The Devil's Bones

“Was he in the Knox County Detention Center? Hell, they’ve got cameras by the hundreds out there—I don’t see how a prisoner could pick his nose without three cameras recording the boogers for posterity.”

 

 

He shook his head. “The reason we hustled you away from the Farm so fast is that he was only a stone’s throw away when he escaped.” I stared at Art uncomprehendingly. “He was in the ER at UT Hospital. They’d rushed him there after he went into convulsions,” Art said. “Or appeared to go into convulsions. As they were wheeling him into the ER, he jumped off the gurney and ran into a stairwell.”

 

“Damn it,” I said, “that’s the worst possible place for him to get loose. He knows every nook and cranny of that hospital. If they didn’t have it locked down in sixty seconds, he could have taken a hundred ways out.”

 

“They didn’t have it locked down in sixty seconds,” Art said.

 

I didn’t need him to tell me that. The chorus of helicopter rotors and police sirens told me Hamilton had gotten away. What I didn’t know was where he’d go and what he’d do: lie low, slip away, or try again to kill me?

 

 

 

TWENTY-FOUR HOURS later, I was still in shock. I’d spent a bad night, followed by a dismal day and an even more wretched night. Every sudden noise made me jump, and the only thing worse than the sound of the phone ringing was the sound of it not ringing—the sound of Hamilton slipping silently away.

 

A security camera showed that Hamilton had ducked out through the back door of the Forensic Center only minutes after leaping off the gurney. In fact, he was already outside before the first KPD units were dispatched toward the hospital. Somewhere between the ER and the Forensic Center’s exit, he’d tugged on a pair of scrubs and a surgical mask. One of the pathology residents later told police that he thought he’d glimpsed Hamilton in the hallway, but he’d dismissed the notion, since he knew—or thought he knew—that Hamilton was in custody.

 

Once beyond the loading-dock camera’s field of view, Hamilton had vanished completely. It was possible he’d stowed away in the back of a linen truck or one of the dozens of other service vehicles entering and exiting the hospital complex daily. It was also possible he’d simply walked across a parking lot and slipped into the woods that bordered the grounds on the south and the east. Two days of searching—by tracking dogs, by helicopters, and by dozens of KPD officers, Knox County deputies, and TBI agents—had failed to turn up any leads.

 

Hamilton’s escape was the lead story in the Knoxville News Sentinel and on every local TV station. His picture and Jess’s and mine were prominently featured, and my house was once more besieged with reporters clamoring for sound bites describing how it felt to know that the man who’d killed Jess and tried to kill me was on the loose. The only consolation to the media frenzy was that if Hamilton showed up within a mile of my house, he’d be captured instantly, at least on videotape, by several news crews. The two days after his escape were among my life’s lowest points—surpassed only by Kathleen’s death, Jess’s murder, and my arrest.

 

The third day I rose from the dead, or at least from the deadly paralysis of spirit that had gripped me. The only way to get my mind off Hamilton, I realized that day, was to get it on something else. One such something, I decided, could be unraveling Burt DeVriess’s questions about his Aunt Jean’s cremation.

 

I called Helen Taylor at East Tennessee Cremation and apologized for standing her up two days before. “If you’re still willing to show me around, I’d appreciate it, but if you don’t want to bother at this point, I understand.”

 

She assured me she’d not taken offense—she’d seen me on the news after Hamilton escaped—and invited me to come out as soon as I could.

 

“Is thirty minutes too soon?” I asked.

 

“Thirty minutes is fine,” she said.

 

I resumed the journey I’d begun two days before.

 

East Tennessee Cremation occupied a low, modest building on a grassy corner at the Rockford industrial park’s entrance. Facing it, across the street, was a prefab metal warehouse identified as S AND S SERVICES. The crematorium was no bigger than a two-car garage and not much fancier, the owners apparently seeing no need to indulge in the frilly sentiment or veneered stateliness of funeral homes. I liked the unpretentious plainness—it was fitting, I decided, for a place that took in dead bodies, laid them in an incinerator of sorts, and burned them down to inorganic minerals. The building had a low L on one side, which housed an office with a glass door and double-hung windows. The business part of the building—the part in the higher, cinder-block portion—had a big roll-up garage door on the front end and two steel exhaust stacks on the other. The building had no sign of any kind; it was the stacks—their tops a swirl of bluish black that bespoke extreme heat—that told me I’d found the crematorium.

 

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