The Breaking Point: A Body Farm Novel

I WAS HALFWAY THROUGH MY PART OF THE BRIEFING—I had passed out diagrams of the human skeleton and had worked my way from the skull down through the spine and into the pelvis—when I noticed that my voice wasn’t the only thing droning. Maddox was ignoring me by now, his head turned in the direction of the sound; a moment later, I saw McCready and Prescott turn toward it, too. In the distance but closing fast was the distinctive thudding of a helicopter rotor.

 

When it became clear that the helicopter was landing, McCready and Prescott headed for the door, trailed by the rest of us. Maddox and I stayed in the background, watching from the command center’s steps.

 

The agents fanned out on the concrete, facing the helicopter—the sheriff’s helicopter again, as I’d guessed from the low, military muscularity of the pitch. As the rotor slowed, the left cockpit door opened and a woman got out of the copilot’s seat—a woman I recognized, even through the dark hair whipping across her face, as Carmelita Janus. She was dressed in black from head to toe, but the outfit was a far cry from widow’s weeds; it looked more like a commando’s uniform for night ops—but night ops with style. She wore billowy cargo pants of what appeared to be parachute nylon, topped by a long-sleeved, form-fitting pullover; the pants were tucked into tight, knee-high boots that sported tapered toes and a hint of a heel.

 

Maddox nudged me, muttering, “Is that who I think it is?”

 

“If you think it’s the grieving widow,” I muttered back.

 

“Christ, what’s she doing here?”

 

“Trying to find out if her husband’s dead, I guess. Or maybe trying to make sure we’re not sitting around playing video games.” I glanced at McCready and Prescott; to say they didn’t look thrilled to see her would have been the understatement of the century.

 

Mrs. Janus strode toward the FBI agents, who stood shoulder to shoulder, like some posse of Wild West lawmen, minus the six-shooters and the ten-gallon hats. Her gaze swept across the group, then returned to the central figure, the one wearing the power suit. “You must be Agent Prescott,” she said.

 

“Yes, ma’am,” he said. “Special Agent in Charge Miles Prescott. So, Mrs. Janus? Why are you here?”

 

“To identify my husband’s body, if it’s been found. To help search for it, if it hasn’t been.”

 

Prescott shook his head slowly, seeming pained. “Ma’am, I’m very sorry, but I can’t let you do that.”

 

“Why not? I’m trained in search and rescue. I’m also a paramedic. Not that I think Richard could have survived this crash.”

 

“How did you get the sheriff’s office to fly you up here?”

 

“Our organization has a good partnership with the sheriff’s office,” she said. “We often work together. Quite closely.” Prescott frowned. “Mr. Prescott, I’m here to help any way I can. Even if it’s just to identify the body.”

 

He held out his hands, palms up. “Mrs. Janus, we haven’t even started the search. It’s not safe yet. I can’t put you at risk. And once we do start, we’ll be collecting forensic evidence—evidence we’re counting on to tell us what happened last night. You wouldn’t want any of that evidence to be overlooked, or damaged, or destroyed, would you?”

 

“No, of course not. But—”

 

Their dispute was interrupted by the whine and whump of the helicopter revving. Prescott looked puzzled for a moment. Then, as it became apparent that the chopper was about to take off—without Mrs. Janus—his expression changed from confusion to fury. “What the hell,” he snapped, then whirled and barked at the agent standing beside him. “You. Get on the radio with the sheriff’s office. Tell them to tell that pilot—” The helicopter lifted off. “Shit. You tell them to get that helicopter on the ground—right here, right now—to pick her up. Or I will come down on them like the wrath of God.”

 

Jefferson Bass's books