only necessitate Michael packing it up and sending it again. It could be lost at sea, especially at this time of year.

So when the pope's envoy had approached him in Venice, he had produced the icon immediately and presented it to the man to take with him to Rome, a gift from the Venetian Republic, which had rescued it from pirates. No one believed that, but it did not matter. They split a good bottle of Venetian wine, laughed hard, and the envoy left with the icon, well guarded by a number of soldiers.

Giuliano left for Constantinople and arrived six weeks later, sailing up the Sea of Marmara against a heavy wind and glad to dock at last in the Golden Horn. The familiar outline of the great lighthouse, the warm red of the Hagia Sophia, were strangely pleasing to his mind, yet even as he thought of it, he was also aware that it was an illusion of safety.

As soon as he stepped ashore, the harbormaster gave him a letter with his name on it and the word urgent on the outside. It had already been there two days.

Dear Giuliano,

Through the good offices of my friend Avram Shachar, I have found a close relative of your mother. However, there is little time. She is old and very fragile. I have visited her, and I fear she has not long left.

She told me the truth of your parents, and I could repeat it to you myself, but it would be far better that you should hear it from her. It would also bring her great peace.

I promise you it is a story you will want to hear.

Anastasius

Giuliano thanked the harbormaster and returned to his ship. He handed over command to his lieutenant, and without even changing his sea clothes, he went straight to Anastasius's house.

Anastasius stood at his doorway, talking to Leo. He turned and saw Giuliano, and his face lit with pleasure.

Giuliano strode forward and clasped his hand, forgetting for a moment how slender it was. He eased his grasp. "Thank you more than I can say."

Anastasius took a step backward, but he was still smiling. He regarded Giuliano's disheveled clothes, the leather worn with use and still stained here and there by salt water. "We should go tonight. It will be a hard ride," he said apologetically. "But we shouldn't wait."

Giuliano dismissed the inconvenience instantly but was glad to rest an hour or two.

Leo went to hire horses for the journey, and Anastasius himself prepared and served them a brief meal.

"Is Simonis ill?" Giuliano asked.

Anastasius smiled bleakly. "She has chosen to live elsewhere. She comes in during the day, now and then."

He did not add any more, and Giuliano sensed that the subject was painful.

They set out at dusk, at first riding side by side. He was excited, longing to hear the story, afraid of what it would be, how it might damage the fragile defense he had built against the truth.

Rather than endure his own thoughts, he told her about the icon and how he had stolen it from Vicenze, replacing it with the other picture, and what he had heard of its unveiling in front of the pope and all the cardinals. They both laughed so hard that for several minutes they were breathless.

Then the road narrowed and they were obliged to go single file, and further conversation was impossible.

When at last they arrived at the monastery, they were tired and cold, but they did little more than take a hot drink and wash off the dirt of travel before Anastasius asked to see Eudoxia.

They found her pale, breathing shallowly, and close to death, but her joy at seeing Giuliano, knowing immediately who he was, transfigured her.

"So like your mother," she whispered, touching his face with her fragile hand, cold when he clasped it in his. She told him the story, as she had told it to Anastasius. Giuliano was not ashamed to weep for his mother, for his own misjudgment of her, or for Eudoxia.

He stayed with her for most of the night, tiptoeing away to his own rough bed only toward dawn.

He rose late the following day and attended a service with the nuns. He could never thank his aunt enough. He sat with her again, helped her eat a little and drink, all the time telling her about his life, his travels at sea, and especially his journey to Jerusalem.

He found it hard to leave, but her strength was slipping away and he knew it was right to let her rest. There was a peace in her smile, a calmness in her, that had not been there upon their arrival.

And most profoundly, he marveled at the truth. His mother had loved him. All that had been broken inside him was healing. How could he ever thank Anastasius for that?

He and Anastasius set out, riding single file again, down the new pathway, and he was glad of the chance to be alone with his thoughts. In one day, what had been a feeling of abandonment and shame had become the deepest love imaginable. His mother had sacrificed every happiness she had so that he would survive and be loved.

Now his Byzantine heritage was rich with passionate, lifelong, and selfless love. Surely no child had been loved more? He was glad that in the darkness of the long ride, Anastasius could not see the tears on his face and that with the frequent need to pass single file on the rough road, there was little chance to speak.

Seventy-five

ANNA SAT WITH EIRENE VATATZES IN HER RICH, unfeminine bedroom with its somber colors and rigid patterns on the walls. It was at once beautiful and lonely. Now it smelled stale, of perspiration and decay. She did all she could for Eirene to lessen the pain, and simply by being there, by a touch, a word, to still some of her fear. She did not lie to her; it would have been pointless. She knew Eirene would not recover this time. Each day her strength lessened and her times of complete lucidity became briefer.

Anna dearly wished that she could ask Eirene some of the unanswered questions about the plot to usurp Michael.

Eirene tossed in the bed, turning over, dragging the sheet with her. She moaned in pain. Anna leaned over and straightened it where it was crumpled, then dipped a small cloth in a bowl of cool water and herbs and wrung it out, freeing the perfume of it into the air. She placed the cloth gently on Eirene's brow, and for a few moments she was quiet.

Maybe only Demetrios's intentions now were important. But Eirene was Anna's patient, and she could not tax her with it. For nearly an hour she lay motionless on the bed, as if she were sinking into the last peace of death. Then she gasped and started turning again and again, tangling the covers.

"Zoe!" she said suddenly. Her eyes were closed, but there was such an expression of ferocity in her face that it was hard to believe she was not conscious. "Soon you'll be all alone," she whispered. "We'll be dead. What will you do then? Nobody to love, nobody to hate."

Anna stiffened. She knew what Eirene was thinking-Zoe and Gregory. The jealousy still corroded her inside; nothing could take that away. Anna put out her hand and laid it gently on Eirene's wrist.

"He had to die," Eirene began again, shaking her head abruptly from side to side. "Deserved it."

Anna was startled. Was Eirene's unforgiveness for her husband really so deep that she had wanted Gregory dead, his throat torn out and his body left bleeding on the stones of some street he did not know?

"No, he didn't deserve it," Anna said aloud, not knowing if Eirene still remembered what she had said or even if she could hear anything at all outside her own head.

Eirene's voice came back so strongly, it startled her. "Yes, he did. He kept the icons his father stole when they were leaving the burning city. He should have given them back. I could have killed him myself, if I'd dared. I should have."

Anna looked at her and saw her eyes were open and clear, the anger burning hot in them. "You knew that Gregory had the icons from the sack of 1204?" Anna asked.

"Not Gregory, you fool!" Eirene said witheringly, now fully conscious. "His cousin Arsenios. That's why Zoe killed him." She closed her eyes again, as if too weary to be bothered with anyone so stupid. "Gregory knew that," she added as if it were an afterthought. "Revenge. Always revenge." She sighed and seemed to drift into sleep again.

Anna pieced it together. Zoe had killed Arsenios in revenge for his keeping the icons, and Gregory knew it. He would have felt compelled to retaliate for his cousin's death, and knowing that, Zoe had struck first.

But Zoe's revenge had not been only Arsenios's death, it was his daughter's humiliation and his son's death as well. And unwittingly, Anna had contributed to that in her medical treatment of the daughter. She was cold now at the thought. No wonder Eirene hated Zoe. How could she not?

She looked down now at her lying on the bed. Eirene's face was not so much at peace as totally empty of passion or even intelligence. Had Gregory ever loved her? Did he care about her ugliness, or had she cared about it so much that in the end she had forced him to care also?

For another two days, Eirene seemed to remain much the same. She was often asleep, but apparently easier in her mind, the pain less acute. Then quite suddenly she became worse. She woke in the night barely able to move, her body drenched in sweat. Anna treated her with herbs and drugs as much as she dared. But sometime after midnight of the third day, Anna was standing close to the bed looking at Eirene, and she saw that even in the warm glow of the candlelight her face was haggard and there was a gray pallor to her skin.

Eirene opened her sunken, clouded eyes and stared at Anna.

Anna ached with pity for her, but Eirene was beyond physical help. "Would you like me to send for Demetrios?"

"Given up at last?" Eirene's lips were dry and her throat tight. "Give me some more of that herb that tastes like gall." She blinked and stared at Anna. She must know she had not long, and the breaking of her body consumed her.

Anna ached to help her, but if she gave Eirene another dose of the poppy, it might kill her. She decided to do it anyway.

Anna nodded and turned aside to reach for the small bottle. She would put it with a lot of water-in fact, mostly water. The illusion of opium might help as much as the reality. After Eirene took three or four sips, Anna laid her back as gently as she could, straightened the covers, then went to the door and called the servant.

"Fetch Demetrios," she told him. "I think she has not long left."

The servant went away, footsteps rapid on the tiled floor. He returned ten minutes later to say that Demetrios had gone out earlier and not yet returned. Apparently, he had not expected to be needed so soon.

"If he returns, tell him his mother is dying," Anna answered, then turned away and went back into the room.

The candle guttered. She lit another.

Suddenly Eirene opened her eyes again, and her voice was quite clear. "I'm going to die before morning, aren't I."

"I think so," Anna replied honestly.

"Fetch Demetrios. I have something I need to give him."

"I already sent for him. He's not in the house, and the servant cannot tell me where he is."

Eirene was silent for a few moments. "Then I suppose you'll have to do," she said at last. "Gregory thought Zoe loved him, but she betrayed him with Michael," she said. "You didn't know that, did you?" There was satisfaction in her. "Michael is Helena's father. Imagine that! That would have given Bessarion a double right to the throne, don't you see?"

A chill thought struck Anna. This could alter more than she could imagine. It explained Helena's part in the usurpation totally. "How do you know that Helena is really Michael's child?" she asked.

"I have letters," Eirene said, biting her lip as the pain washed over her again. "From him to Zoe."

Anna was skeptical. "How did you get them?"

Eirene smiled, although it was more a baring of the teeth. "Gregory took them."

"Does Zoe know you have these letters?"

"She knows Gregory did. She didn't know I took them from him. He never dared challenge me for them back."

Anna's mind was in turmoil, racing from one new meaning to another. "Helena doesn't know?" she asked yet again.

"It is better she doesn't," Eirene repeated wearily. "She would become impossible to manage."

"Why should I believe all this?"

"Because it is true," Eirene replied. "I bequeathed some of the letters to Helena. My cousin will give them to her in time But the rest are there in my safe box. The key is under my pillow. Give them to Demetrios." She smiled slightly. "Once Helena knows, then she'll have the power. That's why Zoe has never told her." She took a long, shuddering breath. "But now I don't care. It'll be hell for Zoe... every day." A faint smile parted her lips, as if to taste something sweet.

She closed her eyes, and gradually all expression emptied out of her face. She slept for perhaps half an hour.

There was a noise in the corridor outside, and the door swung open. Demetrios came in, dalmatica swirling, wet from the rain, his eyes dark and angry.

"Mother?" he said quietly. "Mother?"

Eirene opened her eyes, taking several moments to focus. "Demetrios?"

"I'm here."

"Good. Get Anastasius to give you... the letters. Don't lose them! Don't throw..." She took a long, deep breath and let it out with a sigh, a little gasp in her throat. Then silence.

Demetrios waited for several more minutes and then stood up. "She's gone. What letters was she talking about? Where are they?"

Anna took the key from under the pillow and went to the box behind the icon on the wall, as Eirene had told her. The letters were in a neatly tied bundle.

"Thank you," he said, taking them from her hand. "You can go. I would rather be alone with her."

There was nothing for Anna to do but obey.