“Likewise, miss. And I go by Ted. Old Ted, they call me.” He nodded in a most civil fashion. “Watch your step back there. Things lying around all over the place that can trip you up if you’re not careful.”
I thanked him again and off I went, down the dark passageway until I found myself in the backstage area. The whole place was lit by a couple of anemic electric bulbs, which were not strong enough to cast more than small pools of light and the stage was bathed in gloom, the various props and scenery flats looming over me like menacing shadows. Even though I told myself I had no reason to be afraid, I found I was holding my breath. After all, if Scarpelli’s mishap had not been a malfunction or miscalculation, then someone had wanted a person dead badly enough to have taken a frightful risk in this very theater, at this very spot. And it seemed as if that person had to be Scarpelli himself, if the props were really locked up like the stage doorkeeper had told me. Of course I couldn’t forget that the headliner on the bill was the self-proclaimed King of Handcuffs who could open any lock. But he had appeared shocked and surprised when he saw what had happened. He had also, I reminded myself, been the one to suggest that Lily should be carted away in an ambulance before the police arrived to uncover any clues from the scene.
I tiptoed carefully across the stage, my feet sounding unnaturally loud in the vast empty area. This was about the spot where the tragedy had taken place. I got down on my knees and searched the floor, looking for bloodstains, but it had been well scrubbed. Then I prowled around the rest of the backstage area. I came across some big wooden crates, padlocked, plus a couple of tarpaulins, wrapped around with chains and likewise locked with massive padlocks. I assumed these to be the magicians’ props that they guarded so carefully. I wondered if Scarpelli had also kept his sawing-the-lady trick under a similar tarpaulin. If so it would probably have been easy enough to break into, especially for a fellow magician—especially one who made his living from picking locks.
In truth I had little hope of finding my wrap. There was no reason anyone would have removed it from Lily’s body before transporting her to the hospital. And since no hospital had apparently admitted her, then the wrap was lost with the girl and the illusionist. Not that I really fancied having it back, all covered in blood. Then another thought struck me—Scarpelli made it quite clear that he wasn’t about to divulge his illusion to anybody. If he had fled, wouldn’t he have made sure that he left nothing behind but took that contraption with him? It would be covered in blood and probably beyond use now, but it would hold the secret to the illusion. That’s why he made sure she was wheeled out still lying in the box.
I hadn’t seen what happened when she reached the ambulance and whether she was lifted out of the box and onto a stretcher at that point. In which case, what happened to the contraption itself? I stared longingly at those tarpaulins. If I could just peek under them, maybe I’d recognize the leg of that table. Maybe there would still be evidence of bloodstains on the leg. And if it was still here, then maybe Scarpelli hadn’t run off after all. Maybe the murderer had made sure that he finished off both Scarpelli and his assistant. I knelt on the floor and attempted to lift up the bottom of the tarpaulin.
“Hey, what do you think you’re doing?” called a voice from across the stage.
I jumped up guiltily and was relieved to find it was only one of the stagehands and not one of the illusionists. He was a big, burly man in his shirtsleeves and braces, so I decided to act the helpless female.
“Oh, my goodness, you startled me,” I said, putting my hand to my chest in a dramatic gesture. “It’s so dark back here, isn’t it?”
“The public’s not allowed backstage,” he said, still glowering. “Who let you in?”
“Your doorkeeper said I could come and look for my lost wrap. I hope that’s all right.”
“Your wrap?”
I nodded. “I was here the other night when there was the terrible accident, and I used my wrap to cover that poor girl until they found blankets for her. I came back on the off chance that it might still be here, although it probably won’t be much use to me, all covered in blood like that. However I’d like to retrieve it if I could. It came from Paris, you know. Cost me more than a month’s wages.” I hoped I was babbling on like a scatterbrained female. I even attempted a pretty smile.
“You wouldn’t find it under there,” the stagehand said, giving me a frosty stare. “Those belong to the illusionists and they’re most particular about them.”
“Oh, dear. Of course, they would be. I’m sorry.” I backed away hastily. “You didn’t find a wrap, did you? A pretty lilac color with a silky fringe, but it would have had blood on it, of course. You probably wouldn’t have noticed the color.”
The Last Illusion
Rhys Bowen's books
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- For the Love of Mike (Molly Murphy Mysteries, #3)
- Hush Now, Don't You Cry (Molly Murphy, #11)
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- In Dublin's Fair City (Molly Murphy Mysteries, #6)
- In Like Flynn (Molly Murphy Mysteries, #4)
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- Tell Me, Pretty Maiden (Molly Murphy Mysteries, #7)