Frozen Heat (2012)

“Hey,” he said, “you wanted a rodeo clown, you got a rodeo clown.”


Twenty minutes later, they pulled into the driveway of a gated condo complex about a half mile from the Hutchinson Parkway. Nikki punched some numbers into the security keypad and waited, running the fingers of both hands through her hair. A sharp buzz vibrated the tiny speaker on the kiosk, and as the gate rolled aside, thunder growled in the distance. Rook said, “Rumble thy bellyful! Spit, fire! Spout, rain!”

“Seriously, Rook? You’re meeting my dad and quoting King Lear?”

“You know,” he said, “there’s no bigger pain in the ass than a literate cop.”

To Rook, the Jeffrey Heat who waited for them standing in his open front door held only a faint resemblance to the photos he had seen in the family album. Sure, many years had passed since those pictures captured a more robust version of the man, whose life had been under his own command and whose future loomed brightly, but at sixty-one, time hadn’t aged Jeff Heat, life had. The thousand blows of grief had tempered his kindly, jovial face into a guarded replica, one that had come untethered from trust itself and permanently inclined downward, braced for the next jolt. When he reached to shake Rook’s hand, his smile qualified as a best effort; not fake, just unable to access anything inside that passed for simple pleasure. Like the hug he gave his daughter, it was all about getting it as right as he was able.

His condo had a beige feel. Not just clean, but orderly and male. All the furnishings had the same vintage, circa Y2K, including the beached walrus of a big screen TV, the predictable indulgence of the new bachelor. He asked if they would like anything to drink, and it struck Rook that Nikki seemed almost as much a guest there as he was. They declined, and her father took the leather easy chair, establishing himself in his command center flanked by side tables bearing his phone, TV remotes, a flashlight, a portable scanner, newspapers, and a short paperback stack of Thomas L. Friedmans and Wayne Dyers.

“You home for lunch, Dad?”

“Haven’t gone in yet. Everything you’ve heard about this real estate market? It’s worse. Had to let one of my agents go yesterday.” He reached down to hike up his socks. One of them was black, the other navy.

If her father felt any slight at first reading of the latest on his ex-wife’s murder case in the tabloid at his elbow, he didn’t let on. Instead, he listened quietly as Nikki filled him in on the particulars of the case, the only spike in his emotions coming when she recapped their lunch with the former lead detective, Carter Damon. “Ass,” he said. “And useless. That clown couldn’t find sand at the beach.”

“Tell me something, Dad. Everyone says Mom and this Nicole Bernardin were such good friends. But I never heard of her.” His expression remained neutral, so she said, “Kind of strange, don’t you think?”

“Not really. I never liked her, and your mother knew it. Bad influence, let’s leave it there. After we moved back here to the States about a year before you were born, Nicole Bernardin was out of our lives. Good riddance.”

Nikki filled him in on the visit to the New England Conservatory and described the video of her mother’s recital. “I knew Mom could play, but jeez, Dad, I never saw her like that.”

“Wasted gift. That’s why I nagged her the whole time we were in Europe that she was squandering her talent.”

“So you two knew each other a long time over there?” Rook asked. “When did you and Cynthia meet?”

“1974. At the Cannes Film Festival.”