The Paris Architect: A Novel

But…if it was done cleverly, maybe the Jew would never be discovered, no one would know of his involvement, and best of all, Lucien would make a huge amount of money plus get a big commission out of it. Besides, Manet was a very shrewd, successful man. He might take a calculated risk, but he wasn’t reckless. The old man would’ve thought this all out to the last detail.

Then the image of being lashed to a chair at 11 rue des Saussaies, getting his face pummeled to a pasty red lump, came to mind. Lucien turned to walk toward the door. Still, he thought, with a little ingenuity there could be a place to hide a man in plain sight. He placed his hand on the door handle, then looked back into the empty apartment. Lucien shook his head and opened the great wooden door a few centimeters to see if anyone was about, and stepped out in the corridor.

Then again, Lucien reasoned, the commission alone would make the risk worth considering. To get such a huge project to design was an incredible opportunity that would never have come his way before the war. And God knows, he desperately needed the money; he hadn’t worked since the Occupation began. His own savings were long gone, and Celeste’s money wouldn’t last forever. It wouldn’t hurt to at least look around, he thought. He reentered the apartment and began walking through the rooms.

First, Lucien ruled out the obvious hiding places, such as behind the bookshelves—a stock cliché of American mystery movies—or in a recess at the back of a closet. As if they were the lens of a movie camera, his eyes swept over every square meter of each room, taking in every detail. At the same time, he intuitively analyzed every surface by contemplating the construction of the space behind it—as if he was thinking with x-ray vision. Though Lucien didn’t know how big Manet’s “guest” was, his mind placed an imaginary average-size man within each possible space to see if there was enough room. Lucien examined the beautiful wainscoting along the walls. The wide recessed panels could be removed, opening up a space big enough for a man to fit through. But was that too obvious a hiding place? Probably. There had to be a twist. What if the person had to go through the panel opening and crawl down the length of the wall to hide within another hidden compartment? If the Germans found the removable panel, there would be just an empty space behind it. Unfortunately, as Lucien inspected further, he noticed the walls behind the wainscoting weren’t deep enough for a man’s body.

Then Lucien noticed how unusually tall the baseboards along the floor were. Using the small tape measure he always carried with him, he confirmed they were almost forty centimeters high. Maybe they could be hinged like a flap on a mail slot, so a man could pull them up and slide on his belly into a hollowed-out space. That would’ve been a solution if the wall had been the right depth. Too bad, the Germans never would’ve looked down there.

Lucien moved on. There was a wall along a corridor that curved out in the center, creating a semicircular niche where a small bronze statue of Mercury sat on a meter-high base. A man could crouch inside the base, unless he was really tall. The statue and the wood top of the base would have to be lifted up then put back into place in order for the man to hide. That would be quite difficult to do. Even if the statue was fastened to the top from underneath and the top hinged to the base, it would be very heavy. Lucien picked up the statue and guessed it weighed around fifty kilos. Would Manet’s guest have the strength to open and close the top?