Sworn to Silence

Turning slightly, he introduces me. “Chief of Police Kate Burkholder.”

 

 

I step up to the podium and look out over the sea of faces. I feel a sense of responsibility to the people I’ve sworn to protect and serve. I hope I can honor my oath of office without dishonoring my family or destroying my own life in the process.

 

Quickly, I recap the basic information about the case, barring the carvings on the victims’ abdomens. “I want to assure all of you that the Holmes County Sheriff’s office, the Bureau of Criminal Identification and Investigation and the Painters Mill PD are working around the clock to catch the person responsible. In the interim, I’m calling on every citizen for help. I want you to keep your doors locked. Keep your security alarms turned on. Report any unusual or suspicious activity to the police, no matter how trivial. I also ask you to form neighborhood watch groups. Keep a watchful eye on your neighbors. Your family members. Your friends. If you are female, be vigilant with regard to your personal safety. Don’t go out alone.”

 

A barrage of questions erupt when I pause.

 

“Is it the Slaughterhouse Killer?”

 

“Do you have a suspect?”

 

“How were the women killed?”

 

The pushiness of the crowd annoys me. “One at a time,” I snap.

 

No one pays attention to my request. I spot Steve Ressler in the first row and call him by name. In the back of my mind I hope this makes up for my brusqueness back at the station. The last thing I want to do is alienate the media right off the bat.

 

“Chief Burkholder, have you contacted the FBI?” he asks.

 

“No.”

 

Disapproving murmurs ripple through the crowd.

 

“Why not?”

 

“Because we’re already working with the Bureau of Criminal Identification and Investigation out of Columbus.”

 

A dozen hands shoot up. I point to a thin man wearing glasses with heavy black frames. “Can you tell us how the victims were killed?” he asks.

 

“Preliminary results from the coroner concludes both victims had their throats cut. Cause of death is exsanguination.”

 

A hush that is part shock, part fear, falls over the crowd. I point to a man wearing a Cincinnati Reds ball cap. “That’s exactly how the Slaughterhouse Killer from the early nineties murdered his victims,” he begins. “Is it the same guy?”

 

“We do not know that to be a fact, but we are looking at old case files.” Ignoring the buzz that follows, I call on a woman I’ve seen on the news.

 

The questions are brutal and pummel me like stones. The answers are hard to come by. I do my best, but after twenty minutes I feel embattled and wrung out. Hands wave madly, but I don’t call upon them. “If you’ll excuse me I’ve got to get back to work.” Stepping back from the podium, I turn to Detrick. “Sheriff Detrick?”

 

At this point I’m expected to take my place beside Auggie and Norm and listen to Detrick’s spiel. But I’ve never been a fan of political cabaret so I head toward the rear stage door.

 

Behind me, Detrick’s voice booms from the sound system. Competence and charisma practically ooze from his pores, and I know that in minutes, he’ll have this hostile audience eating out of his hand. It shouldn’t bother me, but it does. In the public eye, perceptions are everything, even if those perceptions are skewed.

 

I mentally kick myself for having not done a better job at the podium. I should have been more patient, more forthright. I should have been a stronger leader. But I’m a cop, not a public speaker. Snagging my parka off the chair, I resolve to go back to the station where I can at least be effective.

 

Detrick’s voice is the backdrop to my thoughts as I enter a hall lined with lockers. Even from this distance, I discern the confidence in his voice. And I know he is the one who will make the citizens of Painters Mill feel safe tonight, not me.

 

“Chief!”

 

I turn to see Glock stride toward me. Next to him, John Tomasetti’s expression is grim. An Amish man with blunt-cut hair, blue eyes and a full red beard follows them. He wears a black wool jacket that doesn’t look nearly warm enough. A plump woman wearing a black coat over a wool jumper and leather ankle boots trails the men.

 

“This is Ezra and Bonnie Augspurger,” Glock begins.