Cut to the Bone: A Body Farm Novel

HE PICKED UP THE sheaf of pages and tamped their bottom edges on the kitchen table to align them, then turned the stack sideways and repeated the maneuver to even up the sides. Once the sheets were in perfect alignment, he inserted them into the three-hole punch and swung the lever down slowly. Closing his eyes to concentrate, he savored the slight variations in resistance as the steel posts punched through the five single-spaced pages, sheet by sheet by sheet.

 

A loose-leaf binder, already half filled, lay open on the table in front of Satterfield. Popping open the gleaming chrome rings, he threaded the freshly punched pages onto the stack, then clicked the rings shut and began rereading the text, twirling a pink Hi-Liter with the thumb, index finger, and middle finger of his left hand as he read. When he came to the description of the cut marks, he uncapped the marker and highlighted the passage: “The bones were severed with a curved tool of unknown type, the cutting edge having a curved shape approximated by the arc of a circle 3.5 inches in diameter.”

 

A yellow legal pad and a mechanical pencil lay beside the binder. Setting down the marker, Satterfield picked up the pencil and drew a curved line on the pad, then—doubting the accuracy of the drawing—he pushed back from the table and went to one of the kitchen drawers. Rummaging in the drawer, he found a metal tape measure and extended the tape to 3.5 inches. Next he opened the cabinet containing glassware and held the tape across the mouths of various vessels until he found one—a coffee mug—whose diameter fit the description in the forensic report. Setting the mug on the legal pad, he ran the mechanical pencil one-third of the way around the base, then set the mug aside and inspected the neat arc he had traced. The shape puzzled him. Trying to imagine the head of an ax or a hatchet behind the curve he’d traced, he frowned; the arc was too steep to fit either of those tools. Besides, he suspected that both of those implements—certainly a hatchet—lacked the weight required to cut cleanly through bone in a single stroke. Rereading the highlighted passage, he concluded that he’d interpreted the text correctly and had drawn the curve accurately. That meant he simply needed to do more research. Tearing the perforated page from the yellow pad, he folded and tucked it into his pocket. Then, closing the binder, he returned it to its hiding place—the cold-air return of the ventilation ductwork—along with the box of stolen files, the mother lode of material he’d begun to build his plans around. Fitting the slotted grille neatly over the mouth of the duct, he flipped the latches to lock it into place.

 

He checked his watch. Home Depot would be closing in an hour, but Satterfield figured an hour was plenty of time. It wouldn’t take him long to find just the right tool for the job, if Home Depot had it. Satterfield was a man who believed in having the right tool for the job, whether the job was cutting up a corpse or eviscerating an adversary.

 

 

 

FROWNING, HE HUNG THE ax back on its pegs—the blade was too tall, the arc of the edge too shallow—and continued down the aisle. Next he picked up a maul, a wood-splitting tool whose wedge-shaped head was like a cross between an ax and a sledgehammer. The tool’s heft was good, promising to strike with tremendous force, but again, the cutting edge lacked the curvature he was seeking. Satterfield took the sketch from his pocket and compared it with the edge of the maul. Could I file it down? he wondered. Reshape it? Probably not, he decided. It’d take forever, even with a bench grinder. He was mildly disappointed, but he was also intrigued; the puzzle—the quest—was challenging and invigorating, and solving it would be hugely satisfying: it would redouble his adversary’s frustration, and underscore Satterfield’s superior intellect.

 

“Help you, hon?” The question caught Satterfield by surprise. He looked over his shoulder at the questioner, a middle-aged woman in an orange Home Depot apron. Stoop-shouldered and beaten-down looking, she fell somewhere on the spectrum between mousy and hard-bitten. She clearly had never been pretty, and now her face was drooping and folding in on itself, as if she were already losing teeth. He caught a whiff of stale cigarette smoke coming from her, which explained her leathery skin and ashen hue. Satterfield found her not merely unappealing but actively repellent, not that he was shopping for anything but a tool here anyhow.

 

“No thanks. Just looking.” He turned back toward the display, folding the sketch and replacing it in his pocket, then drifted back toward the axes.

 

“Gotcha some trees need cuttin’?” she persisted. Christ, he thought, is she working on commission? Trying for Employee of the Month? “We got chain saws, too, next aisle over.”

 

“No trees,” he said flatly. He glanced over his shoulder again—she was still there—and then he slowly turned to face her. “No trees,” he repeated, cocking his head slightly, as if something about the word itself suddenly struck him. With a slight smile he added, “Just . . . limbs.”

 

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