The Devil's Bones

The piece of frontal bone I held in my hand had been patched together from seven irregular fragments, none as large as the nail of my little finger; glued together, the seven pieces were about the size of the fat end of a Grade-A Large egg. The chunk of bone fit within the palm of my hand—with an inch of palm showing all around it. Even so, even as small as it was, the multitude of irregular seams and angles and edges had begun to rebel against being forced back together. As I zeroed in on the edges marked by my penciled arrow, I could see that the fracture lines on one edge didn’t correspond exactly to those of the adjoining edge. What’s more, now that I was examining the fit with a dubious eye, I gradually became aware of a slight difference in the hue of the char on the bone’s outer surface. The difference was slight—so slight it tended to vanish if I looked at it directly, the way a faint star vanishes if you look at it directly—but whenever I glanced at it slantwise, rather than dead on, there it was, an elusive and skittish truth, crouching in the forensic underbrush: Miranda had glued the wrong piece here. I batted the magnifying lamp away; it spun around in a half circle on the end of its spring-loaded arm, then stopped and swayed in place. “Damn,” I said angrily, then “damn” again, this time softly and sadly. The angry damn was for the wasted time and misdirected effort, butting our heads against the wrong wall, in our efforts to compare a faulty reconstruction with an X-ray. The sad damn was for Miranda, who would doubtless be devastated to learn of her mistake.

 

I thought on that for a while. Did she actually need to learn of her mistake? Did she need to learn from her mistake? The teacher in me was inclined to think she did; otherwise she might make it again someday, in a case where there was no mentor looking over her shoulder to catch it and correct it. But another voice in me suggested that maybe I should cut her some slack, just this once—that I pushed too hard, expected too much, and held her to impossible standards; that the world wouldn’t end, and Miranda’s abilities wouldn’t self-destruct, if I didn’t point out this one small, understandable error. My inner teacher was winding up for a self-righteous retort—something to the effect that it would be condescending to protect Miranda from knowing she’d made a mistake—when my eye was caught by a glimmer in the tray of cranial fragments. The cascade of light from the magnifying lamp was now pooling in the tray of cranial fragments, and the lamp’s slight sway was causing a piece of bone to appear to move back and forth across the lens, growing and shrinking as it passed through the central field of view. It was almost as if the piece were breathing, expanding and contracting, coming to life. As I watched it, I realized that it looked familiar, in a backward sort of way, and then I realized why: Its jagged edge was the mirror image of one of the pieces in the reconstructed fragment. If I moistened the glue with just enough acetone—enough to detach Miranda’s mistake but not so much that all the pieces fell apart—I could substitute the piece that was dancing under the magnifying glass right now.

 

Ten minutes later the line of Duco cement was still damp where I’d plugged in the new piece of the puzzle. I left it drying on the light box—alongside the X-ray I’d just compared it to—and locked up the lab, springing into my truck. Threading out from beneath the stadium, I emerged into what I was surprised to find had become late-afternoon sunlight. I’d had my head buried in bone fragments for more than eight hours.

 

Hurrying west along Neyland Drive, I veered onto the northbound ramp of Alcoa Highway, the quickest way to I-40 east. As I merged onto the interstate, I checked the sun’s height in the rearview mirror. I estimated I had three hours of daylight left, maybe just two in the mountains. The drive would take one of those hours. I hoped the other would be enough time to find whatever it was that lay waiting for me in Cooke County.

 

 

 

 

 

CHAPTER 34

 

 

 

 

THE TRUCK’S REAR TIRES ISSUED A SERIES OF STEADY screams as I careened around the curves of River Road. It was a good thing the day’s sun had already dried the pavement; otherwise I’d already be wrapped around one of the sycamores edging the riverbank.

 

The yellow line in the pavement fishtailed back and forth beneath the truck as I took every curve down the center or the inside—“straightening the curves,” southerners called it, and when I realized I was doing it, I laughed. I’d made my first foray into Cooke County less than a year before, and on that trip, on this very stretch of road, I had been a white-knuckled, dizzy-headed, carsick passenger. Now I was driving every bit as recklessly as that deputy sheriff had driven. Things change, I thought.

 

But not all things change, I realized. I felt a wave of nausea rising fast, and the beginnings of dizziness that warned me I was on the verge of triggering a bout of Ménière’s. Not now, I prayed, please not now. Sweat suddenly drenched my head, and my mouth flooded with saliva. I slowed the truck, turned the air-conditioning up to hurricane force, and started sucking in cold air for all I was worth.

 

Back when I was a kid in grade school, my teachers and I had learned—learned the hard, messy, humiliating way—that when I started to sweat and salivate like this, I had about thirty seconds before my breakfast or lunch came churning up. I had always hated the sense of impending doom—the sweat and saliva never lied—but I did feel grudging appreciation for the early-warning system. Not everyone had it, I noticed, and those who didn’t sometimes suffered even more humiliation than I. There are few experiences more degrading for an eight-year-old than spending half a day at school in clothes that reek of vomit. Wetting or soiling your britches was about the only thing worse than throwing up on yourself. Any one of the three could haunt you for the rest of the school year—as if the faint aroma of your accident still clung to your hair and clothing, weeks or even months later.

 

Jefferson Bass's books