“You do love this place,” Bartholomew noted as he walked alongside her.
She shrugged. “It’s home. If you’re used to the beautiful fall colors in Massachusetts, that’s home. Down here, it’s the water, and the craziness. Yes, I do love it.”
She stopped walking and stared across Simonton, frowning.
“What?” Bartholomew asked her. “I see nothing. Not even the beauty in white who frets so night after night.”
“Lights.”
“Lights? They’re everywhere, and trust me, I can remember when they weren’t,” Bartholomew told her.
“No! There are lights on in the entry at the old Beckett museum. My museum.”
“You don’t officially own it until Saturday, or so you said.”
“Right, I have a meeting at the bank on Saturday-Liam is going to come and help me-and I sign the final papers, but…”
There shouldn’t have been anyone in the museum. Craig Beckett had passed away at eighty-eight almost a year ago, a dear man, one who might have lived forever. His health had been excellent. But his life had existed around a true love affair. When Leandra, his wife of sixty-plus years had passed away, he had never quite recovered. He hadn’t taken a pistol to his head or an overdose of prescription medication, he had simply lost his love for life. Liam Beckett, a friend of Katie’s since she had come back-they hadn’t been friends before, since Liam had graduated high school before she had started-had been the assumed executor of the estate, and he’d planned to tear the museum down rather than invest in repairing it. The place hadn’t been open in years; Katie had loved it as a child, and she had long dreamed of reopening it. She had talked Liam into agreeing. David Beckett, Liam’s cousin and coexecutor of the estate, hadn’t actually corresponded about the matter yet. He’d been working in Africa, Asia, Australia or somewhere far away for the past few years, and Liam was convinced that David wouldn’t care one way or another what happened to the place. It was unlikely he would remain in the Keys if he actually returned at all. Since David had left, almost ten years ago, he had never wanted to come home.
His former fiancée, the great love of his life at the time, even though she had left him, had been murdered. Strangled. She was left there, in the family museum, posed in position as the legendary Elena Milagro de Hoyos.
He’d been under suspicion. He’d had an alibi-his grandparents. That alibi had made some people suspicious. After all, what would his grandparents say? But he hadn’t run; he had waited through the beginning of the investigation, he had stayed in town until the case had gone cold and then he had left, never to return.
Katie knew that some people thought that he should have been further investigated. She remembered him, but just vaguely. He’d been a big high-school sports star down here. Sean, her brother, had also loved sports. He was older and knew David Beckett better.
Curious, Katie crossed the street. It was quiet; street-lamps illuminated the road itself, but here on Simonton the revelry taking place still on Duval was muted and seemed far away. She stared up at the building that housed the Beckett family museum.
Originally, she knew, it hadn’t been chosen for any historical reason. The house was built in the late eighteen-fifties by Perry Shane. Shane had deserted it to fight for the Federals back in his native New Jersey. For years afterward, the house had just been one of many old places that needed work. The Beckett family had purchased it in the twenties because it had been cheap, a seventy-year-old fixer-upper. Now it was one of the grand dames of the street, mid-Victorian, boasting wraparound porches on both the first and second floors, and around the attic garret, a widow’s walk. Kate didn’t think anyone had ever really been able to see the water and incoming ships from the walk, but it had been a fashionable addition to the house at the time it had been built.
Once, it had offered six bedrooms on the second floor and two in the attic. Downstairs had been the parlor, library, dining room, office and pantry. The kitchen had been out back about twenty feet away. There was also a carriage house. Now, when you entered through the front door, the gate and turnstiles were positioned there. The tour began on the second floor and wound around through the rooms, brought visitors down the servants’ stairway to the first floor and then around once again, back to the front.
“What are you doing?” Bartholomew demanded, following her.
“I want to know why there’s a light on,” Katie said.
“Because someone is in there. And you don’t own it yet. It could be someone dangerous.”
“It could be frat boys on a lark, and I’m getting them out of there before they do damage to the place. Craig Beckett might have closed it down a few years ago, but it still has all of the exhibits in place,” Katie said.
“What if it’s not a frat boy?” Bartholomew protested. “Katie, don’t go in there.”